Hostname: page-component-848d4c4894-mwx4w Total loading time: 0 Render date: 2024-06-16T10:05:20.134Z Has data issue: false hasContentIssue false
  • English
  • Français

Ownership and transmission in contemporary dance and beyond: A short introduction to the special issue

Published online by Cambridge University Press:  20 December 2022

James Leach Open the ORCID record for James Leach [Opens in a new window]
James Leach*
Affiliation:
Centre national de la recherche scientifique, Centre de Recherche et de Documentation sur l’Océanie, Aix Marseille Université, EHESS, Marseille, France
*
Email: james.leach@pacific-credo.fr
Get access Rights & Permissions [Opens in a new window]

Abstract

The aim of this special issue is the investigation and contextualization of specific arts practices for what they can show us about the transmission and ownership of knowledge. Our authors make explicit the modes of sharing that are part of the creative process in contemporary dance and in Irish traditional music and examine the principles of transmission and social mores that allow ideas to move between practitioners. This introduction sets out some context for the issue and our approach, which is to work alongside practitioners to understand and reveal the social principles and expectations of ownership that are part of the process of producing these art forms.

Type
Article
Information
International Journal of Cultural Property , Volume 29 , Special Issue 2: Special Issue: Contemporary Dance, Knowledge, and Models for Ownership , May 2022 , pp. 103 - 106
Check for updates
Copyright
© The Author(s), 2022. Published by Cambridge University Press on behalf of the International Cultural Property Society

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Boyle, James. 1996. Shamans, Software, and Spleens. Cambridge, MA: Harvard University Press.CrossRefGoogle Scholar
Cvejić, Bojana. 2015. Choreographing Problems: Expressive Concepts in European Dance and Performance. New York: Palgrave Macmillan.CrossRefGoogle Scholar
Jackson, Michael. 1989. Paths towards a Clearing, Radical Empiricism and Ethnographic Enquiry. Bloomington: Indiana University Press.Google Scholar
Leach, James, and Davis, Richard. 2012. “Recognising and Translating Knowledge: Navigating the Political, Epistemological, Legal and Ontological.” Anthropological Forum: A Journal of Social Anthropology and Comparative Sociology 22, no. 3: 209–23.CrossRefGoogle Scholar