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Performing Asian/American Women
Labor, Resistance, and (De)Compression in The King and I and KPOP
Published online by Cambridge University Press: 01 September 2023
Abstract
The transnational circulation of persistent racial types that are attached to Asian/American women have shaped Asian-focused narratives and roles on Broadway. The King and I (2015) and KPOP (2022) exemplify Asian/American women’s performative labor and the tensions embedded in and disruptive of the contested political arena of Broadway musical theatre.
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- © The Author(s), 2023. Published by Cambridge University Press for Tisch School of the Arts/NYU