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Whispering Galleries: the small magazines

Published online by Cambridge University Press:  28 February 2024

Extract

According to George Steiner, commentary is without end. No, strictly that is not quite accurate. What he said was that it was without end “in the worlds of interpretative and critical discourse”, where there are no final conclusions. “Essay speaks to essay, article chatters to article in an endless gallery of querulous echo,” he said in his book Real Presences'.

Functioning as whispering galleries is one of the things that small magazines can do very well. Inevitably, writing in the special number marking the 70th birthday of Herbert McCabe, the small magazine which jumps first to my mind is New Blackfriars, which Herbert edited so memorably for eleven years. However, another ex-editor, Allan White, is writing in this number about New Blackfriars in particular. It is all magazines with circulations of under 5,000—frequently well under 5,000—which I am writing about here (though not, I should add, house magazines or parish magazines or any magazines written entirely by the editor and his staff.) Of course, the echoes which Steiner speaks about come far faster in clashes between opposing pontificators on TV and in the newspapers than in these small magazines, but on TV and in the newspapers the echoes can get distorted out of all recognition.

>What sort of future, though, have the small magazines got? Unless your name is Rupert Murdoch, if you are working in any of the communications media you are beset from time to time with fear for the future—fear of being frozen out or eaten up. It is something that goes with the job.

Type
Research Article
Copyright
Copyright © 1996 Provincial Council of the English Province of the Order of Preachers

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References

1 London: Faber, p.39.

2 New Blackfriars, vol.68, pp. 110f.

3 New Blackfriars, vol.70, pp.410f.

4 Magazines in 2000: May 1995, for Periodical Publishers Association, 15 Kingsway, London WC2B 6UN.

5 For example. Intimations of Postmodernity, London: Routledge: 1992Google Scholar.

6 Basingstoke: Macmillan: 1996, esp. ch.2.

7 Quoted in Peak, Steve & Fisher, Paul ed.: The Media Guide: 1996, London: Fourth Estate: 1995, p.74Google Scholar.

8 Smith, Anthony, Goodbye Gutenberg, Oxford: OUP: 1980, p.316Google Scholar.

9 The making of a television series: a case study in the sociology of culture, London: Constable: 1972, pp.164 6; reprinted in McQuail, Denis, ed.: Sociology of Mass Communications: Selected Readings, Harmondsworth: Penguin: 1972, pp.256 8Google Scholar; Cf Mannheim, K., Ideology and Utopia, London: Routledge: 1936Google Scholar.

10 Dennis Potter, in a discussion on BBC 1, 25.8.87, following a screening of his Brimstone and Treacle.

11 The Audio Visual Man, the Media and Religious Education, Ohio: Pflaum: 1970, pp.155, 159Google Scholar.

12 op. cit. pp.241, 244.

13 op. cit. p.8.

14 Cf Shields, Rob ed., Culture of Internet: Virtual Spaces, Real Histories, Living Bodies, London: Sage: 1996, p.3Google Scholar.

15 Cf. for example, Fred Johnson: “Cyberpunks in the White House”, esp. pp.84, 87,96, in Dovey, Jon ed.: Fractal Dreams: New Media in Social Context, London: Lawrence & Wishart: 1996Google Scholar.

16 Slate, to be edited by Michael Kinsley; it will be published from http://www.slate.com/