Hostname: page-component-848d4c4894-4hhp2 Total loading time: 0 Render date: 2024-05-25T04:00:14.840Z Has data issue: false hasContentIssue false

Digital interactive publishing: off- and on-line, some observations

Published online by Cambridge University Press:  06 June 2016

Jeremy Rees*
Affiliation:
International Visual Arts Information Network, (IVAIN) Suffolk College Rope Walk Ipswich Suffolk IP4 1LT
Get access

Abstract

Many problems beset early digital interactive publishing on videodiscs and LaserDiscs, while the rapid development of the Internet, technically and in terms of user base, has in most fields now supplanted the CD-ROM. The future for off-line digital resources in the cultural field will depend on one hand on the success of the current (very slow) launch of DVD with its greatly increased storage capacity compared with CD-ROM and, on the other hand, on the widening and cheapening of Internet bandwidth. And the launch of high definition digital television will almost certainly change everything yet again.

Type
Research Article
Copyright
Copyright © The Art Libraries Society 1999

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1. Pring, Isobel. ITEM: Image Technologies in European Museums and art galleries, a pilot publication based on the ITEM database. Ipswich: The European Visual Arts Information Network, 1990.Google Scholar
3. Info 2000, the current EC Programme supporting the development of the European multimedia content industry, can be accessed at http://www.echo.lu/info2000/infohome.html Google Scholar
6. Davis, Ben, Trant, Jennifer and Starre, van der Jan. Introduction to multimedia in museums. The Hague: ICOM/CIDOC, 1996.Google Scholar
15. Wienand, Peter. Copyright: threat or promise? Electronic and multimedia publishing in museums and art galleries, multimedia and the millennium. London: Farrer & Co, 1997.Google Scholar
16. Memorandum of understanding: Multi-media access to Europe’s cultural heritage; Recommendations and guidelines. (Final Report of Working Group 3: Ownership and Protection of Intellectual Property Rights. m:/rfin/art-mou/final3.doc) Brussels: Commission of the European Communities, March 1998, p.8095.Google Scholar
18. Rees, Jeremy. ‘On the subject of Intellectual Property Rights (IPR), including copyright - a help or hindrance to cultural heritage?’ To be published in The New Review of Hypermedia and Multimedia later in 1999.Google Scholar
23. Library and Information Commission. New library: the people’s network. London: Library and Information Commission, 1997.Google Scholar
26. Stephenson, Christie, The evolution of the MESL project, delivering digital images, cultural heritage resources for education. Los Angeles: The Getty Information Institute, 1998, p.18.Google Scholar