¹ This contrasts with the presence of a small but important body of historical scholarship on the political significance of theater in the early Stuart and Augustan periods. See, e.g., Sharpe, Kevin, Criticism and Compliment: The Politics of Literature in the England of Charles I (Cambridge, 1987), 179–264Google Scholar; Lake, Peter, The Antichrist’s Lewd Hat: Protestants, Papists and Players in Post-Reformation England (New Haven, CT, 2002), 621–700Google Scholar, and “From Leicester his Commonwealth to Sejanus his Fall: Ben Jonson and the Politics of Roman (Catholic) Virtue,” in Catholics and the “Protestant Nation,” ed. Shagan, Ethan (Manchester, 2005), 128–61Google Scholar; Lake, Peter and Cogswell, Thomas, “Buckingham Does the Globe: Henry VIII and the Politics of Popularity in the 1620s,” Shakespeare Quarterly 60, no. 1 (Spring 2009): 253–78Google Scholar; Smith, Hannah, “Politics, Patriotism, and Gender: The Standing Army Debate on the English Stage, circa 1689–1720,” Journal of British Studies 50, no. 1 (January 2011): 48–75CrossRefGoogle Scholar; and Wilson, Kathleen, The Island Race: Englishness, Empire, and Gender in the Eighteenth Century (London, 2003), 62–70, 88–89, 138–40, 162–67Google Scholar.

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⁶ Even the only scholar to explicitly describe drama as an element of the Restoration public sphere limits her analysis to printed play texts because she shares this assumption: Turner, Dorothy, “Restoration Drama in the Public Sphere: Propaganda, the Playhouse, and Published Drama,” Restoration and Eighteenth-Century Theatre Research 12, no. 1 (Summer 1997): 18–39Google Scholar.

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³⁰ Owen, Restoration Theatre and Crisis, 141–43, 260–67.

³¹ Harris, London Crowds, 101–6.

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⁶⁴ Settle, Empress of Morocco, 2, 27. See also 37 and 54.

⁶⁵ Ibid., 29.

⁶⁶ Ibid., 1–3, 47. See also 49.

⁶⁷ Ibid., 7–10, 13, 20–24, 31, 37. See also 41.

⁶⁸ Ibid., 13.

⁶⁹ Ibid., 7, 12, 19–20, 25, 32–33, 56, 68.

⁷⁰ Ibid., 61.

⁷¹ Ibid., 24, 38–39.

⁷² Ibid., 62–64.

⁷³ Ibid., 1–3, 13, 16–17, 31, 37.

⁷⁴ Ibid., 5–6, 9, 11, 14, 18, 44, 52, 70.

⁷⁵ Settle, Mare Clausum, 4–6.

⁷⁶ Settle, Empress of Morocco, 10.

⁷⁷ Pincus, 1688, chaps. 5–6.

⁷⁸ Glickman, English Catholic Community, esp. 14–18, 224, 250–51, 257; Pincus, 1688, 118–78.

⁷⁹ Settle, Empress of Morocco, 24, 34, 36.

⁸⁰ Ibid., 2, 4, 6, 14, 18.

⁸¹ Ibid., 15.

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⁹² Dryden, Shadwell, and Crowne, “Preface,” and “Errata in the Epistle,” in Notes and observations, 8 and 71, respectively; Duffet, A Farce, prologue (see also 11–12, 18); Stocker, “Political Allusion in The Rehearsal.”

⁹³ Lord, Poems on Affairs of State, 1:213–19 (see also 237–51); Spurr, England in the 1670s, 50–52.

⁹⁴ Maguire, Regicide and Restoration.

⁹⁵ See also Settle, Empress of Morocco, 8–9.

⁹⁶ See Habermas, Structural Transformation, 5–12, 22, 29–32, 39.

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⁹⁸ Settle, Empress of Morocco, 4–5, 7, 11–12.

⁹⁹ Ibid., 70; Settle, Notes and Observations, 77.

¹⁰⁰ Ibid., 62–63.

¹⁰¹ Maguire, Regicide and Restoration, 116 (quotation), 175–76, 179, 183–88.

¹⁰² Owen, Restoration Theatre and Crisis, 14–16.

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