¹ In particular, see Clark, Walter Aaron, Enrique Granados: Poet of the Piano (New York: Oxford University Press, 2006 Google Scholar; and paperback rpt., 2011), now also available in Spanish (Barcelona: Boileau, 2016).

² Indeed, José Manuel Gil de Gálvez recently completed a dissertation that explores in considerable detail violinists and violin repertoire from the 1700s. His investigations have yielded a cornucopia of violin sonatas, trio sonatas with guitar and works for string orchestra. This may be the tip of the proverbial iceberg. See his ‘El violín en la España del siglo XVIII desde Giacomo Facco a Felipe Libón: Evolución histórica‐artística y pedagógica’ (PhD diss., Universidad de Málaga, 2015). Another valuable contribution to the literature on this topic is Ana Lombardía González, ‘Violin Music in Mid-18th-century Madrid: Contexts, Genres, Styles’ (PhD diss., Universidad de la Rioja, 2015).

³ Incomplete works include two solo sonatas, one for violin and the other for cello. He did finish a small-scale string quartet. A serenade for two violins and piano was performed by Granados on 4 April 1914 at the Salle Pleyel in Paris.

⁴ See Aaron Clark, Walter, Isaac Albéniz: Portrait of a Romantic (Oxford: Oxford University Press, 1999; and paperback rpt., 2002): 284 Google Scholar.