Hostname: page-component-76fb5796d-45l2p Total loading time: 0 Render date: 2024-04-26T19:01:50.268Z Has data issue: false hasContentIssue false
  • English
  • Français

Red House: Some Architectural Histories

Published online by Cambridge University Press:  11 April 2016

Nicholas Cooper
Get access Rights & Permissions [Opens in a new window]

Extract

William Morris died in October 1896, drawing fresh attention to the circumstances of his life at a moment when he was at the height of his fame. In the same month, Hermann Muthesius took up his post as technical attaché at the German embassy, to make a study of recent English developments in architecture and industry. Just over a century ago, in 1904, he published his great Das englische Haws, the book that did more than anything to place Red House in the mainstream of architectural history. Yet already, in 1897, in the first full-length account of William Morris’s work, Aymer Vallance had written that ‘as an experiment on the part of a man who had both the hopefulness and the dauntless will necessary to enable him to make a stand against the tyranny of custom, to William Morris is owing the credit of having initiated, with his Red House, a new era in house-building’. The historiography of Red House is the story of the different versions of that often-repeated view.

Type
Research Article
Information
Architectural History , Volume 49 , 2006 , pp. 207 - 221
Copyright
Copyright © Society of Architectural Historians of Great Britain 2006

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Chronology of Sources Cited

* Specific mention of Red HouseGoogle Scholar
* Gibson, J. S., ‘Artistic Homes’, The Studio, 1 (1893), pp. 215–26.Google Scholar
* Vallance, Aymer, William Morris, his art, his writings and his public life (London, 1897.Google Scholar
* ‘G’, ‘The Revival of English Domestic Architecture’, The Studio, 7 (1897), pp. 21–30.Google Scholar
* Mackail, J. W., The Life of William Morris (London & New York, 1899).Google Scholar
* Muthesius, Hermann, Das englische Haus (Berlin, 1904–05); Eng. trans. The English House, ed. Sharp, Dennis (London, 1979; New York, 1987).Google Scholar
* Weaver, Lawrence, Small Country Houses of Today (London, 1910; 2nd edn 1922). Willmott, Ernest, English House Design (London, 1911.Google Scholar
* Jack, George, ‘An Appreciation of Philip Webb’, Architectural Review, 38 (1915), pp. 1–6; reprinted in Alastair Service, Edwardian Architecture and its Origins (London, 1975, pp. 16–25.Google Scholar
* Marriott, Charles, Modern English Architecture (London, 1924.Google Scholar
* Betjeman, John, ‘1830-1930 – Still Going Strong: A Guide to the Recent History of Interior Decoration’, Architectural Review, 67 (1930), pp. 231–40.Google Scholar
* Gloag, John, Men and Buildings (London, 1931; rev. edn, 1950).Google Scholar
* Oswald, Arthur, Country Houses of Kent (London, 1931. Betjeman, John, Ghastly Good Taste (London, 1933.Google Scholar
* McGrath, Raymond, Twentieth-Century Houses (London, 1934. William Morris, 1834.-1934, An Appreciation (Walthamstow, 1934). Yorke, F. R. S., ‘Today’, Architectural Review, 76 (1934), pp. 10–11.Google Scholar
* Shand, R. Morton, ‘Scenario for a Human Present VII: Looping the Loop’, Architectural Review, 77 (1935), pp. 99–104.Google Scholar
* Lethaby, W. R., Philip Webb and his Work (London and Oxford, 1935).Google Scholar
* Pevsner, Nikolaus, Pioneers of Modern Design (London, 1936; 2nd edn 1949).Google Scholar
* Yorke, F. R. S. (ed.), ‘The Modern English House’, Architectural Review, 80 (1936).Google Scholar
* Richards, J. M., An Introduction to Modern Architecture (Harmondsworth, 1940).Google Scholar
* Giedion, Sigfried, Space, Time and Architecture (Cambridge Mass., 1941).Google Scholar
* Goodhart-Rendel, H. S., English Architecture since the Regency (London, 1953 (based on lectures delivered in London in 1934).Google Scholar
* Brandon-Jones, John, ‘The Work of Philip Webb and Norman Shaw’, Architectural Association Journal, 72 (1955-56), pp. 9–21.Google Scholar
* Hitchcock, Henry-Russell, Architecture Nineteenth and Twentieth Century (Harmondsworth and Baltimore, 1958). Banham, Reyner, Theory and Design in the First Machine Age (London, 1960.Google Scholar
* Girouard, Mark, ‘Red House, Bexleyheath, Kent’, Country Life, 127 (1960), pp. 1382–85.Google Scholar
* Ferriday, Peter (ed.), Victorian Architecture (London, 1963.Google Scholar
* Jordan, Robert Furneaux, Victorian Architecture (London, 1966.Google Scholar
* Thompson, Paul, The Work of William Morris (London, 1967.Google Scholar
* Naylor, Gillian, The Arts and Crafts Movement (London, 1971.Google Scholar
* Muthesius, Stefan, The High Victorian Movement in Architecture (London and Boston, 1972).Google Scholar
* Pevsner, Nikolaus, Some Architectural Writers of the Nineteenth Century (Oxford, 1972).Google Scholar
* Service, Alastair, Edwardian Architecture and its Origins (London, 1975.Google Scholar
* Saint, Andrew, Richard Norman Shaw (New Haven and London, 1976). Girouard, Mark, Sweetness, & Light (London, 1977.Google Scholar
* Watkin, David, Morality and Architecture (London, 1977.Google Scholar
* Dixon, Roger and Muthesius, Stefan, Victorian Architecture (London, 1978. Gradidge, Roderick, Dream Houses: The Edwardian Ideal (London, 1980.Google Scholar
* Jones, Peter Blundell, ‘Red House’, Architect’s Journal, 183, 15 January 1986, pp. 36–54.Google Scholar
* J. Crook, Mordaunt, The Dilemma of Style (London and Chicago, 1987).Google Scholar
* Morris, William, A Life for our Time (London, 1994.Google Scholar
* Kirk, Sheila, Philip Webb, Pioneer of Arts and Crafts Architecture (Chichester, 2005).Google Scholar