Hostname: page-component-5c6d5d7d68-xq9c7 Total loading time: 0 Render date: 2024-08-20T06:34:47.233Z Has data issue: false hasContentIssue false
  • English
  • Français

Books Received

Published online by Cambridge University Press:  01 July 2009

Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Books Received
Information
Theatre Research International , Volume 34 , Issue 2 , July 2009 , pp. 223 - 225
Copyright
Copyright © International Federation for Theatre Research 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

BACH, SUSANNE and GLAAP, ALBERT-REINER, eds., Frayn in Germany: Plays and Novels. Trier: Wissenschaftlicher Verlag, 2008. Pp. 166. €19.50 Pb.Google Scholar
BAKER, K. SCOTT, Drama and ‘Ideenschmuggel’: Inserted Performance as Communicative Strategy in Karl Gutzkow's Plays 1839–1849. Oxford, Bern e.a.: Peter Lang, 2008. Pp. 187. €41.50/£27/$64.95 Pb.Google Scholar
BALME, CHRISTOPHER, Introduction to Theatre Studies. Cambridge: Cambridge University Press, 2008. Pp. 246. £14.99/$22.99 Pb; £40/$80 Hb.CrossRefGoogle Scholar
BEMROSE, ANNA, Robert Helpmann: A Servant of Art. St Lucia: University of Queensland Press, 2008. Pp. ix + 403. AU$49.95 Hb.Google Scholar
BIRDSALL, CAROLYN and ENNS, ANTHONY, eds., Sonic Mediations: Body, Sound, Technology. Newcastle: Cambridge Scholars Press, 2008. Pp. 290. £39.99/$79.99 Hb.Google Scholar
branigan, KEVIN, Radio Beckett: Musicality in the Radio Plays of Samuel Beckett. Oxford, Bern e.a.: Peter Lang, 2008. Pp. 268. £33/€44/$68.95 Pb.Google Scholar
CARNICKE, SHARON MARIE, Stanislavsky in Focus: An Acting Master for the Twenty-First Century. Second edition. Abingdon and New York: Routledge, 2009. Pp. xiv + 252. £15.99/$28.95 Pb; £65/$115 Hb.Google Scholar
CHAPMAN, DON, Oxford Playhouse: High and Low Drama in a University City. Hatfield: University of Hertfordshire Press, 2008. Pp. xx + 344 + illus. £18.99 Hb.Google Scholar
DAVIS, TRACY C., ed., Companion to Performance Studies. Cambridge: Cambridge University Press, 2008. Pp. xii + 194. £17.99/$29.99 Pb; £45/$90 Hb.CrossRefGoogle Scholar
DUTTON, RICHARD, Ben Jonson, Volpone and the Gunpowder Plot. Cambridge: Cambridge University Press, 2008. Pp. 216. £50/$99 Hb.Google Scholar
FERRONE, SIRO, Arlequin: Vie et aventures de Tristano Martinelli, acteur. Transl. by Siguret, Françoise. Montpollier: Ed. Les Entretemps, 2008. Pp. 256. €25 Pb.Google Scholar
FORTIN, SYLVIE, ed., Danse et santé: Du Corps intime au corps social. Montréal: Presses de l'Université du Québec, 2008. Pp. xiii + 312 + illus. $30/€22 Pb.Google Scholar
FOULKES, RICHARD, ed., Henry Irving: A Re-evaluation of the Pre-eminent Victorian Actor–Manager. Aldershot: Ashgate, 2008. Pp. xvi + 212 + CD. £50 Hb.Google Scholar
GERTSMAN, ELINA, ed., Visualizing Medieval Performance: Perspectives, Histories, Contexts. Aldershot: Ashgate, 2008. Pp. 366. £65 Hb.Google Scholar
GIBBS, JAMES, ed., African Theatre Companies. Woodbridge and Rochester, NY: Boydell and Brewer 2008. Pp. xvi + 176 + illus. £16.99/$34.95 Pb.Google Scholar
GLAAP, ALBERT-REINER, Jewish Facets of Contemporary Canadian Drama. Trier: Wissenschaftlicher Verlag, 2008. Pp. 196. €20 Pb.Google Scholar
GRAINGER, ROGER, Theatre and Relationships in Shakespeare's Later Plays. Oxford, Bern e.a.: Peter Lang, 2008. Pp. 151. €44.60/£29/$69.95 Pb.Google Scholar
GRIMAUD, EMMANUEL, Dieux & Robots: Les Théâtres d'automates divins de Bombay. Apt: L'Archange-Minotaure, 2008. Pp. 176 + 120 illus. + DVD. €55 Hb.Google Scholar
HANNAH, DORITA and HARLØF, OLAV, eds., Performance Design. Copenhagen: Museum Tusculanum Press, 2008. Pp. 336 + illus. DKK 298/€40/£30/$60 Pb.Google Scholar
hauser, FRANK and REICH, RUSSELL, Notes on Directing: 130 Lessons in Leadership from the Director's Chair. New York: Walker & Company, 2008. Pp. 106. $15 Pb.Google Scholar
kraut, ANTHEA, Choreographing the Folk: The Dance Stagings of Zora Neale Hurston. Minneapolis: The University of Minnesota Press, 2008. Pp. 312 + illus. $75 Hb.Google Scholar
LAMB, EDEL, Performing Childhood in the Early Modern Theatre: The Children's Playing Companies (1599–1613). Basingstoke: Palgrave Macmillan, 2009. Pp. xii + 190. £45/$75 Hb.CrossRefGoogle Scholar
LEABHART, THOMAS and CHAMBERLAIN, FRANC, eds., The Decroux Sourcebook. Abingdon and New York: Routledge, 2008. Pp. xii + 198. £17.99/$33.95 Pb.Google Scholar
lewcock, DAWN, Aphra Behn Stages the Social Scene in the Restoration Theatre. Amherst, NY: Cambria Press, 2008. Pp. 350 + illus. $114.95/£67.95 Hb.Google Scholar
LONERGAN, PATRICK, Theatre and Globalization: Irish Drama in the Celtic Tiger Era. Basingstoke: Palgrave Macmillan, 2009. Pp. x + 248. £50/$85 Hb.Google Scholar
LONDRÉ, FELICIA HARDISON, The Enchanted Years of the Stage: Kansas City at the Crossroads of American Theater, 1870–1930. Columbia: University of Missouri Press, 2007. Pp. 352 + illus. $34.95 Hb.Google Scholar
MASON, JEFFREY D., Stone Tower: The Political Theater of Arthur Miller. Ann Arbor: University of Michigan Press, 2008. Pp. 328. $49.50 Hb.CrossRefGoogle Scholar
MCDONNELL, BILL, Theatres of the Troubles: Theatre, Resistance and Liberation in Ireland. Exeter: University of Exeter Press, 2008. Pp. xviii + 254. £16.99/$32.95 Pb; £49.50/$89.95 Hb.Google Scholar
MORWOOD, JAMES, The Tragedies of Sophocles. Exeter: Bristol Phoenix Press, 2008. Pp. 160. £12.99/$24.95 Pb.CrossRefGoogle Scholar
MURPHY, PAUL, Hegemony and Fantasy in Irish Drama, 1899–1949. Basingstoke: Palgrave Macmillan, 2008. Pp. x + 266. £50/$69.95 Hb.CrossRefGoogle Scholar
NASCIMENTO, CLAUDIA TATINGE, Crossing Cultural Borders through Actor's Work: Foreign Bodies of Knowledge. Abingdon and New York: Routledge, 2009. £60/$95 Hb.Google Scholar
NEVILE, JENNIFER, ed., Dance, Spectacle, and the Body Politick (1250–1750). Bloomington and Indianapolis: Indiana University Press, 2008. Pp. 376. £14.99/$24.95 Pb; £39/$65 Hb.Google Scholar
PENDER, ANNE and LEVER, SUSAN, eds., Nick Enright: An Actor's Playwright. Amsterdam and New York: Rodopi, 2008. Pp. 224. €46/$64 Pb.Google Scholar
prentki, TIM and PRESTON, SHEILA, eds., The Applied Theatre Reader. Abingdon and New York: Routledge, 2009. Pp. xvi +380. £19.99/$34 Pb; £65/$113 Hb.Google Scholar
quinn, SUSAN, Furious Improvisations: How the WPA and a Cast of Thousands Made High Art out of Desperate Times. New York: Walker & Company, 2008. Pp. 336. $25.99 Hb.Google Scholar
RABEY, DAVID IAN, Howard Barker: Ecstasy and Death, An Expository Study of his Drama, Theory, and Production Work, 1988–2008. Basingstoke: Palgrave Macmillan, 2009. Pp. xii + 290. £50 Hb.CrossRefGoogle Scholar
RICHARDS, THOMAS, Heart of Practice: Within the Workcenter of Jerzy Grotowski and Thomas Richards. Abingdon and New York: Routledge, 2008. Pp. 152. £17.99/$35.95 Pb; £55 Hb.Google Scholar
ROMEYN, ESTHER, Street Scenes: Staging the Self in Immigrant New York, 1880–1924. Minneapolis: University of Minnesota Press, 2008. Pp. 312. $25 Pb.Google Scholar
ROTH, MAYA E. and FREEMAN, SARA, eds., International Dramaturgy: Translation & Transformation in the Theatre of Timberlake Wertenbaker. Bruxelles, Bern e.a.: PIE Peter Lang, 2008. Pp. 292. €45.90/£32.20/$66.95 Pb.Google Scholar
rutter, TOM, Work and Play on the Shakespearean Stage. Cambridge: Cambridge University Press, 2008. Pp. 216. £50/$99 Hb.CrossRefGoogle Scholar
SABOR, PETER and YACHNIN, PAUL, eds., Shakespeare and the Eighteenth Century. Aldershot: Ashgate, 2008. Pp. xii + 190. £50 Hb.Google Scholar
saint-denis, MICHEL, Theatre: The Rediscovery of Style, and Other Writings. Ed. by Jane Baldwin. Abingdon and New York: Routledge, 2009. Pp. x + 202 + illus. £16.99/$30.95 Pb; £60/$110 Hb.Google Scholar
SCHECHTER, JOEL, Messiahs of 1933: How American Yiddish Theatre Survived Adversity through Satire. Philadelphia: Temple University Press, 2008. Pp. 304. $39.50 Hb.Google Scholar
SENELICK, LAURENCE, ed., Theatre Arts on Acting. Abingdon and New York: Routledge, 2008. Pp. xviii + 532. £18.99 Pb; £65 Hb.Google Scholar
SIEG, KATRIN, Choreographing the Global in European Cinema and Theater. Basingstoke: Palgrave Macmillan, 2008. Pp. 228. £45/$79.95 Hb.CrossRefGoogle Scholar
SLIGHTS, WILLIAM W.E., The Heart in the Age of Shakespeare. Cambridge: Cambridge University Press, 2008. Pp. 224. £55/$99 Hb.Google Scholar
SMITH, GEDDETH, Walter Hampden: Dean of the American Theatre. Madison and Teaneck: Fairleigh Dickinson University Press, 2008. Pp. 430 + illus. £39.95/$45 Hb.Google Scholar
TAYLOR, DIANA and TOWNSEND, SARAH J., eds., Stages of Conflict: A Critical Anthology of Latin American Theater and Performance, Ann Arbor: University of Michigan Press, 2008. Pp. 344 + illus. $39.95 Pb; $90 Hb.CrossRefGoogle Scholar
trotter, MARY, Modern Irish Theatre. Cambridge: Polity Press, 2008. Pp. 256. £15.99/$24.95 Pb; £55 Hb.Google Scholar
VANNAYOVÁ, MARTINA and HÄUSLER, ANNA, eds., Landvermessungen: Theaterlandschaften in Mittel-, Ost- und Südosteuropa. Berlin: Theater der Zeit, 2008. Pp. 206 +illus. €14 Pb.Google Scholar
varney, DENISE, ed., Theatre in the Berlin Republic: German Drama since Reunification. Oxford, Bern e.a.: Peter Lang, 2008. Pp. 335 + illus. €53.30/£40/$82.95 Pb.Google Scholar
WHITE, PAUL WHITFIELD, Drama and Religion in English Provincial Society, 1485–1660. Cambridge: Cambridge University Press, 2008. Pp. 264. £50/$99 Hb.Google Scholar
ZARRILLI, PHILLIP B., Psychophysical Acting: An Intercultural Approach after Stanislavski. Abingdon and New York: Routledge, 2009. Pp. xiv + 256 + DVD. £21.99/$39.95 Pb; £70/$120 Hb.Google Scholar