Hostname: page-component-68945f75b7-tmfhh Total loading time: 0 Render date: 2024-08-06T00:15:23.016Z Has data issue: false hasContentIssue false

Musical Accent in Japanese Morphology

Published online by Cambridge University Press:  24 December 2009

Extract

Many grammars of the Japanese spoken language have been written, and some of them are well compiled on more or less scientific principies, but one of the most important characteristics of the spoken language, namely the tones and their laws, have been rather neglected.

Type
Papers Contributed
Copyright
Copyright © School of Oriental and African Studies, University of London 1924

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 When a word is printed in thick type it means that it is written phonetically (I.P.A. system).

1 The notation kak-∥kai- is to be read thus: the stem kak- is changed in certain inflected forms to kai-,

1 The verb ka-U (to buy) is supposed to have been originally kap-U, then changed to kaf-U, and finally ka-U.

2 Morphemes are the smallest morphological elements into which words can be divided. Thus the words goodness, supporter, both consist of two morphemes, good and -ness, support. and -er.

3 A prefixed *denotes a supposed older form.

1 Three syllable law.

1 Three syllable law.

1 A Syntagm is a word which we recognize as a constituent of a phrase.

1 The mark, placed under a consonant indicates that that consonant is syllabic.

1 Syntagm is a word which we recognize as a constituent of a phrase.