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Cultural heritage and creation: acquiring, cataloguing and promoting livres d’artistes in French public libraries

Published online by Cambridge University Press:  06 June 2016

Sonja Graimprey*
Affiliation:
Bibliothèque interuniversitaire (BIU), Montpellier, France
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Abstract

The term ‘livres d’artistes’ hides from view creative artworks, whose presence in special library collections is justified by their artistic and literary value but also by their value as witness of their times. After defining the content of these collections, this article analyses the way ‘livres d’artistes’ are managed. Because they are different from all other books, they struggle to find their public. Active promotion is thus an essential step in making them properly influential.

Type
Research Article
Copyright
Copyright © The Art Libraries Society 2013

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References

References:

1. Desgraves, Louis, Le patrimoine des bibliothèques: rapport à M. le directeur du livre et de la lecture (Paris: Ministère de la Culture, 1982).Google Scholar
2. Fouché, Pascal, Pechoin, Daniel and Schuwer, Philippe, eds. Dictionnaire encyclopédique du livre (Paris: Editions du Cercle de la Librairie, 2005).Google Scholar
3. The project was named after Ambroise Vollard, a rich French art merchant and publisher who contributed a great deal to the rise of livres d’artistes at the beginning of the 20th century.Google Scholar
4. Mémoire et Actualité en Rhône-Alpes, http://www.memoireetactualite.org/fr/inventaires.php.Google Scholar
5. Fonds régionaux d’acquisition pour les bibliothèques.Google Scholar
6. Direction générale des médias et des industries culturelles, Patrimoine écrit, http://www.patrimoineecrit.culture.gouv.fr/Acq.html.Google Scholar
7. See the article by Mathieu, Didier in Art libraries journal 32, no.2 (2007): 2126.CrossRefGoogle Scholar
8. This book has just been republished: Moeglin-Delcroix, Anne, Esthétique du livre d’artiste: une introduction à Vart contemporain (Marseille: Le mot et le reste, 2012).Google Scholar
9. Just as he did with his art books collection, which today belongs to the Institut national d’histoire de l’art (INHA).Google Scholar
10. Editions Pêle-Mêle, http://www.pele-mele.fr/.Google Scholar
12. Richard, Hélène, La formation aux questions patrimoniales dans les bibliothèques (Paris: Ministère de l’Enseignement Supérieur et de la Recherche, Inspection général des bibliothèques, 2010). Rapport no. 2010-016, http://media.enseignementsup-recherche.gouv.fr/file/2010/52/l/Formation_aux_questions_patrim_def_166521.pdf Google Scholar