Hostname: page-component-848d4c4894-5nwft Total loading time: 0 Render date: 2024-05-23T10:22:55.961Z Has data issue: false hasContentIssue false
  • English
  • Français

Books Received

Published online by Cambridge University Press:  31 May 2011

Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Books Received
Information
Theatre Research International , Volume 36 , Issue 2 , July 2011 , pp. 190 - 192
Copyright
Copyright © International Federation for Theatre Research 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

ALBANESE, DENISE, Extramural Shakespeare. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 196. £50/$75 Hb.CrossRefGoogle Scholar
ANDERSON, DONALD R., Shadowed Cocktails: The Plays of Philip Barry from Paris Bound to The Philadelphia Story. Carbondale: Southern Illinois University Press, 2010. Pp. 238. £40.50/$45 Pb.Google Scholar
ANDERSON, PATRICK, So Much Wasted: Hunger, Performance, and the Morbidity of Resistance. Durham, NC: Duke University Press Books, 2010. Pp. 208. £14.99/$21.95 Pb; £56/$74.95 Hb.CrossRefGoogle Scholar
ARRINGTON, LAUREN, W. B. Yeats, the Abbey Theatre, Censorship, and the Irish State: Adding the Half-Pence to the Pence. Oxford: Oxford University Press, 2010. Pp. 224. £60/$110 Hb.CrossRefGoogle Scholar
ASTINGTON, JOHN H., Actors and Acting in Shakespeare's Time: The Art of Stage Playing. Cambridge: Cambridge University Press, 2010. Pp. 260. £15.99/$26.99 Pb; £45/$75 Hb.CrossRefGoogle Scholar
BAINES, ROGER, PERTEGHELLA, MANUELA AND MARINETTI, CRISTINA, eds., Staging and Performing Translation: Text and Theatre Practice. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 280. £55/$80 Hb.Google Scholar
BEAUFILS, ELIANE, Violences sur les scènes allemandes. Paris: PUPS, 2010. Pp. 304 + 8 illus. €20 Pb.Google Scholar
BEAUJEU, ARNAUD, Matière et lumière dans le théâtre de Samuel Beckett: Autour des notions de trivialité, de spiritualité et d‘„autre-là”. Oxford, Bern, e.a.: Peter Lang, 2010. Pp. xiv + 363. SFR 75/€51.10/£43/$74.95 Pb.CrossRefGoogle Scholar
BEITCHMAN, PHILIP, The Theatre of Naturalism: Disappearing Act. New York, Bern, e.a.: Peter Lang, 2011. Pp. x + 139. SFR 66/€46.80/£38.30/$65.95 Pb.Google Scholar
BHATIA, NANDI, Performing Women: Theatre, Politics, and Dissent in North India. Oxford: Oxford University Press, 2010. Pp. 232. £27.50/$35 Hb.CrossRefGoogle Scholar
BIAL, HENRY AND MAGELSSEN, SCOTT, eds., Theater Historiography: Critical Interventions. Ann Arbor: University of Michigan Press, 2010. Pp. 312. £25.95/$28.95 Pb; £75.95/$85 Hb.CrossRefGoogle Scholar
BILES, ZACHARY P., Aristophanes and the Poetics of Competition. Cambridge: Cambridge University Press, 2011. Pp. xii + 290. £60/$99 Hb.CrossRefGoogle Scholar
BOLT, RANJIT, The Art of Translation. London: Oberon, 2010. Pp. 58. £9.99 Pb.Google Scholar
BOUKO, CATHERINE, Théâtre et réception: Le spectateur postdramatique. Brussels, Bern, e.a.: P.I.E., 2010. Pp. 258 + illus. €34.50/£31.10/$53.95 Hb.Google Scholar
BRADLEY, LAURA, Cooperation and Conflict: GDR Theatre Censorship, 1961–1989. Oxford: Oxford University Press, 2011. Pp. 336. £55/$99 Hb.Google Scholar
BRADLEY, LYNNE, Adapting King Lear for the Stage. Farnham: Ashgate, 2010. Pp. 274. £55/$99.95 Hb.Google Scholar
BRODZINSKI, EMMA, Theatre in Health and Care. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 240. £50/$75 Hb.CrossRefGoogle Scholar
BUTEL, YANNICK, BIDENT, CHRISTOPHE, TRIAU, CHRISTOPHE AND MAÏSETTI, ARNAU, eds., Koltès maintenant et autres metamorphoses. Bern, Berlin, e.a.: Peter Lang, 2010. Pp. x + 361. SFR 88/€60.70/£51/$87.95 Hb.Google Scholar
COHEN, MATTHEW ISAAC, Performing Otherness: Java and Bali on International Stages, 1905–1952. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xii + 286. £55/$85 Hb.CrossRefGoogle Scholar
CONTEH-MORGAN, JOHN, with Dominic Thomas, New Francophone African and Carribean Theatres. Bloomington: Indiana University Press, 2010. Pp. xx + 210. $24.95 Pb; $70 Hb; $21.20 Ebook.Google Scholar
COOPER, HELEN, Shakespeare and the Medieval World. London: Methuen, 2010. Pp. xiv + 272. £55 Hb.Google Scholar
CURRY, JULIAN, Shakespeare on Stage: Thirteen Leading Actors on Thirteen Key Roles. Pp. xvi + 256. London: Nick Hern, 2010. £14.99 Pb.Google Scholar
DALINGER, BRIGITTE, Trauerspiele mit Gesang und Tanz: Zur Ästhetik und Dramaturgie jüdischer Theatertexte. Vienna, Cologne and Weimar: Böhlau, 2010. Pp. 380. €49 Pb.CrossRefGoogle Scholar
FISCHER-LICHTE, ERIKA, GRONAU, BARBARA AND WEILER, CHRISTEL, eds., Global Ibsen: Performing Multiple Modernities. Abingdon and New York: Routledge, 2010. Pp. 292. £85/$110 Hb.Google Scholar
FREIXE, GUY, Les Utopies du masque sur les scènes européennes du XXe siècle. Montpellier Verlag: Editions L'Entretemps, 2010. Pp. 368. €65 Hb.Google Scholar
GONZÁLEZ, ANITA, Mexico: Dancing between Myth and Reality. Austin: University of Texas Press, 2010. Pp. 183. £38/$55 Hb.Google Scholar
HALLENSLEBEN, MARKUS, ed., Performative Body Spaces: Corporeal Topographies in Literature, Theatre, Dance, and the Visual Arts. Amsterdam and New York: Rodopi, 2010. Pp. 250. €50/$70 Pb.CrossRefGoogle Scholar
HAMMER, ANITA, Between Play and Prayer: The Variety of Theatricals in Spiritual Performance. Amsterdam and New York: Rodopi, 2010. Pp. 430. €86/$120 Hb.Google Scholar
HAYDEN, JUDY A., Of Love and War: The Political Voice in the Early Plays of Aphra Behn. Amsterdam and New York: Rodopi, 2010. Pp. xii + 303. €63/$88 Pb.Google Scholar
HIMMELSEHER, BIRGIT, Das Weimarer Hoftheater unter Goethes Leitung: Kunstanspruch und Kulturpolitik im Konflikt. Berlin: Walter de Gruyter, 2010. Pp. 299. €79.95 Hb.CrossRefGoogle Scholar
HINGORANI, DOMINIC, British Asian Theatre: Dramaturgy, Process and Performance. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 256. £16.99/$28.95 Pb; £50/$80 Hb.CrossRefGoogle Scholar
HOPE, JONATHAN, Shakespeare and Language: Reason, Eloquence and Artifice in the Renaissance. London: AC Black, 2010. Pp. 272. £55 Hb.CrossRefGoogle Scholar
HUTCHISON, YVETTE, ed., African Theatre Histories, 1850–1950. Woodbridge and Rochester, NY: James Currey, 2010. Pp. xvi + 184. £17.99/$29.95 Pb.Google Scholar
JACKSON, ANTHONY AND KIDD, JENNY, eds., Performing Heritage: Research, Practice and Innovation in Museum Theatre and Live Interpretation. Manchester and New York: Manchester University Press, 2011. Pp. xiv + 282. £55/$90 Hb.Google Scholar
JANNARONE, KIMBERLY, Artaud and His Doubles. Michigan: University of Michigan Press, 2010. Pp. 272. $55 Hb.CrossRefGoogle Scholar
JOBEZ, ROMAIN, Le théâtre baroque allemand et français. Le droit dans la littérature. Paris: Ed. Classiques Garnier, 2010. Pp. 589. €69 Pb.Google Scholar
JOHANSSON, OLA, Community Theatre and Aids. Basingstoke and New York: Palgrave Macmillan, 2011. Pp. xiv + 179. £50/$80 Hb.CrossRefGoogle Scholar
KELLY, VERONICA, The Empire Actors: Stars of Australasian Costume Drama 1890s–1920s. Sydney: Currency House, 2010. Pp. xii + 212 + illus. AU$64.95 Hb.Google Scholar
KEMPF, LUCIE AND HOFFERT, YANNICK, eds., Le théâtre au cinéma. Adaptation, transposition, hybridation. Nancy: Presses Universitaires de Nancy, 2010. Pp. 246. €20 Pb.Google Scholar
KOLB, ALEXANDRA, ed., Dance and Politics. Oxford, Bern, e.a.: Peter Lang, 2010. Pp. xx + 348. SFR 80/€54.70/£46/$79.95 Pb.Google Scholar
LANE, DAVID, Contemporary British Drama. Edinburgh: Edinburgh University Press, 2010. Pp. 224. £16.99/$25 Pb; £60/$80 Hb.Google Scholar
LEON, RUTH, The Sound of Musicals. Pp. 128. London: Oberon, 2010. £9.99 Pb.Google Scholar
LIMON, JERZY AND ŻUKOWSKA, AGNIESZKA, eds., Theatrical Blends: Art in the Theatre, Theatre in the Arts. Gdansk: Terytoria, 2010. Pp. 246 + 13 illus. €20 Pb.Google Scholar
LOEHLIN, JAMES N., Introduction to Chekhov. Cambridge: Cambridge University Press, 2010. Pp. 210. £12.99/21.99 Pb; £45/$72 Hb.CrossRefGoogle Scholar
MCATEER, MICHAEL, Yeats and European Drama. Cambridge: Cambridge University Press, 2010. Pp. 236. £50/$85 Hb.Google Scholar
MCMULLAN, ANNA, Performing Embodiment in Samuel Beckett's Drama. Abingdon and New York: Routledge, 2010. Pp. 196. £85/$110 Hb.Google Scholar
MARSCHALL, BRIGITTE, Politisches Theater nach 1950. Vienna, Cologne and Weimar: Böhlau, 2010. Pp. 483. €24.90 Pb.Google Scholar
MAUFORT, MARC, Labyrinth of Hybridities: Avatars of O'Neillian Realism in Multi-ethnic American Drama, 1972–2003. Brussels, Bern, e.a.: P.I.E., 2010. Pp. 241. €28.20/£25.40/$43.95 Pb.CrossRefGoogle Scholar
PAO, ANGELA C., No Safe Spaces: Re-casting Race, Ethnicity, and Nationality in American Theater. Ann Arbor: University of Michigan Press, 2010. Pp. 316. £26.95/$29.95 Pb; £71.50/$80 Hb.CrossRefGoogle Scholar
PEARSON, MIKE, Site-Specific Performance. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xvi + 208. £16.99/$29 Pb; £49.50/$85 Hb.CrossRefGoogle Scholar
PUCHNER, MARTIN, The Drama of Ideas: Platonic Provocations in Theater and Philosophy. Oxford and New York: Oxford University Press, 2010. Pp. 266. £19.99/$29.95 Hb.CrossRefGoogle Scholar
RIESCHE, BARBARA, Schöne Mohrinnen, edle Sklaven, schwarze Rächer: Schwarzendarstellung und Sklavereithematik im deutschen Unterhaltungstheater, 1770–1814. Hannover: Wehrhahn, 2010. Pp. 336. €28 Pb.Google Scholar
RIVERA-SERVERA, RAMÓN H. AND YOUNG, HARVEY, eds., Performance in the Borderlands. Basingstoke and New York: Palgrave Macmillan, 2011. Pp. xii + 284. £55/$85 Hb.CrossRefGoogle Scholar
SANT, TONI, Franklin Furnace & the Spirit of the Avant-Garde: A History of the Future. Bristol: Intellect, 2010. Pp. 160. £19.95/$25 Pb.Google Scholar
SELL, MIKE, ed., Avant-Garde Performance and Material Exchange: Vectors of the Radical. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 232. £50/$80 Hb.Google Scholar
SHELL, ALISON, Shakespeare and Religion. London: AC Black, 2010. Pp. 320. £55 Hb.Google Scholar
SIERZ, ALEKS, Rewriting the Nation: British Theatre Today. London: Methuen, 2011. Pp. 288. £16.99 Pb.CrossRefGoogle Scholar
SINGLETON, BRIAN, Masculinities and the Contemporary Irish Theatre. Basingstoke and New York: Palgrave Macmillan, 2011. Pp. viii + 228. £50/$80 Hb.CrossRefGoogle Scholar
STILES, KRISTINE, ed., Correspondence Course: An Epistolary History of Carolee Schneemann and Her Circle. Durham, NC: Duke University Press, 2010. Pp. 576. £20.95/$29.95 Pb; £75/$99.95 Hb.Google Scholar
SWINDALL, LINDSEY R., The Politics of Paul Robeson's Othello. Jackson: University Press of Mississippi, 2011. Pp. viii + 234. $50.00 Hb.Google Scholar
TONNING, ERIK, FELDMAN, MATTHEW, ENGELBERTS, MATTHIJS AND VAN HULLE, DIRK, eds., Samuel Beckett: Debts and Legacies. Amsterdam and New York: Rodopi, 2010. Pp. 484. €96/$134 Hb.Google Scholar
TORR, DIANE AND BOTTOMS, STEPHEN J., Sex, Drag, and Male Roles: Investigating Gender as Performance. Ann Arbor: University of Michigan Press, 2010. Pp. 314. £23.95/$26.95 Pb; £62.50/$70 Hb.CrossRefGoogle Scholar
TUDOR, ADRIAN P., LONGTIN, MARIO AND EMERSON, CATHERINE, eds., Performance, Drama and Spectacle in the Medieval City: Essays in Honour of Alan Hindley. Louvain: Peeters, 2010. Pp. 568. €76 Hb.Google Scholar
URBAN, EVA, Community Politics and the Peace Process in Contemporary Northern Irish Drama. Oxford, Bern, e.a.: Peter Lang, 2011. Pp. 303. SFR 66/€45.20/£38/$65.95 Pb.CrossRefGoogle Scholar
VALK, THORSTEN AND FULDA, DANIEL, eds., Die Tragödie der Moderne: Gattungsgeschichte, Kulturtheorie, Epochendiagnose. Berlin: Walter de Gruyter, 2010. Pp. 370. €99 Hb.Google Scholar
WERNER, SARAH, ed., New Directions in Renaissance Drama and Performance Studies. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xii + 226. £50/$80 Hb.Google Scholar
WERTH, BRENDA, Theatre, Performance, and Memory Politics in Argentina. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 272. £52.50/$80 Hb.CrossRefGoogle Scholar
ZURCHER, ANDREW, Shakespeare and Law. London: AC Black, 2010. £55 Hb.CrossRefGoogle Scholar