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Making Light of Everything: Early Photography of the Middle East and Current Photomania

Published online by Cambridge University Press:  09 March 2016

Paul E. Chevedden
Paul E. Chevedden*
Affiliation:
University of California, Los Angeles
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Extract

Praising the photographs of Francis Frith, the grocery wholesaler-turned-photographer who undertook three photographic expeditions to the Middle East between 1856 and 1860, an Athenaeum critic wrote: “Mr. Frith, who makes light of everything, brings us the Sun’s opinion of Egypt, which is better than Champollion’s, Wilkinson’s, Eōthen’s, or Titmarsh’s.” Viewed as re-creations of nature itself, unmeditated reproductions of the real world fashioned by the direct agency of the sun, photographs were extolled as truthful and unbiased representations of reality. This conviction, which ignored the input of the human operator, imbued early photography with a passionate enthusiasm and mission: to reproduce the world in its own image, to make light of everything. Photography emerged not as an art form, still less as the result of certain developments in painting as proposed recently by Peter Galassi, but as an accurate and highly efficient means of transmitting visual information.

Type
Research Article
Information
Review of Middle East Studies , Volume 18 , Issue 2 , December 1984 , pp. 151 - 174
Copyright
Copyright © Middle East Studies Association of North America 1984

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References

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