Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 1
Covid Conversations 4: Stacy Klein
-
- Published online by Cambridge University Press:
- 11 November 2021, pp. 299-322
-
- Article
-
- You have access
- Export citation
- Cited by 1
‘There's Our Catastrophe’: Empathy, Sacrifice, and the Stageing of Suffering in Beckett's Theatre
-
- Published online by Cambridge University Press:
- 15 January 2009, pp. 357-372
-
- Article
- Export citation
- Cited by 1
Reinhabiting ‘The Cherry Orchard’: Class and History in Performing Chekhov
-
- Published online by Cambridge University Press:
- 15 January 2009, pp. 318-328
-
- Article
- Export citation
- Cited by 1
Sidetrack: Discovering the Theatricality of Community
-
- Published online by Cambridge University Press:
- 15 January 2009, pp. 80-89
-
- Article
- Export citation
- Cited by 1
Vamps, Vixens, and Feminists: Report on the Sphinx Conference held at the National Theatre, London, on 16 June 2009
-
- Published online by Cambridge University Press:
- 06 August 2009, p. 290
-
- Article
- Export citation
- Cited by 1
Representations of Greek Tragedy in Ancient Pottery: a Theatrical Perspective
-
- Published online by Cambridge University Press:
- 05 August 2008, pp. 229-245
-
- Article
- Export citation
- Cited by 1
‘The Spirits Wouldn't Let Me Be Anything Else’: Shamanic Dimensions in Theatre Practice Today
-
- Published online by Cambridge University Press:
- 03 October 2003, pp. 150-168
-
- Article
- Export citation
- Cited by 1
‘First-Class Evening Entertainments’: Spectacle and Social Control in a Mid-Victorian Music Hall
-
- Published online by Cambridge University Press:
- 05 January 2004, pp. 3-18
-
- Article
- Export citation
- Cited by 1
Toby Emert and Ellie Friedland, ed. ‘Come Closer’: Critical Perspectives on Theatre of the Oppressed, New York: Peter Lang, 2011. 194 p. £ 21.00. ISBN: 978-1-4331-1370-3.
-
- Published online by Cambridge University Press:
- 06 February 2014, pp. 103-104
-
- Article
- Export citation
- Cited by 1
The Rhetoric of Theory: the Role of Metaphor in Brook's ‘The Empty Space’
-
- Published online by Cambridge University Press:
- 15 January 2009, pp. 246-254
-
- Article
- Export citation
- Cited by 1
Rise of the Monkey Tribe: Simian Impersonation in the British Theatre
-
- Published online by Cambridge University Press:
- 08 October 2018, pp. 357-373
-
- Article
- Export citation
- Cited by 1
Moving in the Cityscape: Performance and the Embodied Experience of the Flâneur
-
- Published online by Cambridge University Press:
- 15 January 2009, pp. 308-317
-
- Article
- Export citation
- Cited by 1
Making Visible the Invisible: Corporeal Mime in the Twenty-First Century
-
- Published online by Cambridge University Press:
- 06 August 2009, pp. 274-288
-
- Article
- Export citation
- Cited by 1
Which Came First: The System or ‘The Seagull’?
-
- Published online by Cambridge University Press:
- 15 January 2009, pp. 218-227
-
- Article
- Export citation
- Cited by 1
Re-Inspecting the Crack in the Chimney: Chaos Theory from Ibsen to Stoppard
-
- Published online by Cambridge University Press:
- 15 January 2009, pp. 242-254
-
- Article
- Export citation
- Cited by 1
Entertaining Mr. Loney: an Early Interview with Joe Orton
-
- Published online by Cambridge University Press:
- 15 January 2009, pp. 300-305
-
- Article
- Export citation
- Cited by 1
Setting Up the Scaffolding: Howard Brenton's ‘Hitler Dances’
-
- Published online by Cambridge University Press:
- 15 January 2009, pp. 335-343
-
- Article
- Export citation
- Cited by 1
Rabble-Rousing in St Louis with That Uppity Theatre
-
- Published online by Cambridge University Press:
- 15 January 2009, pp. 367-378
-
- Article
- Export citation
- Cited by 1
‘Class’ and Political Theatre: the Case of Melbourne Workers Theatre
-
- Published online by Cambridge University Press:
- 18 July 2005, pp. 207-217
-
- Article
- Export citation
- Cited by 1
Creative State / Flow State: Flow Theory in Stanislavsky's Practice
-
- Published online by Cambridge University Press:
- 01 February 2013, pp. 13-23
-
- Article
- Export citation