Hostname: page-component-5c6d5d7d68-wp2c8 Total loading time: 0 Render date: 2024-08-18T07:21:53.592Z Has data issue: false hasContentIssue false

The Dada Dramaturgy of Readymade Cabaret 2.0

Published online by Cambridge University Press:  01 December 2021

Abstract

This Is Not a Theatre Company’s Readymade Cabaret 2.0 combines classic Dada dramaturgy with a Covid-era virtual theatre of short vignettes, much like the original Dada performances at the Cabaret Voltaire. Character-based dialogue strikes at the same existential questions explored by the Dada collaborators, especially prescient in the context of a global pandemic that has drastically altered our daily lives.

Type
Critical Acts
Copyright
© The Author(s) 2021. Published by Cambridge University Press for Tisch School of the Arts/NYU

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Brain, Ezra. 2020. “What Is Dada?” Readymade Cabaret 2.0 Program. Accessed 16 December 2020. https://docs.google.com/document/d/1qMGEfy5vxSOtwRaClfqYv0cf28gG6NznRO8mEzsIVFE/edit.Google Scholar
Brown, Jayna. 2008. Babylon Girls: Black Women Performers and the Shaping of the Modern. Durham, NC: Duke University Press.Google Scholar
Eckersall, Peter. 2018. “On Dramaturgy to Make Visible.” Performance Research 23, 4–5:241–43.CrossRefGoogle Scholar
McNamara, Brooks. 2002. The New York Concert Saloon: The Devil’s Own Nights. Cambridge: Cambridge University Press.Google Scholar
Mee, Erin B., and Bear, Jesse. n.d. “Rasa-festa.” “About/Manifesto,” This Is Not a Theatre Company. Accessed 16 December 2020. www.thisisnotatheatrecompany.com/manifesto.Google Scholar
This is Not a Theatre Company (TINATC). 2020. “Message to attendees of Readymade Cabaret 2.0.” Email correspondence, 4 December.Google Scholar
Tzara, Tristan. (1918) 2011. “Dada Manifesto 1918.” In Seven Dada Manifestos and Lampisteries, trans. Wright, Barbara, 314. London: Oneworld Classics.Google Scholar
Tzara, Tristan. (1920) 2011. “To Make a Dadaist Poem.” In Seven Dada Manifestos and Lampisteries, trans. Barbara Wright, 39. London: Oneworld Classics.Google Scholar
Vogel, Shane. 2009. The Scene of Harlem Cabaret: Race, Sexuality, Performance. Chicago: University of Chicago Press.Google Scholar