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Analysis of Crosstalk, a work by Michael Vaughan

Published online by Cambridge University Press:  04 April 2001

RAJMIL FISCHMAN
RAJMIL FISCHMAN
Affiliation:
Music Department, Keele University, Keele, Staffordshire ST5 5BG, UK E-mail: r.a.fischman@mus.keele.ac.uk
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Abstract

This article presents a full analysis of Crosstalk – a piece for tape by Michael Vaughan (1989). The methodological approach employed here develops its concepts and techniques from those of Music Semiology and Spectromorphology. The former provides the concept and method of semiological neutral inference – as applied by Nattiez (1982, 1990). The latter – developed by Smalley (1986) – offers tools and a terminology for the characterisation of timbre and temporal functionality within the musical work.

Type
Research Article
Information
Organised Sound , Volume 2 , Issue 3 , December 1997 , pp. 225 - 251
Copyright
© 1997 Cambridge University Press

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