Hostname: page-component-68945f75b7-fzmlz Total loading time: 0 Render date: 2024-08-05T14:20:47.793Z Has data issue: false hasContentIssue false

Replication for Chauvet Cave

Published online by Cambridge University Press:  06 April 2016

N. James*
Affiliation:
Division of Archaeology, University of Cambridge, Downing Street, Cambridge CB2 3DZ, UK (Email nj218@cam.ac.uk)

Extract

As radiocarbon dates were announced, the wall paintings and engravings in Chauvet Cave, France, were hailed as fine art far earlier than any recognised before: here was the ‘Dawn of art’ (Figure 1; Chauvet et al. 1996). Soon after discovery, in 1994, the cave was closed to protect the images from chemical and microbial damage. In 2014, it was added to the World Heritage List. Then, in April 2015, replicas of the most striking imagery were opened at a purpose-built site, the Caverne du Pont d'Arc.

Type
Debate
Copyright
Copyright © Antiquity Publications Ltd, 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Baudrillard, J. 1988. Simulacra and simulations, in Poster, M. (ed.) Jean Baudrillard: selected writings: 166–84. Cambridge: Polity.Google Scholar
Carman, J. 2002. Archaeology and heritage: an introduction. London: Continuum.Google Scholar
Carver, M. 2011. Editorial. Antiquity 85: 327–30. http://dx.doi.org/10.1017/S0003598X00067788 Google Scholar
Caverne du Pont d'Arc. 2015. Available at: http://www.cavernedupontdarc.fr/ (accessed 16 February 2016).Google Scholar
Chauvet, J.-M., Brunel Deschamps, E. & Hillaire, C.. 1996. Dawn of art: the Chauvet cave. New York: Harry N. Abrams.Google Scholar
Chippindale, C., Gosden, C., James, N., Pitts, M. & Scarre, C.. 2014. New era for Stonehenge. Antiquity 88: 644–57. http://dx.doi.org/10.1017/S0003598X00101280 Google Scholar
Clottes, J. (ed.). 2003. Return to the Chauvet cave, excavating the birthplace of art: the first full report. London: Thames & Hudson.Google Scholar
Hewison, R. 1987. The heritage industry: Britain in a climate of decline. London: Methuen.Google Scholar
Mortensen, L. 2006. Experiencing Copán: the authenticity of stone, in Silverman, H. (ed.) Archaeological site museums in Latin America: 4763. Gainesville: University Press of Florida.Google Scholar
Pettitt, P. & Bahn, P.. 2015. An alternative chronology for the art of the Chauvet Cave. Antiquity 89: 542–53. http://dx.doi.org/10.15184/aqy.2015.21 Google Scholar