Hostname: page-component-7479d7b7d-qs9v7 Total loading time: 0 Render date: 2024-07-11T07:47:19.649Z Has data issue: false hasContentIssue false

Cinematic Perspectives on International Law. Edited by Olivier Corten & François Dubuisson. Manchester: Manchester University Press, 2021. 240 + viii pages.

Review products

Cinematic Perspectives on International Law. Edited by Olivier Corten & François Dubuisson. Manchester: Manchester University Press, 2021. 240 + viii pages.

Published online by Cambridge University Press:  28 March 2022

O. RICHARD COPELAND*
Affiliation:
JD Candidate, University of Alberta
Get access

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews/Recensions de livres
Copyright
© The Canadian Yearbook of International Law/Annuaire canadien de droit international 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Corten, Olivier & Dubuisson, François, eds, Cinematic Perspectives on International Law (Manchester: Manchester University Press, 2021)CrossRefGoogle Scholar.

2 The Bridge on the River Kwai, film (Culver City, CA: Columbia Pictures, 1957).

3 Star Trek: The Original Series, television series (New York: National Broadcasting Company, 1966–69); Doctor Who, television series (London: British Broadcasting Corporation, 1963–89 and 2005–present); Captain America: Civil War, film (Burbank, CA: Walt Disney Studios Motion Pictures, 2016); District 9, film (Culver City, CA: Sony Pictures Motion Pictures Group, 2009).

4 26 June 1945, Can TS 1945 No 7 (entered into force 24 October 1945).

5 Nicolas Kang-Riou, “Science Fiction Cinema and the Nature of International Law” in Corten & Dubuisson, supra note 1, 153 at 153.

6 Serge Sur, “Presentations and Representations of International Law in Films and TV Series” in Corten & Dubuisson, supra note 1, 199 at 199.

7 Ibid at 204–205.

8 Kavan, Heather & Burne, Jacqui, “Using Film to Teach Communication Concepts at University” (2009) 16:10 Intl J Learning 429 Google Scholar.

9 Star Trek: Into Darkness, film (Hollywood, CA: Paramount Pictures, 2013).

10 Gabrielle Simm, “War on Film: Gender Trouble in Siddiq Barmak’s Osama” in Corten & Dubuisson, supra note 1,166 at 171.