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HOW SHOULD WE PROTOTYPE? ESTABLISHING THE AFFORDANCES OF PROTOTYPING MEDIA AND APPROACHES

Published online by Cambridge University Press:  19 June 2023

Chris Snider*
Affiliation:
University of Bristol, UK;
Mark Goudswaard
Affiliation:
University of Bristol, UK;
Charlie Ranscombe
Affiliation:
Swinburne University of Technology, Australia
Chaunpeng Hao
Affiliation:
University of Bristol, UK;
James Gopsill
Affiliation:
University of Bristol, UK;
Ben Hicks
Affiliation:
University of Bristol, UK;
*
Snider, Chris, University of Bristol, United Kingdom, chris.snider@bristol.ac.uk

Abstract

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The breadth of media and approaches used when prototyping are vast, with each holding inherent properties that vary their suitability for a given prototyping activity.

While several have established classifications of types and purposes of prototypes, there is little by way of guidance for designers on how select and strategise prototyping given their activity needs, or how the prototype chosen may influence their process, success or efficiency.

This paper presents nine affordances of prototypes derived from literature, together characterising the properties of prototyping media or approaches that affect their suitability across prototyping activities.

The affordances are illustrated through application to physical and digital classes of prototypes and four real prototype cases, showing descriptive capability, inherent differences between the media, and enabling direct and consistent comparison.

By mapping affordances across many media and approaches, this work enables better method selection to align with activity needs, better description and comparison of media and approaches, and the ability the broadly interrogate and direct future development of prototyping technologies.

Type
Article
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - ND
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives licence (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use or in order to create a derivative work.
Copyright
The Author(s), 2023. Published by Cambridge University Press

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