¹ On the Parisian music salon, see Chimènes, Myriam, Mécènes et musiciens: Du salon au concert à Paris sous la IIIe République (Paris: Fayard, 2004)Google Scholar. Also see Tunley, David, Salons, Singers and Songs: A Background to Romantic French Song 1830–1870 (London: Routledge, 2016)Google Scholar. On the Berlin salon scene, see Cypess, Rebecca and Sinkoff, Nancy, eds. Sara Levy's World: Gender, Judaism, and the Bach Tradition in Enlightenment Berlin (Rochester: University of Rochester Press, 2018)Google Scholar.

² Focusing on the study of cultural transfer and ‘national character’ in nineteenth-century Greek periodicals, the Chrysalis project website is accessible in Greek and English at http://chrisalis.eu/ (accessed 10 October 2018).

³ The Medusa repository is accessible in Greek and, with some exceptions, in English at http://medusa.libver.gr/ (accessed 10 October 2018).

⁴ The singer may find Lydía Zervanos’ diction guide to be a useful companion; see Singing in Greek: A Guide to Greek Lyric Diction and Vocal Repertoire (Lanham, MD: Rowman & Littlefield, 2015)Google Scholar.