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Nicholas Mathew and Benjamin Walton, eds, The Invention of Beethoven and Rossini: Historiography, Analysis, Criticism (Cambridge: Cambridge University Press, 2013). xiii+384 pp. $120.00.

Published online by Cambridge University Press:  04 August 2016

Robin Wallace
Robin Wallace*
Affiliation:
Baylor Universityrobin_wallace@baylor.edu
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Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 13 , Issue 2 , December 2016 , pp. 340 - 344
Copyright
© Cambridge University Press 2016 

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References

1 Dahlhaus, Carl, Die Musik des 19. Jahrhunderts, vol. 6 of Neues Handbuch der Musikwissenschaft (Laaber: Laaber-Verlag, 1980)Google Scholar, trans. as Nineteenth-Century Music by J. Bradford Robinson (Berkeley: University of California Press, 1989): 8–15. In the English version ‘Stildualismus’ is translated as ‘The Twin Styles’.

2 Taruskin, Richard, Oxford History of Western Music, vol. 3 (Oxford: Oxford University Press, 2009): 1 Google Scholar.

3 Kiesewetter, Raphael Georg, Geschichte der europäisch-abendländischen oder unserer heutigen Musik (Leipzig: Breitkopf und Härtel, 1834)Google Scholar; Stendhal (Marie-Henri Beyle), Vie de Rossini (Paris: Auguste Boulant et Cie, 1824).