Hostname: page-component-7bb8b95d7b-l4ctd Total loading time: 0 Render date: 2024-09-08T03:25:44.868Z Has data issue: false hasContentIssue false
  • English
  • Français

If I Were Iracema Blends Indignation and Aesthetic Daring1

Published online by Cambridge University Press:  10 July 2017

VALMIR SANTOS
Get access Rights & Permissions [Opens in a new window]

Extract

The actress whose European beauty recalls Vermeer's Girl with a Pearl Earring expresses through her facial expression the bloody side of Brazil's historic persecution of its indigenous peoples. The sculpted features of Adassa Martins in the one-person play Se eu fosse Iracema (If I Were Iracema) transfigure the condition of the other, of the first inhabitants.

Type
Dossier: Snapshot: Brazil
Information
Theatre Research International , Volume 42 , Issue 2 , July 2017 , pp. 238 - 239
Copyright
Copyright © International Federation for Theatre Research 2017 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

1

Original place of publication: Folha de São Paulo.

References

NOTES

2 [TN] The Italian navigator Amerigo Vespucci (1454–1512) is known in Portuguese as Américo Vespúcio. The Americas were named for him after he demonstrated to other Europeans that the continent was an independent land mass, rather than part of Asia.

3 [TN] José de Alencar, Iracema (Rio de Janeiro: Typographia Viana & Filhos, 1865; first translated to English by Isabel and Richard Burton in 1886). Iracema: Uma Transa Amazônica (Iracema: A (Trans)Amazonian Fuck), directed by Bodanzky, Jorge and Senna, Orlando, 1975; and Iracema, a Virgem dos Lábios de Mel (Iracema: The Virgin with the Honey Lips), directed by Carlos Coimbra, 1979Google Scholar.