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All this stuff archiving the artist, Edited by Judy Vaknin, Karyn Stuckey and Victoria Lane, Oxfordshire: Libri Publishing, 2013 179p. ill. ISBN 9781907471766. £25.00/$38.21 (paperback).

Published online by Cambridge University Press:  06 June 2016

Althea Greenan
Althea Greenan*
Affiliation:
Women’s Art Library, Special Collections Library, Goldsmiths, University of London, New Cross, London SE14 6NW, UK
*
Email: a.greenan@gold.ac.uk
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Type
Reviews
Information
Art Libraries Journal , Volume 39 , Issue 1 , 2014 , pp. 41 - 42
Copyright
Copyright © The Art Libraries Society 2014

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References

1. Breakell, Sue, ‘Perspectives: negotiating the archive’, Tate papers, no. 9 (April 1, 2008). Accessed August 21,2013. http://www.tate.org.uk/research/publications/tate-papers/perspectives-negotiating-archive.Google Scholar
2. Foster, Hal, ‘An archival impulse’, October, no. 110 (Fall 2004): 3–22.CrossRefGoogle Scholar
3. Sholette, Gregory, Dark matter: art and politics in the age of enterprise culture, (London: Pluto Press, 2011).Google Scholar
4. Still accessible at http://www.tate.org.uk/context-comment/audio-video.Google Scholar
5. Blouin, Francis X. and Rosenberg, William G., Processing the past: contesting authority inhistory and the archives (Oxford: Oxford University Press, 2012);Google Scholar
Blouin, Francis X. and Rosenberg, William G., eds., Archives, documentation, and institutions of social memory: essays from the Sawyer Seminar, (Ann Arbor, MI: The University of Michigan Press, 2006).CrossRefGoogle Scholar
6. Bartlett, Nancy, ‘Past imperfect (l’imparfait): mediating meaning in archives of art’,. In Archives, documentation, and institutions of social memory: essays from the Sawyer Seminar, edited by Blouin, Francis X. and Rosenberg, William G., (Ann Arbor, MI: The University of Michigan Press, 2006).Google Scholar