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Article contents
REDARTE-SP: networking art information resources in São Paulo*
Published online by Cambridge University Press: 06 June 2016
Abstract
Art information providers in the city of Sao Paulo, Brazil, include libraries, archives, and documentation sections in art museums and cultural centers. In 1998 REDARTE-SP, a network of these services in the city, was created to facilitate discussion of theoretical, technical and organizational issues facing art information services and to formulate collaborative projects. The subsequent exchange of ideas, discussion of successful practices and development of shared projects empowers art information professionals, contributes to improving the quality of art information services and products, provides better use of the available resources and widens the circle of users.
- Type
- Research Article
- Information
- Copyright
- Copyright © The Art Libraries Society 2005
Footnotes
*
Revised version of paper presented to the Section of Art Libraries at the World Library and Information Congress, 70th IFLA General Conference in Buenos Aires, Argentina, August 2004.
References
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References
1. The data are approximate because until now there has not been any systematic research into cultural indicators in Brazil.Google Scholar
3. At that time, co-operative efforts involved mainly the library of the Escola de Comunicações e Artes da Universidade de São Paulo (School of Communication and Arts of the University of São Paulo), the library of the Museu Lasar Segali (Lasar Segall Museum) and the Departamento de Documentação e Pesquisa da Fundação Cinemateca Brasileiroa (Documentation Department of the Brazilian Cinemateca), which are all public organizations.Google Scholar
4. Projects were developed with the Sociedade Brasileira de Mùsica Contemporânea (Brazilian Contemporary Music Society) and the Associação Paulista de Teatro Infanto-Juvenil (São Paulo Child and Youth Theatre Association), among others.Google Scholar
5. These projects led to publications like the Bibliografia da dramaturgia brasileira (Bibliography of Brazilian drama), the Guia de corais brasileiros (Directory of Brazilian choirs) and the Catálogos de compositores brasileiros (Catalogues of Brazilian composers), to name only a few.Google Scholar
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7. This was the case, amongst others, with the Vocabulário controlado de cinema (the controlled vocabulary on film) and of Vocabulário controlado de teatro (the controlled vocabulary on theatre), later merged into the Vocabulário controlado de artes do espetãculo (the controlled vocabulary on the performing arts).Google Scholar
8. The process of defining focuses for REDARTE’s actions takes into consideration a number of aspects: (a) the artistic fields or means of expression - performing arts (theater, dance, film), fine arts, photography, music, etc.; (b) the types of document - printed material, audiovisual, digital, etc; (c) the processes used for information and collection management - acquisition, preservation techniques, documentation and information dissemination; (d) products - information sources on Brazilian art such as bibliographies, film collections, discographies, inventories of special archives, etc.Google Scholar