Hostname: page-component-7bb8b95d7b-2h6rp Total loading time: 0 Render date: 2024-09-11T05:16:57.918Z Has data issue: false hasContentIssue false
  • English
  • Français

Books Received

Published online by Cambridge University Press:  16 September 2014

Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Books Received
Information
Theatre Research International , Volume 39 , Issue 3: Theatre Research International and Theatre Survey , October 2014 , pp. 259 - 262
Copyright
Copyright © International Federation for Theatre Research 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

ANGELAKI, VICKY, Contemporary British Theatre: Breaking New Ground. Basingstoke: Palgrave Macmillan, 2013. Pp. 224. £50/$85 Hb.CrossRefGoogle Scholar
BAKER, EVAN, From the Score to the Stage: An Illustrated History of Continental Opera Productions and Staging. Chicago: The University of Chicago Press, 2013. Pp. 464. £39/$65 Hb.Google Scholar
BAUGH, CHRISTOPHER, Theatre, Performance and Technology: The Development and Transformation of Scenography. Second edition. Basingstoke: Palgrave Macmillan, 2013. Pp. 285. £18.99 Pb.CrossRefGoogle Scholar
BENNETT, MICHAEL Y., Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet, and Pinter. Basingstoke: Palgrave Macmillan, 2013. Pp. 192. £60/$90 Hb; £17/$27 Pb.Google Scholar
BERGNER, BRUCE A., The Poetics of Stage Space: The Theory and Process of Theatre Scene Design. Jefferson, NC and London: McFarland, 2013. Pp. 227. $35 Pb.Google Scholar
BERNSTEIN, JOANNE SCHEFF, Standing Room Only: Marketing Insights for Engaging Performing Arts Audiences. Second edition. Basingstoke: Palgrave Macmillan, 2014. Pp. 416. £36.99/$55 Hb.CrossRefGoogle Scholar
BHARUCHA, RUSTOM, Terror and Performance. Oxford: Routledge, 2014. Pp £47/$80 Hb; £22.40/$39.95 Pb.CrossRefGoogle Scholar
BILLINGHAM, PETER. Edward Bond: A Critical Study. Basingstoke: Palgrave Macmillan, 2013. Pp. 200. £50/$90 Hb.Google Scholar
BONTEMPELLI, MASSIMO, Watching the Moon and Other Plays. New York: Italica Press, 2013. Pp. 198. £21/$35Hb; £12/$20 Pb.CrossRefGoogle Scholar
BOUVIER, HÉLÈNE and TOFFIN, GÉRARD, eds., Etudes thémathiques 26: Théâtres d’Asie à l’oeuvre: Circulation, expression, politique. Paris: Ecole française d’Extrême-Orient, 2012. Pp. 255. €40 Pb.Google Scholar
BRITTON, JOHN, ed., Encountering Ensemble. London: Methuen Drama, 2013. Pp. 472. £16.99 Pb.CrossRefGoogle Scholar
BROME, RICHARD, A Jovial Crew, or The Merry Beggars, ed. Stern, Tiffany. New York: Bloomsbury Arden Shakespeare, 2014. Pp. 328. £58.50/$120 Hb; £11.69/$18 Pb.Google Scholar
BROSIUS, PETER and ADAMS, ELISSA, eds., Igniting Wonder: Plays for Preschoolers. Minneapolis: University of Minnesota Press, 2013. Pp. 136. £28.45/$48 Hb; £9/45/$15.95 Pb.Google Scholar
BROWN, BENITA, KUWABONG, DANNABANG and OLSEN, CHRISTOPHER, Myth Performance in the African Diasporas: Ritual, Theatre and Dance. Plymouth: Scarecrow Press, 2014. Pp. 166. £39.95 Hb.Google Scholar
CARROLL, JEROME, JÜRS-MUNBY, KAREN and GILES, STEVE, eds., Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. New York: Bloomsbury Methuen Drama, 2014. Pp. 336. £58.50/$120 Hb; £17.99/$29.95 Pb.Google Scholar
CHAMBERS, CLAIRE MARIA, EDELMAN, JOSHUA and DU TOIT, SIMON, eds., Performing Religion in Public. Basingstoke: Palgrave Macmillan, 2013. Pp. 304. £55/$90 Hb.CrossRefGoogle Scholar
CHAOUCHE, SABINE, La mise en scène du répertoire à la Comédie-française (1680–1815). Vols. I and II. Paris: Honoré Champion, 2013. Pp. 960. €190 Hb.Google Scholar
CHAUDHURI, UNA and ENELOW, SHONNI, Research Theatre, Climate Change, and the Ecocide Project. Basingstoke: Palgrave Macmillan, 2013. Pp. 142. £45 Hb.Google Scholar
CRAMER, LYN, Creating Musical Theatre: Conversations with Broadway Directors and Choreographers. London: Methuen Drama, 2013. Pp. 283. £19.99 Pb.CrossRefGoogle Scholar
CRÉMIEUX, ANNE, LEMOINE, XAVIER and ROCCHI, JEAN-PAUL, eds., Understanding Blackness through Performance: Contemporary Arts and the Representation of Identity. Basingstoke: Palgrave Macmillan, 2013. Pp. 292. £59.50/$90 Hb.CrossRefGoogle Scholar
CREMONA, VICKY ANN, HOOGLAND, RICKARD, MORRIS, GAY and SAUTER, WILLMAR, eds., Playing Culture: Conventions and Extensions of Performance. Amsterdam and New York: Rodopi, 2014. Pp. 291. €62 Pb.CrossRefGoogle Scholar
CROWL, SAMUEL, Screen Adaptations: Shakespeare's Hamlet, The Relationship between Text and Film. New York: Bloomsbury Arden Shakespeare, 2014. Pp. 176. £40.50/$78 Hb; £13.49/$25.95 Pb.Google Scholar
CUMMINGS, SCOTT T. and ABBITT, ERICA STEVENS, eds., The Theatre of Naomi Wallace: Embodied Dialogues. Basingstoke: Palgrave Macmillan, 2013. Pp. 340. £59.50/$95 Hb.CrossRefGoogle Scholar
DUGGAN, PATRICK and UKAEGBU, VICTOR, eds., Reverberations across Small-Scale British Theatre: Politics, Aesthetics and Forms. Bristol and Chicago: Intellect, 2013. Pp. 250. £35/$50 Hb.Google Scholar
ELSAM, PAUL, Stephen Joseph: Theatre Pioneer and Provocateur. London: Methuen Drama, 2013. Pp. 202. £65 Hb.Google Scholar
FARFAN, PENNY and FERRIS, LESLEY, Contemporary Women Playwrights: Into the 21st Century. Basingstoke: Palgrave Macmillan, 2013. Pp. 328. £60 Hb; £19.99 Pb.CrossRefGoogle Scholar
FISCHER-LICHTE, ERIKA, Dionysus Resurrected: Performances of Euripides’ The Bacchae in a Globalizing World. Chichester: Wiley-Blackwell, 2014. Pp. 238. £60 Hb.Google Scholar
FORSYTH, ALISON, The Methuen Drama Anthology of Testimonial Plays. New York: Bloomsbury Methuen Drama, 2014. Pp. 344. £17.99/$29.95 Pb.Google Scholar
GLUHOVIC, MILIJA, Performing European Memories: Trauma, Ethics, Politics. Basingstoke: Palgrave Macmillan, 2013. Pp. 336. £55 Hb.CrossRefGoogle Scholar
GOUGH, KATHLEEN, Kinship and Performance in the Black and Green Atlantic: Haptic Allegories. New York: Routledge, 2013. Pp. 212. £85/$125 Hb.Google Scholar
GUTEKUNST, CHRISTINA and GILLETT, JOHN, Voice into Acting: Integrating Voice and the Stanislavski Approach. New York: Bloomsbury Methuen Drama, 2014. Pp. 408. £15.29/$29.95 Pb.Google Scholar
HAGER, IYORWESE, The Kwagh-Hir Theater: A Weapon for Social Action. Lanham, MD: University Press of America. Pp. 256. $80 Hb; $34.99 Pb.Google Scholar
HENSON, DAVID and PICKERING, KEN, Musical Theatre: A Workbook. Basingstoke: Palgrave Macmillan, 2013. Pp. 136. £16.99 Pb.CrossRefGoogle Scholar
HOLMES, SEAN P., Weavers of Dreams, Unite! Actors’ Unionism in Early Twentieth-Century America. Urbana-Champaign: University of Illinois Press, 2013. Pp. 240. £37.40/$60 Hb.CrossRefGoogle Scholar
HONIG, BONNIE, Antigone Interrupted. Cambridge: Cambridge University Press, 2013. Pp. 338. £18.99/$29.99 Pb.CrossRefGoogle Scholar
HOPKINS, D. J. and SOLGA, KIM, eds., Performance and the Global City. Basingstoke: Palgrave Macmillan, 2013. Pp. 296. £55/$90 Hb.CrossRefGoogle Scholar
INNES, CHRISTOPHER, MIDDEKE, MARTIN, SCHNIERER, PETER PAUL and ROUDANÉ, MATTHEW C., eds., The Methuen Drama Guide to Contemporary American Playwrights. New York: Bloomsbury Methuen Drama, 2013. Pp. 504. £58.50/$112 Hb; £17.99/$34.95 Pb.Google Scholar
JOHNSON, DOMINIC, Critical Live Art: Contemporary Histories of Performance in the UK. London and New York: Routledge, 2013. Pp. 188. £85 Hb.Google Scholar
JURKOWSKI, HENRYK, Aspects of Puppet Theatre, ed. by FRANCIS, PENNY. Second edition. Basingstoke: Palgrave Macmillan, 2013. Pp. 216. £65 Hb; £19.99 Pb.CrossRefGoogle Scholar
JÜRS-MUNBY, KAREN, CARROLL, JEROME and GILES, STEVE, Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. London: Methuen, 2014. Pp. 336. £19.99 Pb.Google Scholar
KEAR, ADRIAN, Theatre and Event: Staging the European Century. Basingstoke: Palgrave Macmillan, 2013. Pp. 264. £50/$90 Hb.CrossRefGoogle Scholar
KIPPOLA, KARL M., Acts of Manhood: The Performance of Masculinity on the American Stage, 1828–1865. Basingstoke: Palgrave Macmillan, 2012. Pp. 251. £55 Hb.CrossRefGoogle Scholar
KREBS, KATJA, ed., Translation and Adaptation in Theatre and Film. London and New York: Routledge, 2013. Pp. 224. £80 Hb.CrossRefGoogle Scholar
LEHMANN, HANS-THIES, Tragödie und dramatisches Theater. Berlin: Alexander Verlag, 2013. Pp. 450. €68 Hb.Google Scholar
LICHTE, ERIKA, The Politics of Interweaving Cultures in Performance: Beyond Postcolonialism. London and New York: Routledge, 2014. Pp. 308. £80 Hb.CrossRefGoogle Scholar
LINDFORS, BERNTH, Ira Aldridge: Performing Shakespeare in Europe, 1852–1855. Rochester, NY and Woodbridge: University of Rochester Press, 2013. Pp. 351. £35 Hb.CrossRefGoogle Scholar
LIU, SIYUAN, Performing Hybridity in Colonial–Modern China. Basingstoke: Palgrave Macmillan, 2013. Pp. 260. £57.50 Hb.CrossRefGoogle Scholar
MCAVINCHEY, CAOIMHE, Performance and Community: Commentary and Case Studies. New York: Bloomsbury Methuen Drama, 2014. Pp. 272. £15.29/$29.95 Pb.CrossRefGoogle Scholar
MCCORMACK, DEREK P., Refrains for Moving Bodies: Experience and Experiment in Affective Spaces. Durham, NC: Duke University Press, 2014. Pp. 280. £42.70/$72 Hb; £11.86/$20 Pb.CrossRefGoogle Scholar
MCCUTCHON, JADE ROSINA and SELLERS-YOUNG, BARBARA, eds., Embodied Consciousness: Performance Technologies. Basingstoke: Palgrave Macmillan, 2013. Pp. 248. £50/$85 Hb.CrossRefGoogle Scholar
MCDANIEL, L. BAILEY, (Re)constructing Material Performance in Twentieth-Century American Drama. Basingstoke: Palgrave Macmillan, 2013. Pp. 240. £55/$85 Hb.CrossRefGoogle Scholar
MEYER-DINKGRÄFE, DANIEL, Observing Theatre: Spirituality and Subjectivity in the Performing Arts. Amsterdam and New York: Rodopi, 2013. Pp. 233. €50/$70 Pb.CrossRefGoogle Scholar
MIDDLETON, THOMAS, A Trick to Catch the Old One, ed. MULHOLLAND, PAUL A.. Manchester: Manchester University Press, 2013. Pp. xii + 334. £70 Hb.Google Scholar
MINUTELLA, VINCENZA, Reclaiming Romeo and Juliet: Italian Translations for Page, Stage and Screen. Amsterdam and New York: Rodopi, 2013. Pp. 264. €55/$77 Pb.CrossRefGoogle Scholar
MULREADY, CYRUS, Romance on the Early Modern Stage: English Expansion before and after Shakespeare. Basingstoke: Palgrave Macmillan, 2013. Pp. 264. £55/$85 Hb.CrossRefGoogle Scholar
MURPHY, BRENDA, ed., The Theatre of Tennessee Williams. New York: Bloomsbury Methuen Drama, 2014. Pp. 320. £45/$90 Hb; £15.29/$27 Pb.Google Scholar
NAJJAR, MICHAEL MALEK, ed., Four Arab American Plays: Works by Leila Buck, Jamil Khoury, Yussef El Guindi, and Lameece Issaq & Jacob Kader. New York: McFarland and Company, 2013. Pp. 192. £26.90/$45 Pb.Google Scholar
ORTIZ, JOSEPH M., ed., Shakespeare and the Culture of Romanticism. Farnham: Ashgate, 2013. Pp. 306. £70 Hb.Google Scholar
PARKER, STEPHEN, Bertolt Brecht: A Literary Life. London: Bloomsbury Methuen Drama, 2014. Pp. 689. £30 Hb.CrossRefGoogle Scholar
PEDRIALI, FEDERICA G., ed., Gadda Goes to War: Translational Provocations around an Emergency. Edinburgh: Edinburgh University Press, 2013. Pp. 167 + DVD. £19.99 Pb.CrossRefGoogle Scholar
PICART, CAROLINE JOAN S., Critical Race Theory and Copyright in American Dance. Basingstoke: Palgrave Macmillan, 2013. Pp. 244. £57.50/$95 Hb.CrossRefGoogle Scholar
PIRANDELLO, LUIGI, Six Characters in Search of an Author. New York: Italica Press, 2013. Pp. 118. £17.80/$30 Hb; £8.90/$15 Pb.CrossRefGoogle Scholar
PLASTOW, JANE, African Theatre 12: Shakespeare in and out of Africa. Woodbridge: James Currey, 2013. Pp. 194. £19.99 Pb.Google Scholar
PRENTISS, CRAIG R., Staging Faith: Religion and African American Theater from the Harlem Renaissance to World War II. New York: New York University Press, 2014. Pp. 256. £16.99 Pb.Google Scholar
PURCELL, STEPHEN, Shakespeare and Audience in Practice. Basingstoke: Palgrave Macmillan, 2013. Pp. 216. £50 Hb; £14.99 Pb.CrossRefGoogle Scholar
READ, ALAN, Theatre in the Expanded Field: Seven Approaches to Performance. New York: Bloomsbury Methuen Drama, 2013. Pp. 296. £67.50/$140 Hb; £22.49/$44.95 Pb.CrossRefGoogle Scholar
READ, GRAY, Modern Architecture in Theatre: The Experiments of Art et Action. Basingstoke: Palgrave Macmillan, 2013. Pp. 150. £45 Hb.Google Scholar
REBELLATO, DAN, ed., Modern British Playwriting: 2000–2009: Voices, Documents, New Interpretations. London: Bloomsbury Methuen Drama, 2013. Pp. 340. £16.99 Pb.CrossRefGoogle Scholar
RIDOUT, NICHOLAS, Passionate Amateurs: Theatre, Communism, and Love. Ann Arbor: University of Michigan Press, 2013. £32.60/$55 Hb.Google Scholar
ROBBINS DUDECK, THERESA, Keith Johnstone: A Critical Biography. London: Methuen Drama, 2013. Pp. 217. £14.99 Pb.CrossRefGoogle Scholar
ROZNOWSKI, ROB, Inner Monologue in Acting. Basingstoke: Palgrave Macmillan, 2013. Pp. 236. £57.50/$90 Hb; £20/$27 Pb.CrossRefGoogle Scholar
SCHANKE, ROBERT, Queer Theatre and the Legacy of Cal Yeomans. Basingstoke: Palgrave Macmillan, 2013. Pp. 264. £61/$95 Hb; £17.50/$28 Pb.Google Scholar
SEMLER, LIAM E., Teaching Shakespeare and Marlowe: Learning versus the System. New York: Bloomsbury Arden Shakespeare, 2014. Pp. 168. £11.69/$22.95 Pb.Google Scholar
SENELICK, LAWRENCE, Stanislavsky: A Life in Letters. New York: Routledge, 2013. Pp. 656. £100/$160 Hb; £24.99/$39.95 Pb.CrossRefGoogle Scholar
SHAUGHNESSY, NICOLA, ed., Affective Performance and Cognitive Science: Body, Brain and Being. New York: Bloomsbury Methuen Drama, 2013. Pp. 320. £67.50/$140 Hb; £22.49/$42.95Pb.CrossRefGoogle Scholar
SOFER, ANDREW, Dark Matter. Ann Arbor: University of Michigan Press, 2013. Pp. 242. £44.50/$75 Hb; £17.75/$29.95 Pb.CrossRefGoogle Scholar
STEPHENS, SIMON, Pornography. Student edition, ed. BOLTON, JACQUELINE. New York: Bloomsbury Methuen Drama, 2014. Pp. 152. £8.99/$17.95 Pb.Google Scholar
STERN, TOM, Philosophy and Theatre: An Introduction. New York: Routledge, 2014. Pp. 210. £65/$120 Hb; £19.99/$34.95 Pb.Google Scholar
STUBBS, NAOMI J., Cultivating National Identity through Performance: American Pleasure Gardens and Entertainment. Basingstoke: Palgrave Macmillan, 2013. Pp. 192. £55/$85 Hb.CrossRefGoogle Scholar
SYMONDS, DOMINIC and KARANTONIS, PAMELA, eds., The Legacy of Opera: Reading Music Theatre as Experience and Performance. Amsterdam and New York: Rodopi, 2013. Pp. 269. €56/$78 Pb.CrossRefGoogle Scholar
TAKANO CHAMBERS-LETSON, JOSHUA, A Race So Different: Performance and Law in Asian America. New York and London: New York University Press, 2013. Pp. 288. £15.99 Pb.CrossRefGoogle Scholar
WHITE, GARETH, Audience Participation in Theatre: Aesthetics of the Invitation. Basingstoke: Palgrave Macmillan, 2013. Pp. 240. £60/$90 Hb; £18.99/$29 Pb.CrossRefGoogle Scholar
WHITE, R. ANDREW, ed., The Routledge Companion to Stanislavsky. New York: Routledge, 2014. Pp. 348. £140/$225 Hb.Google Scholar
WYNNE, CATHERINE, Bram Stoker, Dracula and the Victorian Gothic Stage. Basingstoke: Palgrave Macmillan, 2013. Pp. 208. £50 Hb.CrossRefGoogle Scholar
YDE, MATTHEW, Bernard Shaw and Totalitarianism: Longing for Utopia. Basingstoke: Palgrave Macmillan, 2013. Pp. 247. £50/$80 Hb.CrossRefGoogle Scholar
ZARRILLI, PHILIP B., DABOO, JERRI and LOUKES, REBECCA, Acting: Psychophysical Phenomenon and Process. Basingstoke: Palgrave Macmillan, 2013. Pp. 312. £55 Hb.Google Scholar