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Published online by Cambridge University Press:  16 January 2014

Judith Tick
Judith Tick*
Affiliation:
Northeastern University
*
j.tick@neu.edu
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Abstract

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Type
Women and American Music, Three Stories
Information
The Journal of the Gilded Age and Progressive Era , Volume 13 , Issue 1 , January 2014 , pp. 109 - 113
Copyright
Copyright © Society for Historians of the Gilded Age and Progressive Era 2014 

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References

1 Tuchman, Barbara, “Biography as a Prism of History” in Tuchman, Practicing History: Selected Essays (New York, 1981), 80–90Google Scholar.

2 In a communication to the author, Jan. 3, 2013, Preston elaborates: “In a nutshell, I have always maintained that [Lawrence] Levine's ideas about bifurcation of culture do not work at all in relation to musical theater, which in the nineteenth century seems to defy categorization in terms of audiences and cultural designations.” For a similar perspective, see Hamberlin, Lawrence, Tin Pan Opera: Operatic Novelty Songs in the Ragtime Era (New York, 2011)CrossRefGoogle Scholar.

3 Ives, Charles E., Memos, ed. Kirkpatrick, John (New York: 1972)Google Scholar, 134.