Hostname: page-component-76fb5796d-45l2p Total loading time: 0 Render date: 2024-04-26T02:50:52.169Z Has data issue: false hasContentIssue false
  • English
  • Français

Feelings and the enjoyment of music

Published online by Cambridge University Press:  01 October 2008

Alexander Rozin  and
Paul Rozin
Alexander Rozin
Affiliation:
School of Music, West Chester University, West Chester, PA 19383arozin@wcupa.eduhttp://www.wcupa.edu/CVPA/som/mt_faculty_arozin.html
Paul Rozin
Affiliation:
School of Music, West Chester University, West Chester, PA 19383arozin@wcupa.eduhttp://www.wcupa.edu/CVPA/som/mt_faculty_arozin.html Department of Psychology, University of Pennsylvania, Philadelphia, PA 19104-6196rozin@psych.upenn.eduhttp://www.psych.upenn.edu/~rozin/
Get access Rights & Permissions [Opens in a new window]

Abstract

We wonder about tying the universal appeal of music to emotion as defined by psychologists. Music is more generally about feelings, and many of these, such as moods and pleasures, are central to the enjoyment of music and fall outside the domain of emotion. The critical component of musical feelings is affective intensity, resulting from syntactically generated implications and their outcomes.

Type
Open Peer Commentary
Information
Behavioral and Brain Sciences , Volume 31 , Issue 5 , October 2008 , pp. 593 - 594
Copyright
Copyright © Cambridge University Press 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Berlyne, D. E. (1971) Aesthetics and psychobiology. Appleton-Century-Crofts.Google Scholar
Meyer, L. B. (1956) Emotion and meaning in music. University of Chicago Press.Google Scholar
Narmour, E. (1990) The analysis and cognition of basic melodic structures: The Implication-Realization Model. University of Chicago Press.Google Scholar
Narmour, E. (1991) The top-down and bottom-up systems of musical implication: Building on Meyer's theory of emotional syntax. Music Perception 9:1–26.CrossRefGoogle Scholar
Narmour, E. (1992) The analysis and cognition of melodic complexity: The implication-realization model. University of Chicago Press.Google Scholar
Rozin, A., Rozin, P., Appel, B. & Wachtel, C. (2006) Documenting and explaining the common AAB pattern in music and humor. Emotion 6:349–55.CrossRefGoogle ScholarPubMed
Rozin, P. (1999) Preadaptation and the puzzles and properties of pleasure. In: Well-being: The foundations of hedonic psychology, ed. Kahneman, D., Diener, E. & Schwarz, N., pp. 109–33. Russell Sage.Google Scholar