Text concerning the division of labour, taken from Adam Smith’s The Wealth of Nations spoken in

One of the surprising variations generated from the original t

The ‘recapitulation’ of the original text, now incomprehensibly scrambled

The opening of the piece Angel, that forms the second movement of Fabulous Paris – a virtual

The same speaker, using the phrase ‘This is when we used to go to concerts’. Again synthetic

The same speaker: here we hear the phrase ‘She di’n’t spend years in bed; spent years in the house

The stacked voices of traffic-accident announcements on the California freeways, which open the

The ‘siren’ material emerging later in the movement, and finally revealing itself to be the voice of a

The cadence two-thirds of the way through the same movement. At its end, harmonically stacked

The ‘frame tail’ theme of Globalalia, constructed from a variety of syllabic types. These syllabic

The frame tail recurs at intervals throughout Globalalia. This is an example of a highly timecompressed

Another example of a recurrence of the frame tail, here with internal imitation

An example of one of the individual ‘stories’ from Globalalia. This is based on the voices of

Three sounds illustrate the special time-stretching process used inmaking Sound example 13. The

Another example of the same process, which attempts to produce a results indistinguishable from