Hostname: page-component-84b7d79bbc-2l2gl Total loading time: 0 Render date: 2024-08-01T12:37:55.776Z Has data issue: false hasContentIssue false

Dance, Embodiment, and Cultural Ecology: The Reflexive Relationship Between Bodies and Space

Published online by Cambridge University Press:  02 August 2016

Abstract

A dynamic, reflexive relationship exists between bodies and space as humans both respond to and mold the world around them, and vice versa. Demonstrating this body–space relationship as one of embodiment, site dance holds great potential for engaging community, activating public space, and affecting change. By placing dance within the lived experience, site dance empowers audiences to recognize their roles as active agents shaping the non-static entity of space, and thereby it can be used to engender new relationships to places within a community.

Type
Research Article
Copyright
Copyright © Lauren Baines 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Bachelard, Gaston. 1994. The Poetics of Space. Boston, MA: Beacon Press.Google Scholar
Butler, Judith. 1988. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Theatre Journal 40(4): 519–31.Google Scholar
Casey, Edward S. 1997. “How to Get from Space to Place in a Fairly Short Stretch of Time: Phenomenological Prolegomena.” In Senses of Place, edited by Feld, Steve and Keith, H. Basso, 13–52. Santa Fe, NM: School of American Research Press.Google Scholar
Graham, Amanda Jane. 2013. “Out of Site: Trisha Brown's Roof Piece .” Dance Chronicle 36(1): 5976.CrossRefGoogle Scholar
Hansard 1803–2005. 2008. “House of Commons Rebuilding: HC Deb 28 October 1943 vol 393 cc403-73.” Accessed July 13, 2014. http://hansard.millbanksystems.com/commons/1943/oct/28/house-of-commons-rebuilding#S5CV0393P0_19431028_HOC_283.Google Scholar
Ingold, Tim. 1993. “The Temporality of the Landscape.” World Archaeology 25(2): 152–74.CrossRefGoogle Scholar
Kreiter, Jo. 2009. “Jo Kreiter.” In Site Dance: Choreographers and the Lure of Alternative Spaces, edited by Kloetzel, Melanie and Pavlik, Carolyn, 239–52. Gainesville, FL: University of Florida Press.Google Scholar
Kwan, SanSan. 2013. Kinesthetic City: Dance and Movement in Chinese Urban Spaces. New York: Oxford University Press.Google Scholar
Lefebvre, Henri. 1991. The Production of Space. Translated by Nicholson-Smith, Donald. Malden, MA: Blackwell Publishing.Google Scholar
Lippard, Lucy. 1995. “Looking Around: Where We Are. Where We Could Be.” In Mapping the Terrain: New Genre Public Art, edited by Lacy, Suzanne, 114–30. Seattle: Bay Press.Google Scholar
Maloney, Patricia. 2013. “Interview with Anna Halprin, Part 2.” Bad at Sports. April 8, 2013. Art Practical. Accessed September 23, 2014. http://www.artpractical.com/column/interview_with_anna_halprin_part_2/.Google Scholar
Markusen, Ann, and Gadwa, Anne. 2010. Creative Placemaking. A white paper for The Mayors' Institute on City Design, a leadership initiative of the National Endowment for the Arts in Partnership with the United States Conference of Mayors and American Architectural Foundation. Accessed November 14, 2014. http://arts.gov/sites/default/files/CreativePlacemaking-Paper.pdf.Google Scholar
Merleau-Ponty, Maurice. 1962. Phenomenology of Perception. Translated by Smith, Colin. London: Routledge & Kegan Paul Ltd.Google Scholar
Noë, Alva. 2012. Varieties of Presence. Cambridge, MA: Harvard University Press.Google Scholar
Sabir, Wanda. 2012. “Joanna Haigood's ‘Sailing Away’: Black exodus from San Francisco 1858 and 2012.” San Francisco Bay View. September 21, 2012. Accessed January 5, 2015. http://sfbayview.com/2012/09/joanna-haigoods-sailing-away-black-exodus-from-san-francisco1858-and-2012/.Google Scholar
Sen, Arijit, and Silverman, Lisa eds. 2014. Making Place: Space and Embodiment in the City. Bloomington, IN: Indiana University Press.Google Scholar
Sparshott, Francis. 1993. “The Future of Dance Aesthetics.” Journal of Aesthetics and Art Criticism 51(2): 227–34.CrossRefGoogle Scholar
Weiss, Paul. 1961. Nine Basic Arts. Carbondale, IL: Southern Illinois University Press.Google Scholar