Hostname: page-component-cd9895bd7-gvvz8 Total loading time: 0 Render date: 2024-12-14T04:01:48.213Z Has data issue: false hasContentIssue false

Dwight F. Reynolds, The Musical Heritage of Al-Andalus, SOAS Studies in Music. Abingdon: Routledge, 2021. xiii + 260 pp. ISBN 978 0 367 24314 2 (hardback); 978 0 429 28165 5 (ebook).

Review products

Dwight F. Reynolds, The Musical Heritage of Al-Andalus, SOAS Studies in Music. Abingdon: Routledge, 2021. xiii + 260 pp. ISBN 978 0 367 24314 2 (hardback); 978 0 429 28165 5 (ebook).

Published online by Cambridge University Press:  07 April 2022

MANUEL PEDRO FERREIRA*
Affiliation:
(mpferreira@fcsh.unl.pt)

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Ribera, Julián y Tarragó, , La música de las cantigas: estudio sobre su orígen y naturaleza (Madrid: Real Academia Española, 1922)Google Scholar.

2 Davila, Carl, ‘Fixing a Misbegotten Biography: Ziriāb in the Mediterranean World’, al-Masāq, 21/2 (2009), 121–36CrossRefGoogle Scholar; idem, The Andalusian Music of Morocco (Wiesbaden: Reichert, 2013). Christian Poché, ‘Un nouveau regard sur la musique d'al-Andalus: le manuscrit d'al-Tīfāshī’, Revista de musicología, 16/1 (1993), 367–79; idem, La musique arabo-andalouse (Paris: Actes Sud, 1995); idem, Ziryab, musicien andalou. Histoire et légende (Paris: Riveneuve, 2012).

3 Shai Burstyn, ‘The “Arabian Influence” Thesis Revisited’, Current Musicology, 45–7 (1990), 119–46.

4 T. Monroe, James, ‘The Tune or the Words? (Singing Hispano-Arabic Strophic Poetry)’, Al-Qanṭara, 8 (1987), 265317Google Scholar.

5 Beltrán, Vicente, ‘De zéjeles y dansas: orígenes y formación de la estrofa con vuelta’, Revista de Filología Española, 64/3 (1984), 239–66CrossRefGoogle Scholar; Ferreira, Manuel Pedro, ‘Rondeau and Virelai: The Music of Andalus and the Cantigas de Santa Maria’, Plainsong & Medieval Music, 13/2 (2004), 127–40CrossRefGoogle Scholar.

6 Ferreira, ‘Rondeau and Virelai’; idem, ‘Rhythmic Paradigms in the Cantigas de Santa Maria: French versus Arabic Precedent’, Plainsong and Medieval Music, 24/1 (2015), 1–24.