Hostname: page-component-848d4c4894-2xdlg Total loading time: 0 Render date: 2024-07-01T01:50:30.234Z Has data issue: false hasContentIssue false

Reorienting the Metropolis: Caribbean Letters and the Autonomist Thrust

Review products

CARIBBEAN POETICS: TOWARD AN AESTHETIC OF WEST INDIAN LITERATURE. By Torres-Saillant Silvio. (Cambridge: Cambridge University Press, 1997. Pp. 353. $64.95 cloth.)

PRESENCIA CRIOLLA EN EL CARIBE Y AMERICA LATINA/CREOLE PRESENCE IN THE CARIBBEAN AND LATIN AMERICA. Edited by Phaf Ineke. (Frankfurt, Germany: Verveurt, 1996. Pp. 129. Paper.)

HAITI AND THE UNITED STATES: NATIONAL STEREOTYPES AND THE LITERARY IMAGINATION. By Dash J. Michael. Second edition. (New York: St. Martin's, 1997. Pp. 182. $16.95 paper.)

Published online by Cambridge University Press:  05 October 2022

Jerome Branche*
Affiliation:
University of Pittsburgh
Rights & Permissions [Opens in a new window]

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review Essays
Copyright
Copyright © 2001 by the University of Texas Press

References

1. See the review by Harold Waters in World Literature Today 72, no. 2 (1998):436–37.

2. See, for example, William Luis, Literary Bondage: Slavery in Cuban Narrative (Austin: University of Texas Press, 1990).

3. Island Records recently released a three-CD anthology of the work of Lee “Scratch” Perry, a talented Jamaican arranger and mixer. Lee Scratch Perry: Arkology contains an illustrative sampling of popular tunes of the late 1970s as well as the numerous “dub versions” they generated. An important early aspect of making dub versions was to allow for improvised DJ monologues on the flip side of single releases.

4. See, for example, William Luis, “Race, Poetry, and Revolution in the Works of Nancy Morejón,” Hispanic Journal 14, no. 2 (1993):83–103. See also Conrad James, “Patterns of Resistance in Afro-Cuban Women's Writing: Nancy Morejón's ‘Amo a mi amo,'” in Framing the Word: Gender and Genre in Caribbean Women's Writing, edited by Joan Anim-Addo (London: Whiling and Birch, 1996), 159–68; and Linda Howe, “Nancy Morejón's ‘Negrismo’ in the Revolutionary Era: The Question of Gender and Race in Cuba,” Explicación de textos literarios 24, nos. 1–2 (1995–1996):91–111.

5. See A History of Literature in the Caribbean: Volume 1, Hispanic and Francophone Regions, edited by A. James Arnold et al. (Amsterdam and Philadelphia: John Benjamins, 1994).