Of all the myriad aspects of Indian learning to be incorporated into Tibetan Buddhist scholarship, one of the least likely would seem to be the Indian science of sensual pleasure, kāmaśāstra. Even so, we do find traces of Sanskrit kāmaśāstra transposed into Tibetan Buddhist idiom. The most innovative example is the Treatise on Passion (’Dod pa'i bstan bcos) written by Ju Mipam Jamyang Namgyel Gyatso (1846–1912). This article investigates the reasons why the polymath monastic scholar Ju Mipam included kāmaśāstra in his expansive literary output, as well as his sources and influences for doing so. It argues that Mipam's work builds on an intertextuality already apparent in late medieval Sanskrit tantric and kāmaśāstric works, but one that took on new importance in the context of the non-biased outlook (Tib. ris med) that characterized Ju Mipam's nineteenth-century eastern Tibetan milieu.

This paper takes a novel approach to the question of when and how the text of the Quran was codified into its present form, usually referred to as the Uthmanic text type. In the Quran the phrase niʿmat allāh/rabbi-ka “the grace of god/your lord” can spell niʿmat “grace” either with tāʾ or tāʾ marbūṭah. By examining 14 early Quranic manuscripts, it is shown that this phrase is consistently spelled using only one of the two spellings in the same position in all of these different manuscripts. It is argued that such consistency can only be explained by assuming that all these manuscripts come from a single written archetype, meaning there must have been a codification project sometime in the first century. The results also imply that these manuscripts, and by extension, Quran manuscripts in general, were copied from written exemplars since the earliest days.

Since the 1990s several caches of New Persian documents have come to light in Afghanistan. These documents, written on paper, are now the most significant sources for understanding how New Persian in Arabic script was used as an administrative and legal language in the eastern Islamic lands between the eleventh and early thirteenth centuries before the Mongol conquest of Khurāsān. After a brief survey of the three main collections in which these New Persian paper documents are preserved today, this article presents a preliminary edition, translation and commentary on one of the New Persian documents held in the Nasser D. Khalili Collection of Islamic Art. The document, dated ah 608/1212 ce, is a record of court proceedings and the decision of a judge (qāḍī) in a lawsuit over water rights initiated by a woman.

This article presents a publication and translation (with linguistic and philological commentaries) of a recently discovered piece of Old Amharic poetry, possibly dating to the first half/middle of the seventeenth century. The published text bears the title Märgämä kəbr (“Condemnation of glory”), but its content differs from that of several other Old Amharic poems (not entirely independent from each other) known under the same title. It is only the general idea and the main topics that are shared by all Märgämä kəbr poems: transience of the earthly world, the inevitability of death and of God's judgement, and the necessity of leading a virtuous life. One can thus speak of Märgämä kəbr as a special genre of early Amharic literature, probably originally belonging to the domain of oral literature and used to address the Christian community with the aim of religious education and admonition of laymen.

With the exception of legal texts, surviving records of rape in early China have been the subject of little academic study to date. This is the result of a number of factors, including the criminalization of both consensual and non-consensual sex outside of marriage in ancient China, the tradition of using euphemistic vocabulary to refer to such topics, considerable variation, depending on time and place, as to what constitutes rape and discomfort that some very famous men are said to have committed crimes of rape and sexual violence. This article examines two famous and well-documented incidents – one concerning the rape of a woman in peacetime, the other an instance of mass gang rape during war – to explore the specific challenges of studying sexual violence in ancient civilizations. Ignoring early accounts of rape serves to significantly distort our understanding of some key events in Chinese history and perverts the textual record.

Studies of Indo-Persian historiography tend to focus on the monumental compositions created at the behest of the Mughal court. This has unfortunately led to the neglect of texts from “regional” settings. The present article intends to expand the field of inquiry by studying Mir Muhammad Maʿsum's Tarikh-i Maʿsumi (completed c. 1600) which was the first Mughal-era Persian history of Sindh. I will argue that the author used the new the literary models developed by Mughal chroniclers in order to both facilitate and contest imperial domination.

This article seeks to examine the repeated appearance of Yi Gwangsu (1892–1950) in South Korean postcolonial fiction as a sign of collective trauma. Yi was a pioneering novelist who was a nationalist hero to his readers, but later became a collaborator who supported Japan's war effort. This article focuses on depictions of Yi in the works of three postcolonial writers – Choe Inhun, Seonu Hwi, and Bok Geoil – whose works bore witness to how traumatic his collaboration was. Their works displayed many of the defining characteristics of trauma such as delayed experience and transmission to others. They were also marked by narrative rupture as represented by Yi's mutually incompatible identities as both a nationalist and a collaborator. Rather than repeating the traumatic event, these stories employed various strategies to create new narratives that attempted to heal the trauma.

Previous studies of the Ying Wa College (英華書院) in early Hong Kong overlooked the role of the students. The scarcity of relevant sources could well justify such an oversight. This article aims at filling this gap through the careful use of London Missionary Society (LMS) materials. Not only does it aim to highlight significant aspects of the college, its unique history, its English education and its practice of Christian faith, it also discusses the careers of some graduates in Hong Kong, China and the world. This article argues that these Ying Wa boys formed a bridge that connected the Western and Chinese worlds. Their impact was felt through the spread of Christianity and global China business, on the one hand, and as a connection between the people and the government in colonial Hong Kong, Qing China and overseas Chinese communities in Singapore and Australia.

Like many other religions, Zoroastrianism frequently restructured its priestly organization during its long history, largely because of the environmental changes to which it was exposed. A major shift in status – from being the state religion in the Sasanian Empire to holding only a minor position in the early Islamic period – challenged the Zoroastrian hierarchy of authority. The Abbasid state provided Zoroastrianism with an opportunity to initiate a new office, which was called hu-dēnān pēšōbāy “Leader of the Zoroastrians”. This article is the first to deal with this office in detail and scrutinizes the concept of leadership (pēšōbāyīh) in Sasanian and Abbasid Zoroastrianism. It sheds some light on the priestly structure of Zoroastrianism in this period and investigates the position of the office within the overall religious organization. It re-examines, moreover, evidence for the officiating Zoroastrian theologians in this office at the Abbasid court in Baghdad. Finally, it searches for the parallels between this office and that of the East-Syrian catholicos and the Jewish exilarch.