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Finding Voice: Emily Coungeau and ‘Australia's National Hymn of Progress’

Published online by Cambridge University Press:  26 February 2016

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Extract

In late nineteenth and early twentieth century Brisbane, writing became a profession that was increasingly open to women. This phenomenon developed partly in response to a rapidly expanding urban female audience, but in turn it helped to form the tastes, reading habits and social attitudes of new generations of female readers. The prolific and popular poet Emily Coungeau exemplifies a new, self-consciously cosmopolitan type of woman writer who emerged in Brisbane in the early twentieth century.

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Research Article
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Copyright © Cambridge University Press 

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References

Notes

1 Despite extensive searches, I have failed to find any official record of Emily Howard's birth.Google Scholar

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3 Coungeau, Emily, ‘The Legend of Osyth's Wood’, 'Stella Australis': Poems, Verses and Fragments, 1st edn, Brisbane: Gordon and Gotch, 1914, pp. 8789; Emily Coungeau, ‘A Roman Road’, Fern Leaves: Poems and Verse, Brisbane: W.R. Smith and Paterson, 1934, pp. 31–33.Google Scholar

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5 May, ‘E. Coungeau’, pp. 11, 35.Google Scholar

6 The surname ‘Coungeau’ is a Gallicized version of Kongos. See Gilchrist, Hugh, Australians and Greeks, Volume 1: The Early Years. Sydney: Halstead Press, 1992, p. 233. Naoum was often Anglicised as Norman.Google Scholar

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10 Information from Mrs Elisabeth Gobolos, the great-niece of Emily Coungeau. See entry in the Australian Dictionary of Biography for Amos William Howard (1848–1930), who migrated to Australia in 1876.Google Scholar

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12 See Gilchrist, Hugh, Australians and Greeks: Volume 1: The Early Years, p. 233. Gilchrist claims that Naoum Kongos arrived in Australia in 1889.Google Scholar

13 Clarke, Drury, letter to Russell Hemingway, 31 May 1982, John Oxley Library, Coungeau B106. I have been unable to establish conclusively that the earlier business was located on the same premises, but it appears very likely.Google Scholar

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28 A short history of Coungeau House is available at www.toch.org.au/coungeau_house.htm (accessed 9/10/06). In a telephone conversation on 9 October 2006, Ray Geise, Chairman of Toc H Australia, informed me that the house had been raised in the 1970s, but that otherwise it remains in its original condition. Painter Ian Fairweather's hut now stands in the grounds, after being condemned and relocated from its original site on Bribie Island.Google Scholar

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37 Coungeau, Emily, ‘The Price of Conquest’, Rustling Leaves, p. 97. Rustling Leaves contains a number of poems in this style, including ‘In Memoriam — Gallipoli’, pp. 101–02; ‘Cavell — Martyr— 1915', pp. 108–09; ‘Lest We Forget — Gallipoli’, p. 119; ‘The Return, 1919–20’, pp. 133–34; The Deathless Dead, 1919’, pp. 145–46.Google Scholar

38 Coungeau, ‘Austral's Heroes’, 'Stella Australis', 1st edn, p. 39.Google Scholar

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44 Coungeau, ‘Opening of the Commonwealth Parliament: 9th of May, 1927: Commemoration: Invocation’, Palm Fronds, pp. 8385.Google Scholar

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56 Waters, ThoroldAuster: Premier of Alfred Hill's Opera’, The Australian Musical News, 1 April 1935, p. 4. Emily Coungeau transcribed this review into an exercise book, which also contained other reviews and some of her published and unpublished works (John Oxley Library, Emily Coungeau papers, OM79 — 17/7.)Google Scholar

57 Some First Nights’, The Bulletin, p. 16.Google Scholar

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59 ibid., p. 243.Google Scholar

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61 Extract from letter from Emily Coungeau to her brother Bertie (Albert Edward Howard), 3 June 1922, in the papers of Mrs Elisabeth Gobolos. Coungeau's poem ‘Wirajuri’ was published in Emily Coungeau, Rustling Leaves, p. 116. ‘Reincarnation’ appears in Palm Fronds, pp. 1920.Google Scholar

62 Coungeau, ‘Evolution’, Rustling Leaves, p. 28. A similar sense of geological formations as evidence of God's creation is found in ‘The Glasshouse Mountains, Q.’ (Rustling Leaves, p. 31), where these volcanic plugs are ‘Mighty Monoliths of Nature's Mould’ and the ‘watch towers of the plain’.Google Scholar

63 Duncan, George J. C. Mrs, Pre-Adamite Man: Or the Story of Our Old Planet and Its Inhabitants Told by Scripture and Science, London: Nisbet and Co., 1862.Google Scholar

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66 Coungeau, ‘Wirajuri’, Rustling Leaves, pp. 116–17.Google Scholar

67 Coungeau, ‘What is Man?Rustling Leaves, pp. 4243.Google Scholar