Hostname: page-component-5c6d5d7d68-sv6ng Total loading time: 0 Render date: 2024-08-07T02:33:18.256Z Has data issue: false hasContentIssue false
  • English
  • Français

Kristin Roth-Ey. Moscow Prime Time: How the Soviet Union Built the Media Empire that Lost the Cold War. Ithaca, Cornell University Press, 2011, IX-315 p.

Published online by Cambridge University Press:  20 January 2017

Andreï Kozovoï
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Communisme (comptes rendus)
Information
Annales. Histoire, Sciences Sociales , Volume 68 , Issue 2 , June 2013 , pp. 630 - 632
Copyright
Copyright © Les Éditions de l’EHESS 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1- Stites, Richard, Russian Popular Culture: Entertainment and Society Since 1900, Cambridge, Cambridge University Press, 1992 Google Scholar ; Kozovoi, Andreï, Par-delà le mur. La culture de guerre froide soviétique entre deux détentes, Paris, Éd. Complexe, 2009.Google Scholar

2- Sur cette notion, voir Brooks, Jeffrey, Thank you, Comrade Stalin! Soviet Public Culture from Revolution to Cold War, Princeton, Princeton University Press, 2000.Google Scholar

3- Voir, par exemple, Woll, Josephine, Real Images: Soviet Cinema and the Thaw, New York, I. B. Tauris, 2000.Google Scholar

4- Vichnevski, Anatoli, La faucille et le rouble. La modernisation conservatrice en URSS, Paris, Gallimard, 2000.Google Scholar

5- Youngblood, Denise J., Movies for the Masses: Popular Cinema and Soviet Society in the 1920s, Cambridge, Cambridge University Press, 1993.Google Scholar