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The development of the art market in England: money as muse, 1730-1900, Thomas M. Bayer and John R. Page, London: Pickering & Chatto, 2011. 288 p. ISBN 9781848930438. £60.00 /$99.00 (hardcover)

Published online by Cambridge University Press:  06 June 2016

Roberto C. Ferrari
Roberto C. Ferrari*
Affiliation:
Metropolitan Museum of Art, Image Library, 1000 Fifth Avenue, New York, NY 10028, USA
*
Email: roberto.ferrari@metmuseum.org
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Type
Reviews
Information
Art Libraries Journal , Volume 38 , Issue 1 , 2013 , pp. 53 - 55
Copyright
Copyright © The Art Libraries Society 2013

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References

1. Graves, Algernon, Art sales from early in the eighteenth century to early in the twentieth century (London: A. Graves, 1918-21);Google Scholar
Redford, George, Art sales: a history of sales of pictures & other works of art (London: Bradbury, Agnew, & Co., 1888).Google Scholar
2. Bayer, Thomas M., ‘Money as muse: the origin and development of the art market in Victorian England, a process of commodification (Ph.D diss. Tulane University, 2001).Google Scholar
3. For a superb study on the collector in the Victorian period, see Macleod, Dianne Sachko, Art and the Victorian middle class: money and the making of cultural identity (Cambridge: Cambridge University Press, 1996).Google Scholar