The Anarchitecture group emerged in the early 1970s in New York. Although it has become somewhat synonymous with the work of Gordon Matta-Clark, it had a broad membership of equally significant artists, including Laurie Anderson, Tina Girouard, Carol Goodden, Suzanne Harris, Jene Highstein, Bernard Kirschenbaun, Richard Landry and Richard Nonas among others. Philip Ursprung's recent catalogue essay sets out some of the complexities that accompany any attempt to understand the group's internal dynamic, and the problematic conflation of its collective activities to the work, or at least to the ideas, of Matta-Clark.