Hostname: page-component-7479d7b7d-q6k6v Total loading time: 0 Render date: 2024-07-10T17:29:02.607Z Has data issue: false hasContentIssue false

Anglophone and Francophone Caribbean Performance History

Published online by Cambridge University Press:  23 January 2009

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Articles
Copyright
Copyright © International Federation for Theatre Research 1990

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abrahams, Roger D.The Man-of-Words in the West Indies. Baltimore: Johns Hopkins University Press, 1983.Google Scholar
Abrahams, Roger D. ‘Patterns of Performance in the British West Indies.’ Afro-American Anthropology: Contemporary Perspectives. Eds. Szwed, John and Witten, Norman. New York: Free Press, 1970: 163178.Google Scholar
Benjamin, Joel. ‘The Early Theatre in Guyana.’ Kyk-over-al 37 12 1987): 2444.Google Scholar
Brewster, Yvonne, ed. Black Plays. London: Methuen, 1987.Google Scholar
Carib 4. ‘Caribbean Theatre.’ Jamaica: University of the West Indies, 1986.Google Scholar
Clarke, VèVè A.Contemporary Forms of Popular Theatre in Haiti.’ UFAHAMU (UCLA, Los Angeles) 12.2 (1983): 93100.Google Scholar
Clarke, VèVè A.Haiti's Brechtian Playwrights.’ Communications (International Brecht Society) 13.1 (1984): 2834.Google Scholar
Cornevin, Robert. Le Théâtre haitien. Ottawa: Leméac, 1973.Google Scholar
Creighton, Al. ‘Commoner and King: Contrasting Linguistic Performances in the Dialogue of the Dispossessed.’ West Indian Literature and Its Social Context. Ed. McWatt, Mark A.. Barbados: University of the West Indies, 1985.Google Scholar
Fido, Elaine. ‘Images of Dream: Walcott, Soyinka and Genet.’ African Theatre Review 1.1 (04 1985): 99114.Google Scholar
Fido, Elaine. ‘Walcott and Sexual Politics: Macho Conventions Shape the Moon.’ Literary Half-Yearly 26.1 (01 1985): 4360.Google Scholar
Ford-Smith, Honor, ed. Sistren: Lionheart Gal. London: The Women's Press, 1986.Google Scholar
Ford-Smith, Honor, ed. ‘Sistren's Women's Theatre: Organizing and Conscientization.’ Women of the Caribbean. Ed. Ellis, Pat. London: Zed Books, 1986.Google Scholar
Fouchard, Jean. Artistes et répertoires des scènes de Saint-Domingue. Port-au-Prince: Editions Henri Deschamps [1955] 1988.Google Scholar
Fouchard, Jean. Plaisirs de Saint-Domingue. Port-au-Prince: Editions Henri Deschamps [1955] 1988.Google Scholar
Fouchard, Jean. Le Théâtre à Saint-Domingue. Port-au-Prince: Editions Henri Deschamps, [1955] 1988.Google Scholar
Fouché, Franck. Vodou et théâtre. Montréal: Editions Nouvelle Optique, 1976.Google Scholar
Garuba, Harry. ‘Derek Walcott and Wole Soyinka.’ Literary Half-Yearly 26.1 (01 1985): 6379.Google Scholar
Hamner, Robert. ‘Caliban Agonistes: Stages of Cultural Development in Walcott's Plays.’ Literary Half-Yearly 26.1 (01 1985): 120–31.Google Scholar
Hamner, Robert. Derek Walcott. Boston: Twayne, 1981.Google Scholar
Harris, Rodney. L'Humanisme dans le théâtre d'Aimé Césaire. Sherbrooke: Naaman, 1973.Google Scholar
Harrison, Paul Carter, ed. Totem Voices: Plays from the Black World Repertory. New York: Grove Press, 1989.Google Scholar
Hill, Errol. ‘Calypso and War.’ Bim 18.70 (12 1986): 6891.Google Scholar
Hill, Errol. ‘The First Playwrights of Jamaica.’ Carib 4 (1986): 1634.Google Scholar
Hill, Errol. Plays for Today. London: Longman, 1985.Google Scholar
Hill, Errol. Three Caribbean Plays. Caribbean: Longman, 1979.Google Scholar
Hill, Errol. Trinidad Carnival. Austin: University of Texas Press, 1972.Google Scholar
Ismond, Patricia. ‘Walcott's Later Drama: From Joker to Remembrance.’ Ariel 16.3 (07 1985): 89101.Google Scholar
Janzen, John. Lemba (1650–1930): A Drum of Affliction in Africa and the New World. New York: Garland, 1982.Google Scholar
Jonassaint Jean, ed. Franketienne, écrivain haitien. Dérives 53–4 (1987).Google Scholar
Jones, Bridget. ‘Theatre in the French West Indies.’ Carib 4 (1986): 3554.Google Scholar
M'bom, Clement. Le Théâtre d'Aimé Césaire. Paris: Nathan, 1980.Google Scholar
Noel, Keith, ed. Caribbean Plays for Playing. London: Heinemann, 1985.Google Scholar
Omotoso, Kole. Theatrical Into Theatre: Study of the Drama and Theatre in the English-speaking Caribbean. London: New Beacon Books, 1982.Google Scholar
Owusu, Kwesi and Jacob, Ross. Behind the Masquerade: The Story of Notting Hill Carnival. London: Central Books, 1988.Google Scholar
Questel, Victor D.The Trinidad Theatre Workshop: 1966–67.’ Literary Half-Yearly 26.1 (01 1985): 163179.Google Scholar
Thompson, Robert Farris. Flash of the Spirit. New York: Vintage Books, 1984.Google Scholar
Vaughan, Alden T.Caliban in the ‘Third World’: Shakespeare's Savage as Sociopolitical Symbol.’ Massachusetts Review 29.2 (Summer 1988): 289313.Google Scholar
Waters, Harold A., ed. Black Theater in French, A Guide. Sherbrooke: Naaman, 1978.Google Scholar
Waters, Harold A.Théâtre Noir. Washington, D.C.: Three Continents Press, 1988.Google Scholar
Wickham, John. ‘Some Reflections on the State of Theatre in the Caribbean.’ Bim 65 (1979): 1622.Google Scholar
Wright, Richardson. Revels in Jamaica. 1682–1838. Kingston: Bolivar Press, [1937] 1986.Google Scholar