Over the past three decades, writings on modernity and post-modernity have emanated from both the social sciences and humanities. In this context, the voluminous works of Niklas Luhmann and his interpreters (Lee 2000; Rasch 2000) have had a lasting impact on how social theory and various expressions of modernity are interconnected. Yet, one of the finest and most critical understandings of modernity and its totality is still found in the writings of Georg Simmel, who is barely referred to in most recent analyses. Now, through the brilliant interpretations and translations by David Frisby and his colleagues over the past two decades, the interest in Simmel and his intellectual efforts has achieved a position which ranks him with Marx, Durkheim, and Weber. Although Simmel (1858–1918) is classically labeled a sociologist, the depth and breadth of his interests simply cannot be limited to any one discipline. Rather, it is best to approach Simmel as a cultural philosopher, one who used the essay format to address a number of subjects, issues, and problems. Simmel wrote some ten to fifteen books of which only a few have been translated into English, The Philosophy of Money (1900, 1907) being the most visible.