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Women Writers*

Published online by Cambridge University Press:  17 February 2009

Extract

The number of Chinese women writers has increased considerably in the past few years. Some write poetry, essays, children's stories, reportage and television scripts. But since the majority write fiction, and they are the most influential, I will talk today about some middle-aged and younger women who have introduced new themes or written controversial work in recent years.

Type
Research Note
Copyright
Copyright © The China Quarterly 1985

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References

1. China Daily, 15 08 1983Google Scholar, citing Zhongguo qingnian (China Youth).

2. “Hong dou,” Renmin wenxue (People's Literature), No. 7 (1957)Google Scholar. Translated by Barmé, Geremie in Fragrant WeedsGoogle Scholar, translated by Barmé, Geremie and Lee, Bennett (Hong Kong, 1983), pp. 195228Google Scholar. Reprinted in Zong Pu xiaoshuo sanwen xuan (Beijing, 1981).Google Scholar

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4. “Wo shi shei” Changchun, No. 12 (1979)Google Scholar, reprinted in Zong Pu xiaoshuo sanwen xuan.

5. “Ren dao zhong nian”, Shouhuo (Harvest) No. 1 (1980)Google Scholar. Translated by Fanqin, Yu and Mingjie, Wang in Seven Contemporary Chinese Women Writers (Beijing, 1982)Google Scholar. Despite the reading of her surname as Chen given in certain dictionaries, Shen is how it is pronounced in the author's family.

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11. Chenzhong de chibang, Shiyue (October) Nos. 4 and 5 (1981)Google Scholar. First published in book form by Renmin wenxue chubanshe, Beijing, 11 1981Google Scholar. [A revised version that took some of the criticisms into account was issued by the same publisher in July 1984. An English translation by Gladys Yang is forthcoming from Virago. Editor.]

12. “Fang zhou,” Shouhou No. 2 (1982).Google Scholar

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14. “Wei ni ganbei”, Dianying chuangzuo (Film creation) No. 4 (1982).Google Scholar