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Franz Liszt: Harmonies poétiques et religieuses (Frühfassungen), Neue Ausgabe Sämtlicher Werke, Supplement, vol. 6; Harold en Italie (Berlioz) und andere Werke, Neue Ausgabe Sämtlicher Werke, Supplement, vol. 9; Symphonies de L. van Beethoven, nos 5–7, Marche fune`bre (no. 3, II) (Erstfassungen), Neue Ausgabe Sämtlicher Werke, Supplement, vol. 11 - Franz Liszt, Harmonies poétiques et religieuses (Frühfassungen), Neue Ausgabe Sämtlicher Werke, Supplement, vol. 6, ed. Adrienne Kaczmarczyk (Budapest: Editio Musica Budapest, 2009). - Franz Liszt, Harold en Italie (Berlioz) und andere Werke, Neue Ausgabe Sämtlicher Werke, Supplement, vol. 9, ed. Adrienne Kaczmarczyk and Eszter Mikusi (Budapest: Editio Musica Budapest, 2009). - Franz Liszt, Symphonies de L. van Beethoven, nos 5–7, Marche funèbre (no. 3, II) (Erstfassungen), Neue Ausgabe Sämtlicher Werke, Supplement, vol. 11, ed. Imre Mező (Budapest: Editio Musica Budapest, 2008).
Published online by Cambridge University Press: 27 June 2011
Abstract
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- Type
- Score Reviews
- Information
- Nineteenth-Century Music Review , Volume 8 , Issue 1: Music in Nineteenth-Century Greece , 27 June 2011 , pp. 161 - 165
- Copyright
- Copyright © Cambridge University Press 2011
References
1 General preface to Franz Liszt, Etüden I, NLA, Series I, vol. 1, ed. Zoltán Gárdonyi and István Szelényi (Budapest: Editio Musica Budapest, 1973): vi.
2 Liszt, Franz, Musikalische Werke, ed. Ferruccio Busoni, Peter Raabe et al. (Leipzig: Breitkopf & Härtel, 1907–36)Google Scholar.
3 The contents of these supplemental volumes seem to be in a state of transition. For instance, the most recent catalogue of the NLA (available at www.emb.hu) lists supplemental volume 6 as containing Liszt's Fantasy on Themes from ‘Der Freischütz’, but this unpublished, almost finished work is not to be found in that volume. In fact, this work was originally slated for Series II, volume 5, but for unknown reasons did not appear there either.
4 A single page of bars 27–36 of the second movement of the Sixth Symphony is also extant in Liszt's hand. Far more frustrating is the fact that the autographs of his transcriptions of the Fifth and Sixth Symphonies are still known to exist, but have not been seen since they were sold at auction in October 1951. If these manuscripts resemble those of Liszt's arrangements of Winterreise or the ‘Paganini’ Etudes, that is, works created during the same period, then they contain a wealth of information about the genesis of these symphony arrangements.
5 Liszt, Franz, Fantasie über Themen aus Mozarts Figaro und Don Giovanni, ed. Leslie Howard (Budapest: Editio Musica Budapest, 1997)Google Scholar.
6 In fact, a model for this editorial approach already exists in at least one of the NLA's supplemental volumes. Volume 5, edited by Kaczmarczyk and Mező (Budapest: Editio Musica Budapest, 2007), contains Liszt's massive Clochette et Carnaval de Venise, in which incomplete manuscript passages are supplemented by Mező's own edition of the work (Budapest: Editio Musica Budapest, 1989).
7 Liszt, Franz, Harmonies poétiques et religieuses: Early Versions (1834–46), ed. Albert Brussee (Huizen, Holland: B.V. Muziekuitgeverij XYZ, 2001), and Franz Liszt, Harmonies poétiques et religieuses: 1847 Version, 2 vols., ed. Albert Brussee (Huizen, Holland: B.V. Muziekuitgeverij XYZ, 1997)Google Scholar.