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Digitized Publications of Spirituals from the Nineteenth Century

Published online by Cambridge University Press:  03 November 2023

Chris Fenner*
Affiliation:
The Southern Baptist Theological Seminary

Extract

Compilers and editors of hymnals and scholars of hymnology have often lacked suitable tools for identifying the earliest sources of spirituals, or even key sources that serve as models for later arrangements. In the twenty-first century, the development of internet-based repositories of digital books has enabled the ability to search for publications of spirituals using strings of lyrics or keywords, but more importantly, these repositories allow researchers to examine the relevant sources and glean contextual information about those spirituals beyond what might exist in any list or index. Although African slaves had been present in North America since 1619, this unique musical artform was not considered a national treasure worth preserving and publishing until the onset of the Civil War, thus any study of sources of antebellum plantation spirituals really begins at the end of that era and moves forward from there. In order to understand the problem and the digital solution to tracing these songs, a brief overview of the longstanding publishing standard will be presented, followed by an overview of older research materials, then a detailed examination of three existing repositories (HathiTrust, Google, Internet Archive), and one forthcoming repository (Sounding Spirit). The publications located in these repositories have been tied together through a pair of web-based bibliographies at Hymnology Archive, covering the years 1862–1900 and 1901–1942.

Type
Digital Resource Review Article
Copyright
Copyright © The Author(s), 2023. Published by Cambridge University Press

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References

1 Glory to God (Louisville: Westminster John Knox, 2013); Wyeth, John, Repository of Sacred Music, Part Second (Harrisburg: John Wyeth, 1813)Google Scholar; Shaw, Benjamin and Spilman, Charles H., Columbian Harmony (Cincinnati: Lodge, l'Hommedieu and Hammond, 1829)Google Scholar; Lutheran Service Book (St. Louis: Concordia, 2006); Walker, William, Southern Harmony and Musical Companion (Spartansburg, SC, 1835)Google Scholar.

2 Daw, Carl P. Jr., Glory to God: A Companion (Louisville: Westminster John Knox, 2016)Google Scholar.

3 ‘Folklore from St. Helena, South Carolina’, in Journal of American Folk-Lore 38/148 (1925): 237–8.

4 Herl, Joseph, Reske, Peter C. and Vieker, Jon D., eds., Lutheran Service Book: Companion to the Hymns, Vol. 1 (St. Louis: Concordia, 2019): 1077–80Google Scholar; Work, John Wesley, Folk Songs of the American Negro (Nashville: Fisk, 1907)Google Scholar; Newton, John (with William Cowper), Olney Hymns in Three Books (London: W. Oliver, 1779)Google Scholar.

5 J.R. Watson and Emma Hornby, eds, The Canterbury Dictionary of Hymnology, https://hymnology.hymnsam.co.uk; United Methodist Discipleship Ministries, History of Hymns, www.umcdiscipleship.org/worship-planning/history-of-hymns; Hymnology Archive, https://www.hymnologyarchive.com. The websites referenced in this review were consulted between July and August 2023.

6 Belcher, Joseph, Historical Sketches of Hymns, Their Writers, and Their Influence (Philadelphia: Lindsay & Blakiston, 1859)Google Scholar; Biggs, Louis, Hymns Ancient & Modern with Annotations, Originals, and References (London: Novello & Co., 1867)Google Scholar; Julian, John, A Dictionary of Hymnology (London: J. Murray, 1892)Google Scholar; Nicholas Temperley, Hymn Tune Index (University of Illinois Urbana-Champaign), https://hymntune.library.illinois.edu; Hymnary.org (Calvin University, et al.), https://hymnary.org; National Jubilee Melodies (Nashville: National Baptist Publishing Board, 1916).

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8 Robert M.W. Dixon, John Godrich and Howard Rye, Blues and Gospel Records, 1890–1943, 4th ed. (Oxford: University Press, 1997); Discography of American Historical Recordings (University of California Santa Barbara), https://adp.library.ucsb.edu; Randye Jones, The Spirituals Database, https://spirituals-database.com; Discogs, www.discogs.com.

9 ‘Publications of Spirituals, 1862–1900’ and ‘Publications of Spirituals, 1901–1942’, edited by Chris Fenner, www.hymnologyarchive.com/collections-of-spirituals-1862-1900 and https://www.hymnologyarchive.com/collections-of-spirituals-1901-1942.

10 Fisher, William, Seventy Negro Spirituals (Boston: Oliver Ditson, 1926)Google Scholar. Negro Year Book (Tuskegee: Negro Year Book, 1922). Work, Monroe N., A Bibliography of the Negro in Africa and America (New York: H.W. Wilson, 1928)Google Scholar.

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12 H.T. Burleigh's arrangements for solo voice were published both individually and collectively; his collections are represented in the list, as are other similar collections.

13 A couple of existing repositories with digitized sheet music folios include the African American Sheet Music Collection at Brown University, https://library.brown.edu/cds/sheetmusic/afam/about.html, and IMSLP Petrucci Music Library, https://imslp.org/wiki/Category:Spirituals.

14 Twenty-Two Years’ Work of the Hampton Normal and Agricultural Institute (Hampton: Normal School, 1893).

15 For these and other variants, see Chris Fenner, ‘Were you there when they crucified my Lord’, Hymnology Archive,28 January 2019, rev. 15 February 2021), www.hymnologyarchive.com/.

16 Cleveland Public Library, Index to Negro Spirituals (Cleveland: Cleveland Public Library 1937; rev. ed. Chicago: Center for Black Music Research, 1991). The Spirituals Database: https://spirituals-database.com/

17 Kletzing, H.F. and Crogman, W.H., ‘Plantation Melodies’, Progress of a Race: The Remarkable Advancement of the Afro-American Negro (Atlanta: J. L. Nichols & Co., 1898), 583–90Google Scholar. https://www.google.com/books/edition/Progress_of_a_Race_Or_The_Remarkable_Adv/i5gLAAAAIAAJ?gbpv=1&hl=en&pg=PA584.

19 Irving Schlein, ed., Slave Songs of the United States: The Complete Original Collection (New York: Oak Publications, 1965), https://catalog.hathitrust.org/Record/008005525.

20 Slaughter, Linda Warfel, The Freedmen of the South (Cincinnati: Elm Street, 1869)Google Scholar. https://hdl.handle.net/2027/nc01.ark:/13960/t8gf19w31?urlappend=%3Bseq%3D5.

21 ‘Shout Yo’ Glory’, arranged by David W. Guion (New York: Schirmer, ca. 1919), https://hdl.handle.net/2027/miua.5256943.0001.001.

22 Clark, George, The Liberty Minstrel (New York: [author], 1846)Google Scholar. https://hdl.handle.net/2027/chi.56785923.

23 Andrews, J.R., Alone in the Wide, Wide World (Toronto: W. Briggs, 1891)Google Scholar.

25 Participating institutions include Emory University, The Southern Baptist Theological Seminary, University of Kentucky, Middle Tennessee State University, University of Michigan and Brown University.

27 Email correspondence with Erin Fulton, 14 August 2023.

28 J., Frederick and Work, John W., eds., Folk Songs of the American Negro No. 2 (Nashville: Work Brothers, 1907)Google Scholar. Kennedy, R. Emmet, Mellows: A Chronicle of Unknown Singers (New York: Albert & Charles Boni, 1925)Google Scholar.

29 Email correspondence with Jesse Karlsberg, 28 August 2023.

30 Sandra Graham, ‘Spiritual,’ Grove Music Online, Oxford Music Online, www.oxfordmusic.com, and Spirituals and the Birth of a Black Entertainment Industry (Urbana: University of Illinois Press, 2018).