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Making the vision work

Published online by Cambridge University Press:  06 June 2016

Gillian Varley*
Affiliation:
National Art Library, Victoria and Albert Museum, London
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Abstract

How has the vision of the pioneers of ARLIS translated into the activities and achievements of the Society and its members in the present? The relationship of ARLIS and the National Art Library at the Victoria and Albert Museum has radically improved; collaborative projects in the areas of periodicals, slides and exhibition catalogues have yielded fruits in the form of union lists, surveys and directories; the longstanding Directory of members has been joined by a new directory documenting art, design and architecture resources in the UK and Ireland. However, as the Follett Report shows, the demands on libraries in the UK are heavier than ever before and will continue to increase, meaning that libraries will have to find new strategies to keep abreast of demand and take advantage of the new technologies. ARLIS should broaden its membership and may be able to achieve some of its long-term goals through the Visual Arts Library and Information Plan.

This article is a revised version of a paper delivered to the 25th Anniversary Conference of ARLIS/UK & Ireland, London, 7th-10th April 1994.

Type
Research Article
Copyright
Copyright © The Art Libraries Society 1994

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References

Notes

1. Bullock, Graham R. Union list of periodicals on art and related subject fields. ARLIS: Art Libraries Society, 1978 Google Scholar; Kirby, John. ARLIS Union list of periodicals on art, design and related subjects. 2nd ed. (microfiche) ARLIS: Art Libraries Society, 1982 Google Scholar. ISBN 0 9501063 4 8; Kirby, John. ARLIS Union list of periodicals on art, design and related subjects. 3rd ed. (microfiche) ARLIS: Art Libraries Society, 1984 Google Scholar.

2. List of members 1970/71. ARLIS: Art Libraries Society, 1970; Directory of members 1971/72—. ARLIS: Art Libraries Society, 1971—. The 1974/75 Directory of members was the first to contain added information about stock sizes, special collections, subject strengths, etc. ISSN 0954-0679.

3. McKeown, Roy and Otter, Mary Edmunds. National survey of slide collections. London: British Library, 1989 Google Scholar. (British Library Research Paper, 67) ISBN 0 7123 3209 X.

4. McKeown, Roy. National directory of slide collections. London: British Library, 1990 Google Scholar. (British Library Information Guide, 12) ISBN 0 7123 3208 1.

5. Smith, Gaye and Jackson, Lotta. ARLIS/UK and Eire national collecting network for art exhibition catalogues. London: British Library, 1990 Google Scholar. (British Library Research Paper, 87) ISBN 0 7123 3236 7.

6. Varley, Gillian. Art and design documentation in the UK and Ireland: a directory of resources. ARLIS/UK & Ireland, 1993 Google Scholar. ISBN 0 9519674 2 8.

7. Thompson, Marie Claude. Les sources de l’histoire de, l’art en France: répertoire des bibliothèques, centres de documentation et ressources documentaires en art, architecture et archéologie. Paris: Association des Bibliothécaires Français, 1993 Google Scholar. ISBN 2 900177 08 1.

8. Joint Funding Councils’ Libraries Review Group. Report. Higher Education Funding Council for England, 1993. (The Follett Report).

9. A Library and Information Plan for the Visual Arts. ARLIS/UK & Ireland on behalf of VALIP Steering Committee, 1993. (British Library Research and Development Report, 6111) ISBN 0 9519674 3 6.

10. Fawcett, Trevor. Review of ‘A Library and Information Plan for the Visual Arts’. Art Libraries Journal vol. 19 no. 1 Spring 1994, p.3032 CrossRefGoogle Scholar.