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The Origins and Disappearance of the English Court Ode

Published online by Cambridge University Press:  01 January 2020

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Extract

I Ought to say, by way of introduction, that my interest in the English Court ode owes its inspiration to a paper ‘The Secular Music of John Blow’, read to this Society on 10 November 1936, by Mr. Harold Watkins Shaw, and to the questions raised by Professor Westrup in the discussion which followed.

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Articles
Copyright
Copyright © Royal Musical Association, 1960

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References

1 New York Public Library, Drexel MSS 4180–5. Published by Stainer & Bell, London.Google Scholar

2 Works of Benjamin Jonson, edd. C. H. Herford and P. Simpson, 11 vols., Oxford, 1925–52, viii, 263–5.Google Scholar

3 See Broadus, E. K., The Laureateship, Oxford, 1921, p. iv.Google Scholar

4 This is the date which Herford and Simpson ascribe to this masque, Jonson, x, 604.Google Scholar

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6 See Simpson, Evelyn, ‘Ben Jonson's “A New-Yeares-Gift”’, The Review of English Studies, xiv (1938), 175–8.CrossRefGoogle Scholar

7 Bodleian Library, MS Ashm. 36–7, f. 166.Google Scholar

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9 After these phrases the MS has the rubric ‘eccho’.Google Scholar

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11 Bodleian Library, MS Aahm. 36–7, f. 167.Google Scholar

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14 Jonson reuses this phrase in ‘A New-yeares-Gift sung to King CHARLES, 1635’.Google Scholar

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16 Jonson, i, 245–8.Google Scholar

17 Jonson, viii: No. LXIII, 235–6, a consolatory epigram for the death of the King's first-born and No. LXIV, 236–7, an epigram to the King on the anniversary of his accession—both written in 1629; No. LXV, 237–8, an epigram on Charles II's birth, No. LXVI, 238, one on the Queen's confinement, and No. LXVII, 239–40, a poem for the Queen's birthday—all written in 1630; No. LXXII, 249, an epigram to the King on his birthday, 1632; No. LXXXII, 268, a poem on the christening of James II in 1633; No. LXXIX, 263–5, an ode for the New Year, 1635; and No. LXXXI, 267, a poem of an unknown year on the birthday of Charles I.Google Scholar

18 Jonson, viii, 267.Google Scholar

19 The Works of Thomas Nabbes, ed. A. H. Bullen (Old English Plays, ii), London, 1887, 256–68.Google Scholar

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24 The Diary of Samuel Pepys, ed. H. B. Wheatley, London, 1952, i, 115, a May 1660.Google Scholar

25 See, for example, de Beer, op. cit., 406, 29 May 1660.Google Scholar

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28 Saturday, June 4, 1681: ‘Windsor—May 29 This day (being His Majesty's Birthday) all the usuall Ceremonies were performed; as ringing of Bells, sounding of Trumpets, beating of Drums, with variety of other Musick. At His Majesty's up-rising a Song was sung in the Privy Chamber, concerning the Birth, Restauration, and Coronation, much to the satisfaction of His Majesty…’.Google Scholar

29 Locke's ‘Come Loyall hearts, make no delay’, which was also performed at the New Year's celebration in 1666 (New Style) may also have been an ode as such. The music has not survived and the arrangement of the text does not indicate one way or the other what sort of setting it received: the irregularity of the metre of the various verses may indicate that it was set as an ode; or again it may not.Google Scholar

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32 By this time the Master of the King's Music was responsible for setting the texts.Google Scholar

33 Southey, R., The Poetical Works of Robert Southey, London, 1838, iii, xiii.Google Scholar

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35 ibid., v. 63.Google Scholar

36 Southey, R., op. cit., iii, xiii.Google Scholar