^{page 166 note 1} Cf. Steven, , C.Q. 1933, 149Google Scholar.

^{page 166 note 2} Cf. Diels, , N.Jbb. xxv. 8Google Scholar.

^{page 166 note 3} Pfuhl, , Malerei und Zeicknung, sec. 463Google Scholar.

^{page 166 note 4} Cf. Benveniste, , Rev. Phil. 1932, 118Google Scholar.

^{page 166 note 5} Loewy, , Inschriften griechischar Bildhauern, 23 (between 484 and 472 B.C.)Google Scholar; Septem, 559.

^{page 166 note 6} Acusilaus, 28J; Sophocles, Xoanephoroi.

^{page 166 note 7} Δ 144. Cf. Schweitzer, , N. Heidelberger Jb. 1925, 37Google Scholar.

^{page 166 note 8} μ 347.

^{page 166 note 9} Loewy, , op. cit. 1Google Scholar; early sixth century.

^{page 166 note 10} Benveniste, loc. cit.; Tod, , J.H.M.S. 1929, 214Google Scholar; Ag. 416. ⋯νδρ⋯ας, ‘mannekin’ (Kretschmer, , Glotta, xiv. 100Google Scholar), may also have a magical significance; it is apparently first recorded in Pindar, P. v. 40.

^{page 167 note 1} Cf. Steven, op. cit.; Friedländer, , Platon, 138Google Scholar.

^{page 167 note 2} The most important passages are 595b, 597e, 601, 605a.

^{page 167 note 3} Cf. 598, 603c.

^{page 167 note 4} Mem. iii. 10. 1. Cf. Tate, , C.Q. 1936, 162Google Scholar.

^{page 167 note 5} 156.

^{page 167 note 6} 71, tr. Sheppard.

^{page 167 note 7} ii. 78, cf. ii. 86. 2, 169. 5, iii, 37. 2.

^{page 168 note 1} Legrand, , Hérodote (Budé), 25Google Scholar.

^{page 168 note 2} Diels-Kranz, , Heraclitus, C. 1, 21Google Scholar.

^{page 168 note 3} Loc. cit. 11.

^{page 168 note 4} Diels-Kranz, , Pythagoras, B. 12Google Scholar; cf. Tate, loc. cit.

^{page 168 note 5} eg. Rep. 509d; cf. Baldry, , C.Q. 1937, 146Google Scholar.

^{page 168 note 6} Democritus, B. 154. Bowra, , Greek Lyric Poetry, 69Google Scholar, refers to an ‘old legend’, but quotes Plutarch, , de Soll. Anim. 20Google Scholar, which is expressly based on Democritus.

^{page 168 note 7} P. xii. 21. (490 B. C.).

^{page 168 note 8} 92, 93 D.

^{page 168 note 9} Cho. 564.

^{page 168 note 10} 163 f.

^{page 168 note 11} δ 278, quoted by Allen on the Homeric hymn; cf. the divine impersonations, e.g. X 227 (Athena and Deiphobus), and Patroclus' ghost, which was ‘terribly like him’, Ψ 107.

^{page 168 note 12} 275d. See App. vii of Schuhl's Platon et l'art de son temps, though all his instances do not seem to me relevant.

^{page 168 note 13} B. 195.

^{page 168 note 14} Heraclitus, C. 1, 21.

^{page 168 note 15} B. 23.

^{page 169 note 1} Pfuhl, fig. 229. London, B 164 is not earlier; Gerhard, , A.V. 205, is laterGoogle Scholar. There are no genitive inscriptions on Rhodian or Corinthian. On the subject on general see Walters, , Greek Pottery, ii. 260Google Scholar; Langlotz, , Zeitbestimmung, 46nGoogle Scholar. My material is drawn from Pfuhl, op. cit., and Reinach, Répertoire.

^{page 169 note 2} Late black figure, Gerhard, , A.V. 21, 25Google Scholar; London, B 195 (C.V.A., pl. 37); Furtwängler-Reichhold, iii, p. 226 (Lysippides painter). Early red figure, Pfuhl, fig. 318 (Menon painter).

^{page 169 note 3} e.g. Pistoxenus painter, Pfuhl, fig. 498; Lycaon painter, Pfuhl, fig. 515; J.H.S. 1934, pl. 11.

^{page 169 note 4} B. 23; cf. Dialexeis, iii. 10.

^{page 169 note 5} e.g. Gorgias, B. 11, 13.

^{page 169 note 6} Psellus, 821 (Migne).

^{page 169 note 7} θ 488.

^{page 169 note 8} Solon, 21 D, etc.

^{page 169 note 9} Xenophanes, B. 11, 12; Heraclitus, A. 23, B. 104–6.

^{page 169 note 10} 235a, 264c.

^{page 169 note 11} 266d.

^{page 170 note 1} 1378. My clumsy paraphrase gives the sense but not the neatness of the technical jargon.

^{page 170 note 2} 862. See Radermacher, ad loc.

^{page 170 note 3} 1113. See Radermacher, ad loc.

^{page 170 note 4} GGN. 1920, 142.

^{page 170 note 5} B. 21. Democritus wrote eight works on literature (A. 33).

^{page 170 note 6} S.-S. (= Schmid-Stählin, , Griechische Literaturgeschichte), i. 544Google Scholar.

^{page 170 note 7} e.g. O. vi. I; l. i. 63. See S.-S. i. 595; Davison, , proc. C.A. 1936, 41Google Scholar.

^{page 170 note 8} Davison, 39.

^{page 170 note 9} Paean, 5. Snell refers this to B.'s view of poetry.

^{page 170 note 10} See S.-S. ii. 105. 2. He quotes Sopholes, , Aj. 154Google Scholar; Ant. 332; O.T. 863.

^{page 170 note 11} Soph, . O.T. 895Google Scholar; Trach. 216; Aesch, . Ag. 990Google Scholar; Eum. 332; Eur, . I.T. 146Google Scholar; Phrynichus, fr. 11. See Müller, , Dissertation on the Eumenides, 25Google Scholar.

^{page 171 note 1} See Myres, , J.H.S. 1932, 274Google Scholar; Schadewaldt, , N.Jbb. 1938, 73Google Scholar; Iliasstudien, 131.

^{page 171 note 2} See Steven, op. cit. 154 for references.

^{page 171 note 3} See Déonna, , Dédale, 300Google Scholar.

^{page 171 note 4} Vitruvius, , vii, pref. iiGoogle Scholar.

^{page 171 note 5} Cf. Otto, , Handbuch der Archäologie, 255Google Scholar.

^{page 171 note 6} Geffcken, , Gr. Epigramme, nos. 2, 29Google Scholar; cf. Pindar, O. vii. 50; Solon, 1, 49 Schweitzer, D. op. cit. 64Google Scholar, thinks that Solon only gives sophia to the poet; but Solon equates the two (cf. p 385); both ‘gather a livelihood’ and both ‘know the bounds of lovely wisdom’.

^{page 171 note 7} Myres, , op. cit. 271Google Scholar.

^{page 171 note 8} Jacobsthal, , Ornamente, pl. 64aGoogle Scholar.

^{page 171 note 9} The formal bush goes back to the early seventh century.

^{page 171 note 10} Sometimes realistic and formal trees alternate (Jacobsthal, , op. cit. 87Google Scholar). Cf. the ears of the Sunium Apollo, the hand-clasp of Peleus and Thetis (Pfuhl, fig. 417); perhaps also the ‘punning’ groups of animals, whatever their origin (Roes, , B.C.H. 1935, 312)Google Scholar.

^{page 171 note 11} Well discussed by Schweitzer, , op. cit. 66Google Scholar.

^{page 171 note 12} B. 18; cf. Nestle, , Plato: Protagoras, 23Google Scholar.

^{page 171 note 13} Antigone, 332.

^{page 171 note 14} Cf. the description of Parrhasius (Ath. xii. 543) and the town-planner Hippodamus (Ar. Pol. ii. 5 (8). 1267^a).

^{page 171 note 15} Frogs, 1008, 1030.

^{page 172 note 1} Republic, 598e.

^{page 172 note 2} Xenophon, , Symposium, iii. 5Google Scholar; iv. 6.

^{page 172 note 3} Webster, , Introduction to Sophocles, 57Google Scholar.

^{page 172 note 4} Eusebia: E. and W. pediments; base of Prthenos (Pandora = lady who receives all gifts, i.e. Athens). Sophrosyne: Gigantomachy (E. metopes; inside shield of Parthenos); Centauromachy (S. metopes; sandals of Parthenos); Amazonomachy (W. metopes; outside shield of Parthenos); Trojan War. (N. metopes)

^{page 172 note 5} S.-S. i. 584, 624; Fehr, die Mythen bei Pindar.

^{page 172 note 6} 4 D. See Bowra, , op. cit. 340Google Scholar.

^{page 172 note 7} Winter, , KiB. 218Google Scholar. 5.

^{page 172 note 8} Zeller, , op. cit. 71Google Scholar.

^{page 172 note 9} ρ 385.

^{page 172 note 10} B. 11, 10.

^{page 172 note 11} Theog. 97; Archilochus, 1 D; Solon, 1, 52 D; Anacreon, 32 D; Simonides, 79 D. I am indebted for these references to Mr. J. A. Davison.

^{page 172 note 12} Gorgias, B. 11, 18; Aeschylus, , Ag. 416Google Scholar.

_{page 172 note 13} B. 144.

^{page 172 note 14} Republic, 373b.

^{page 172 note 15} e.g. IIomer, δ 351.

^{page 172 note 16} Geffcken, , Gr. Ep. 12Google Scholar, cf. 13, 23. So also Empedocles, B. 128.

^{page 173 note 1} 150; 160.

^{page 173 note 2} θ 73; cf. Achilles, , I 189Google Scholar.

^{page 173 note 3} H 91; cf. α 239, δ 584.

^{page 173 note 4} 9, 29 D.

^{page 173 note 5} Plato, , Phaedrus, 264dGoogle Scholar. See RE. viii. 2165. The first and last lines of the epigram certainly belong to the original form, and are of the seventh century B.C.

^{page 173 note 6} 48 D.

^{page 173 note 7} 58 D. For further references see S.-S. i. 590 n. 6.

^{page 173 note 8} Z 357.

^{page 173 note 9} Theognis, 237.

^{page 173 note 10} Bacch. iii. 90; Pind, . P. iii. 114Google Scholar. See S.-S., loc. cit.; Davison, , op. cit. 40Google Scholar; Gundert, , Pindar u. sein Dichterberuf, 14, 16Google Scholar.

^{page 173 note 11} e.g. N. vii. 14 ἔργοις δ⋯ καλοῖς ἔσοπτρον ἴσαμεν.

^{page 173 note 12} Cf. von Salis, , Kunst Her Griechen, 58, 70, 73Google Scholar, on the aristocratic beauty of the late archaic athlete.

^{page 174 note 1} Porphyr, , de Abst. ii. 18Google Scholar.

^{page 174 note 2} See now O. Falter, Der Dichter und sein Gott.

^{page 174 note 3} Poetics, xvii.

^{page 174 note 4} 41 ff.

^{page 174 note 5} Particularly lon and Apology 22.

^{Page 174 note 6} B. 21, cf. 18 and Epicharmus B. 57 (not genuine, but fifth century).

^{page 174 note 7} B. 11, 10.

^{page 174 note 8} For the contrary view, see Schweitzer, op. cit., passim.

^{page 174 note 9} Davison, , op. cit. 39Google Scholar, quoting Paean, vi. 54, O. vi. 19, vii. 7, P. iv. 67.

^{page 174 note 10} 50 αὐτ⋯ δ⋯ σϕισιν ⋯πασε τ⋯χναν | π⋯σαν ⋯πιχθον⋯ων Τλαυκ⋯πις ⋯ριστοπ⋯νοις χερσ⋯ κρατεῖν.

^{page 174 note 11} Casson, , Technique of Early Greek Sculpture, 160Google Scholar. His explanation that the seated Athena is a statue is far-fetched.

^{page 174 note 12} i. 49 f. See p. 171 n. 6. Cf. also of poetry, Archilochus, 1 D.

^{page 174 note 13} e.g. xv. 47.

^{page 174 note 14} e.g. 67 D, with S.-S. i. 463. 8.

^{page 174 note 15} 22 f.

^{page 175 note 1} Cf. Becker, , Bild des Weges, 68Google Scholar, who interprets 73 as ‘gave D. a free rein’. Kalinka, , Die Dichtungen Homers, 24Google Scholar, notes that in most later epics the poet names himself in the first line instead of calling on the Muse.

^{page 175 note 2} 481.

^{page 175 note 3} 488.

^{page 175 note 4} e.g. A 604.

^{page 175 note 5} Euripides, , I.T. 87Google Scholar.

^{page 175 note 6} Paus. vii. 5. 5; cf. Picard, , Manuel, i. 89Google Scholar; Déonna, , Dédale, 87Google Scholar.

_{page 175 note 7} Paus. x. 19. 3.

^{page 175 note 8} Cf. the very similar terminology in Aesch. Ag. 1200, where the chorus wonder at Cassandra's power of telling the past history of Argos, and she refers her power to Apollo.

_{page 175 note 9} B 484.

_{page 175 note 10} Op. 649 f.

_{page 175 note 11} Cf. Stählin, , Philologus, lxxviii. 280Google Scholar; Cauer, , Grundfragen, 444–8Google Scholar.

_{page 175 note 12} Op. cit. 37; Pfuhl, sec. 57, fig. 10, 15.

_{page 175 note 13} S.-S. i. 10. 1.

^{page 176 note 1} Cf. the demands of the Chinese painter, Tung Ch'i-ch'ang (1555–1636 A.D.), ap. Sirén, , The Chinese on the Art of Painting, 142Google Scholar.

^{page 176 note 2} Bild und Lied, 14.

^{page 176 note 3} Ibid. 19. Robert also quotes the Amphiaraus krater, and pictures of Troilus and of Peleus and Thetis.

^{page 176 note 4} Pfuhl, fig. 234. Notice also how carefully the painter shows that Heracles has disposed of two of the three bodies of Geryon (Pfuhl, fig. 226), and that on the Sosias cup an arrow stuck in the ground explains the source of Patroclus' wound (Pfuhl, fig. 418).

^{page 176 note 5} 28 f.

^{page 176 note 6} Cf. Buschor, on the Dipylon head, Ath. Mitt. 1927, 206Google Scholar.

^{page 176 note 7} N. v. 2.

^{page 176 note 8} I. iv. 44.

^{page 177 note 1} Pfister, , Ph. W. 1933, 938Google Scholar.

^{page 177 note 2} Pliny, , N.H. xxxvi. 12Google Scholar.

^{page 177 note 3} See Déonna, , Dédale, 545Google Scholar.

^{page 177 note 4} Hipponax, 45 D.

^{page 177 note 5} Geffcken, nos. 9, 10, 11, 20, 31, 32, 36, etc. Exceptions are rare, and here it is not certain that the statue does not speak, especially when ⋯δε is used (very common in literature for the first person).

^{page 177 note 6} See above, p. 173, n. 5. Cf. Déonna, , op. cit. 113Google Scholar.

^{page 177 note 7} Geffcken, no. 33; cf. Buschor, , Altsamische Standbilder, ii. 26Google Scholar: ‘I am Antioche who also made this dedication’ (about 560 B.C.).

^{page 177 note 8} Geffcken, nos. 9, 12, 19, 29, 37, 44.

^{page 177 note 9} Payne, , NC. 162Google Scholar; Walters, , Greek Pottery, ii. 260Google Scholar.

^{page 177 note 10} Walters, loc. cit. Little Master cup.

^{page 177 note 11} η 91, cf. 100. A Chinese picture of a cat, painted in the second century, could drive away mice, and a painted dragon flew away when the eyes were dotted in (Sirén, , op. cit. 154Google Scholar).

^{page 177 note 12} Ʃ 418.

^{page 177 note 13} Ʃ 483.

^{page 177 note 14} τ 229. In the Shield (Ʃ 548) ⋯ρηρομ⋯νη δ⋯ ⋯ῴκει means ‘seemed to have been ploughed’ (cf. Z 389–90) rather than ‘was like a ploughed field’; but Homer is referring to the Minoan use of niello on gold (cf. Lorimer, , J.H.S. 1929, 146Google Scholar), and Minoan art is more realistic than early Greek art.

^{page 177 note 15} See Schuhl, op. cit., App. vii; Déonna, , op. cit. 88Google Scholar; cf. also the Telchines of Rhodes (Blinkenberg, , Hermes, 1915, 280, 287Google Scholar).

^{page 177 note 16} Z 303; cf. Déonna, , op. cit. 121Google Scholar. See also Daremberg-Saglio, , s.v. statua, 1472Google Scholar; Müller, V., RE., Supplt. v. 473Google Scholar; Ehnmark, , The Idea of God in Homer, 55Google Scholar; Schefold, , Jahrb. 1937, 30Google Scholar. According to Benveniste, , op. cit. 131Google Scholar, ἔδος (statue) is the god's ‘démeure perrnanente où l'on emprisonne son pouvoir’.

^{page 178 page 1} I. 1 D. Cf. Theognis, 11.

^{page 178 page 2} See above, p. 166, n. 10.

^{page 178 page 3} See Déonna, , op. cit. 61Google Scholar.

^{page 178 page 4} See Charbonneaux, , Les Tares cuites grecques, 5Google Scholar; Scheurleer, , Bulletin vande Antieke Beschaving, 1939, 12Google Scholar.

^{page 178 note 5} See Déonna, , op. cit. 69Google Scholar; Curtius, , Antike Kunst 176Google Scholar.

^{page 178 note 6} See Daremberg-Saglio, , s.v. statua, 1476Google Scholar.

^{page 178 note 7} See Graindor, , Rev. Arch. 1938, 203Google Scholar, on the Athenian korai, quoting Eur, . Phoen. 220Google Scholar.

^{page 178 note 8} Geffcken, no. 24; cf. 21, 22, 26, 27; cf. Homer's personification of weapons, Δ 126, Λ 574, Ψ 81; Ehnmark, , op. cit. 38Google Scholar.

^{page 178 note 9} Walters, , op. cit. 257Google Scholar.

^{page 178 note 10} Ibid. 241. Cf. Proto-Attic, bowl, A.J.A. 1936, 193Google Scholar.

^{page 178 note 11} Ʃ 376. They had wheels (cf. B.S.A. xxxv. 88).

^{page 178 note 12} e.g. Pfuhl, fig. 121.

^{page 178 note 13} Jacobsthal, , op. cit., pl. 4, p. 16Google Scholar.

^{page 178 note 14} Déonna, , op. cit. 70Google Scholar; Curtius, , op. cit. 103Google Scholar.

^{page 178 note 15} e.g. Pfuhl, figs. 11–13.

^{page 178 note 16} Robertson, , J.H.S. 1938, 41Google Scholar.

^{page 178 note 17} Lamb, , Greek Bronzes, pl. 49, etcGoogle Scholar.

^{page 178 note 18} See above, p. 171.

^{page 179 note 1} Jacobsthal, , op. cit. 30, pl. 14aGoogle Scholar.

^{page 179 note 2} Ibid. 42, pl. 21a.

^{page 179 note 3} Ibid. 52, pl. 39d.

^{page 179 note 4} Ibid. 32, pl. 15b.

^{page 179 note 5} C.V.A. California, pl. xxv. 1.

^{page 179 note 6} Pfuhl, fig. 413.

^{page 179 note 7} Pfuhl, fig. 418.

^{page 179 note 8} e.g. M 278, particularly 281 f. Cf. S.-S. i 103; and in general, van Groningen, paratactische Composite.

^{page 179 note 9} e.g. Ibycus, 6 D.

^{page 179 note 10} e.g. particularly late Euripidean choruses, Hel. 1107, etc.

^{page 179 note 11} e.g. the divided syzygy, Soph, . Phil. 391, 507Google Scholar.