Hostname: page-component-7479d7b7d-t6hkb Total loading time: 0 Render date: 2024-07-12T07:27:51.675Z Has data issue: false hasContentIssue false

First-Person Narration and Citizen-Subject: The Modernity of Ōgai's “The Dancing Girl”

Published online by Cambridge University Press:  02 March 2007

Tomiko Yoda
Affiliation:
tomiko@duke.edu associate professor of Asian and African Languages and Literature, Program in Literature, and Women's Studies at Duke University
Get access

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Research Article
Copyright
Copyright © Association for Asian Studies 2006

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

List of References

Althusser, Louis. 1971. Lenin and Philosophy, trans. Brewster, Ben. New York: Monthly Review Press.Google Scholar
Althusser, Louis. 1996. For Marx, trans. Brewster, Ben. London: Verso.Google Scholar
Asukai, Masamichi. 1989. Tennō to kindai nihon seishinshi [The emperor and the history of modern Japanese spirit]. Tokyo: Sanitsu shobō.Google Scholar
Balibar, Étienne. 1994. “Subjection and Subjectivation.” In Supposing the Subject, ed. Copjec, Joan. London: Verso.Google Scholar
Benjamin, Walter. 1969. Illumination, trans. Zohn, Harry. New York: Schocken Books.Google Scholar
Benveniste, Emile. 1971. Problems in General Linguistics, trans. Mary, Elizabeth Meek. Coral Gables, Fla.: University of Miami Press.Google Scholar
Fowler, Edward. 1988. The Rhetoric of Confession: Shishōsetsu in Early Twentieth-Century Japanese Fiction. Berkeley and Los Angeles: University of California Press.CrossRefGoogle Scholar
Fujii, James. 1993. Complicit Fiction: The Subject in the Modern Japanese Prose Narrative. Berkeley and Los Angeles: University of California Press.Google Scholar
Futabatei, Shimei, and Omuro, Saganoya. Futabatei Shimei Saganoya Omuro shū. Tokyo: Chikuma shobō.Google Scholar
Gluck, Carol. 1985. Japan's Modern Myths: Ideology in the Late Meiji Period. Princeton, N.J.: Princeton University Press.CrossRefGoogle Scholar
Gramsci, Antonio. 1971. Prison Notebooks, ed. and trans. Hoare, Quintin and Nowell, Smith Geofrey. New York: International.Google Scholar
Heidegger, Martin. 1962. Being and Time, trans. Macquarrie, John and Robinson, Edward. San Francisco: Harper & Row.Google Scholar
Hill, Christopher. 2002. “Mori Ogai's Resentful Narrator: Trauma and the National Subject in ‘The Dancing Girl.’” Positions: East Asia Cultures Critique 10(2): 365–97.Google Scholar
Kabe, Yoshitaka and Kanbara, Misuzu, eds. 1988. Mori Ōgai ‘Maihime’ shohon kenkyū to kōhon [A Study of Textual Variants of Mori Ōgai's “The Dancing Girl” and a Critical Text]. Tokyo: Ofūsha.Google Scholar
Kamei, Hideo. 1971. “Maihime kaidoku no ryūiten” [A Point of Consideration in Interpreting “The Dancing Girl”). Gekkan kokugo kyōiku 1(1):7179.Google Scholar
Karaki, Junzō. 1949. Mori Ōgai. Tokyo: Sekai Hyōronsha.Google Scholar
Karatani, Kōjin. 1993. Origins of Modern Japanese Literature, trans. de Bary, Brett. Durham, N.C.: Duke University Press.Google Scholar
Kimura, Naoe. 1998. Seinen no tanjō-meiji nihon ni okeru seijiteki jissen no tenkan [The Birth of Youths: The Transformation of Political Practice in Meiji Japan]. Tokyo: Shinyōsha.Google Scholar
Komori, Yōichi. 1988. Buntai to shite no monogatari [Narrative as a Style]. Tokyo: Chikuma shobō.Google Scholar
Lloyd, David, and Paul, Thomas. 1998. Culture and the State. London: Routledge.Google Scholar
Lukács, Georg. 1971. The Theory of the Novel, trans. Bostock, Anna. Boston: MIT Press.Google Scholar
Maeda, Ai. 1982. Toshi kūkan no naka no bungaku [Literature in the Urban Space]. Tokyo: Chikuma Shobō.Google Scholar
Marx, Karl. 1972. “On the Jewish Question.” In The Marx-Engels Reader, ed. Tucker, Robert C.. New York: W. W. Norton.Google Scholar
Miyoshi, Masao. 1991. Off-Center: Power and Cultural Relations between Japan and the United States. Cambridge, Mass.: Harvard University Press.Google Scholar
Mori, Ōgai[Rintaro]. 1936. “Maihime,” in Ōgai zenshu chosakuhen, vol. 2 [The Collected Works of Ōgai, original writing]. Tokyo: Iwanami Shoten.Google Scholar
Mori, Ōgai[Rintaro]. 1975. “Maihime (The Dancing Girl),” trans. Bowring, Richard. Monumenta Nipponica 30(2):151–76.Google Scholar
Morita, Shiken[Bunzō]. 1971. “Shōsetsu no jijotai, kijutsutai” [Self-Narration and Narration in the Novel]. In Negishiha bungakushū, ed. Tatsurō, Inagaki. Tokyo: Iwanami Shoten. (Originally published 1888.)Google Scholar
Morris, Ivan. 1963. The Life of an Amorous Woman by Ihara Saikaku. New York: New Directions.Google Scholar
Nakae, Chōmin[Tokusuke]. 1974. Nakae chōmin shū [Collected Writings of Nakae Chōmin], ed. Shōzō, Matsunaga. Tokyo: Chikuma shobō.Google Scholar
Noguchi, Takehiko. 1994. Sanninshō no hakken made [Toward the Discovery of Third Person]. Tokyo: Chikuma shobō.Google Scholar
Rousseau, Jean-Jacques. 1947. The Social Contract, ed. Frankel, Charles. New York: Hafner Press. (Originally published 1762.)Google Scholar
Satō, Haruo. 1950. “Mori Ōgai no Romanchizumu” [The Romanticism of Mori Ōgai]. In Nihon kindai bungaku no tenbō. Tokyo: Kōdansha. (Originally published in the journal Gunzō 4(9): 1949.)Google Scholar
Takamura, Naosuke. 1996. Kaisha no tanjoō [A Birth of Business Enterprise]. Tokyo: Hirokawa Kōbunkan.Google Scholar
Teruoka, Yasutaka, and Akimasa, Higashi. 1997. Ihara Saikakushū 1. Tokyo: Shōgakkan.Google Scholar
Tokutomi, Sohō[Iichirō]. 1974. Tokutomi sohō shū [Collected Writings of Tokutomi Sohō], ed. Michinari, Uete. Tokyo: Chikuma shobō.Google Scholar
Williams, Raymond. 1990. Marxism and Literature. Oxford, England: Oxford University Press.Google Scholar