Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-fv566 Total loading time: 0 Render date: 2024-07-17T08:23:54.176Z Has data issue: false hasContentIssue false

Haunting History Onstage

Shakespeare in the USA and Canada

Published online by Cambridge University Press:  01 August 2019

Regina Buccola
Affiliation:
Roosevelt University, Illinois

Summary

In 2016, Chicago Shakespeare Theater and the Stratford Festival of Canada mounted marathons through Shakespearean history to commemorate the 400th anniversary of the death of Shakespeare with Tug of War and Breath of Kings. Both productions invited parallels to contemporary political events in their promotion and design, just as the original performances of these works in the Shakespearean era used past events to comment on present realities. Endurathons for cast and audience alike, Tug of War and Breath of Kings used double-casting, stylized treatments of violence and 'firsts' for each company to sweeten the bitter pill of these historical narratives.
Get access
Type
Element
Information
Online ISBN: 9781108771542
Publisher: Cambridge University Press
Print publication: 15 August 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abbey, Graham. “Symphony in the Cathedral.” Breath of Kings: Rebellion. Program. Stratford Festival, 2016. 57. Print.Google Scholar
Adler, Tony. “Tug of War: Foreign Fire is a Grueling Six-Hour Shakespeare Marathon.” Arts & Culture. Chicago Reader, 2016. Web. <www.chicagoreader.com/chicago/tug-of-war-foreign-fire-shakespeare-barbara-gaines/Content?oid=22252982>..>Google Scholar
Bennett, Susan. Performing Nostalgia: Shifting Shakespeare and the Contemporary Past. New York: Routledge, 1996. Print.Google Scholar
Blau, Herbert. The Eye of Prey: Subversions of the Postmodern. Bloomington: Indiana University Press, 1987. Print.Google Scholar
Breath of Kings. Adapted by Graham Abbey from William Shakespeare. Dir. Mitchell Cushman and Weyni Mengesha. Stratford Festival. Canada. 22 June 2016. Performance.Google Scholar
Buccola, Regina. “Breath of Kings: Rebellion and Breath of Kings Redemption @ Tom Patterson Theatre, Stratford, Ontario, Canada.” Reviewing Shakespeare, 2016. Web. <http://bloggingshakespeare.com/reviewing-shakespeare/author/reginabuccola/>..>Google Scholar
Buccola, Regina. “Tug of War: Civil Strife: When Jacks Are Trumps.” In Shakespeare 400 Chicago: Reflections on a City’s Celebration of Shakespeare. Chicago Shakespeare Theater, 2017a. 229233. Print.Google Scholar
Buccola, Regina. “Tug of War: Foreign Fire: Making History with the Histories.” In Shakespeare 400 Chicago: Reflections on a City’s Celebration of Shakespeare. Chicago Shakespeare Theater, 2017b. 141145. Print.Google Scholar
Cahill, Patricia A. Unto the Breach: Martial Formations, Historical Trauma, and the Early Modern Stage. Oxford University Press, 2008. Print.CrossRefGoogle Scholar
Carlson, Marvin. The Haunted Stage: The Theatre as Memory Machine. Ann Arbor: The University of Michigan Press, 2001. Print.Google Scholar
Cohen, Leonard. “There Is a War.” New Skin for the Old Ceremony. Columbia Records, 1974. LP.Google Scholar
Cohen, Leonard. “Hallelujah.” Various Positions. Columbia Records, 1984. LP.Google Scholar
Cohen, Leonard. “The Future.” The Future. Columbia Records, 1992. LP.Google Scholar
Dailey, Alice. “The RSC’s ‘Glorious Moment’ and the Making of Shakespearean History.” Ed. Holland, Peter. Shakespeare Survey: Shakespeare’s English Histories and their Afterlives, 63 (2010): 184–97. Cambridge: Cambridge University Press. Print.Google Scholar
Desmet, Christy. “Shakespeare the Historian.” Ed. Holland, Peter. Shakespeare Survey: Shakespeare’s English Histories and their Afterlives, 63 (2010): 111. Cambridge: Cambridge University Press. Print.Google Scholar
Dewan, Natalie. “5 Reasons to Commit 6 Hours to Breath of Kings.” Stratford Festival Reviews, 2016. Web. <https://stratfordfestivalreviews.com/blog/2016/06/24/5-reasons-to-commit-6-hours-to-breath-of-kings/>..>Google Scholar
Gaines, Barbara. Welcome, Tug of War: Foreign Fire. Program. Chicago Shakespeare Theater, 2016. 45. Print.Google Scholar
Greenblatt, Stephen. Tyrant: Shakespeare on Politics. New York: W. W. Norton & Company, Inc., 2018. Print.Google Scholar
Greenblatt, Stephen, et al. The Norton Shakespeare. 3rd ed., New York: W. W. Norton & Company, Inc., 2016. Print.Google Scholar
Heins, Sébastien. “‘Breath of Kings’ Teaches Us 360 Video Lessons.” Medium, 2016. Web. <https://medium.com/@sebastienheins/5-things-we-learned-about-immersive-video-from-the-breath-of-kings-trailer-5b4e8e903f0e>..>Google Scholar
Heminge, John and Condell, Henry. “To the Great Variety of Readers.” The Norton Shakespeare, 3rd ed. Ed. Greenblatt, Stephen et al. New York: W. W. Norton & Company, Inc., 2016. Print.Google Scholar
Heywood, Thomas. An Apology for Actors. London, 1612. Print.Google Scholar
Howard, Jean. “Edward III and the Making of Shakespeare as Historical Dramatist.” Women Making Shakespeare: Text, Reception and Performance. Eds. McMullan, Gordon, Orlin, Lena Cowen, and Vaughn, Virginia Mason. Shakespeare, Arden. New York: Bloomsbury, 2014. 312. Print.Google Scholar
Howard, Jean E., and Rackin, Phyllis. Engendering a Nation: A Feminist Account of Shakespeare’s English Histories, New York: Routledge, 1997. Print.Google Scholar
Kalb, Jonathan. Great Lengths: Seven Works of Marathon Theater. Ann Arbor: University of Michigan Press, 2013. Print.Google Scholar
Lake, Peter. How Shakespeare Put Politics on the Stage: Power and Succession in the History Plays. New Haven: Yale University Press, 2016. Print.Google Scholar
Long, John H. Shakespeare’s Use of Music: The Histories and Tragedies. Gainesville: University of Florida Press, 1971. Print.Google Scholar
Macfie, Pamela Royston. “Music, Movement and Word at the American Shakespeare Center.” Sewanee Review, 124.2 (2016): 354361. Print.Google Scholar
Mengesha, Weyni, and Cushman, Mitchell. “The Head That Wears a Crown.” Breath of Kings: Rebellion. Program. Stratford Festival, 2016. 9. Print.Google Scholar
Nestruck, J. Kelly. “Six Hours, 20 Actors, 70-Plus Roles: Stratford Presents a Marathon Game of Thrones, Shakespeare-Style.” Theatre Review. The Globe and Mail, 2016. Web. <www.theglobeandmail.com/arts/theatre-and-performance/theatre-reviews/six-hours-20-actors-70-plus-roles-stratford-presents-a-marathon-game-of-thrones-shakespeare-style/article30606393/>..>Google Scholar
Nevitt, Lucy. Theatre & Violence. Eds. Harvie, Jen and Rebellato, Dan. Theatre &. Series 21 (2013). New York: Palgrave Macmillan. Print.Google Scholar
Oleksinski, Johnny. “‘Little Mermaid’ and Marathon Bard at Chicago Shakespeare in 2015–16.” Arts & Entertainment. Chicago Tribune, 2015. Web. <www.chicagotribune.com/entertainment/theater/news/chi-chicago-shakespeare-theater-201516-season-20150325-story.html>..>Google Scholar
Packer, Tina. Women of Will: The Remarkable Evolution of Shakespeare’s Female Characters. New York: Vintage Books, 2016. Print.Google Scholar
Pink, . “So What.” Funhouse. RCA Records, 2008. CD.Google Scholar
Revesz, Rachel. “ 9/11: Donald Trump’s Bizarre Quotes About September 11 Attacks Before Becoming President.” News/World/Americas. Independent, 2017. Web. <www.independent.co.uk/news/world/americas/donald-trump-bizarre-quotes-911-attacks-tallest-building-higher-ratings-muslims-cheering-george-w-a7940516.html>..>Google Scholar
Saturday Night Live. NBC. 12 November 2016. Television.Google Scholar
Schneider, Rebecca. Performing Remains. New York: Routledge, 2011. Print.Google Scholar
Schneider, Rebecca. Theatre & History, Eds. Harvie, Jen and Rebellato, Dan. Theatre &. Series 26 (2014). New York: Palgrave Macmillan. Print.Google Scholar
Shakespeare, William. Edward III. Ed. Melchiori, Giorgio. The New Cambridge Shakespeare. Cambridge: Cambridge University Press, 1998. Print.Google Scholar
Sherman, Stuart. “Tugs, Tug of War: Foreign Fire.” Program. Chicago Shakespeare Theater, 2016. 810. Print.Google Scholar
Stratford Festival. Breath of Kings. 2016. Web. 13 July 2018. <www.youtube.com/watch?v=skmc1TJ-2SU>..>Google Scholar
Tavares, Elizabeth. “‘All Our Tragic’ Envisions Epic Theatre for the 21st Century.” Bite Thumbnails: A Playgoers Notebook, 2014. Web. <http://bitethumbnails.com/archives/915>..>Google Scholar
Taylor, Kate. “A Hero for Our Time?” The Globe and Mail, 2001. Web. <www.theglobeandmail.com/arts/a-hero-for-our-time/article1031565/>..>Google Scholar
Tug of War. Adapted by Barbara Gaines from William Shakespeare. Dir. Barbara Gaines. Chicago Shakespeare Theater. USA. 15 May and 15 September 2016. Performance.Google Scholar
Waters, Roger and Wright, Richard. “Us and Them.” The Dark Side of the Moon. Pink Floyd. Harvest Records, 1974. LP.Google Scholar
Wetmore, Kevin J. Jr.Are You Shakespeareienced? Rock Music and Contemporary Production of Shakespeare.” Special Issue: Elizabethan Performance in North American Spaces. Theatre Symposium 12 (2004): 4864.Google Scholar
Wills, Garry. “Gulping Down Shakespeare.” New York Review of Books 25 September 2016. Web. <www.nybooks.com/daily/2016/09/25/barbara-gaines-henry-vi-richard-iii-gulping-down-shakespeare/>..>Google Scholar
Wills, Garry. “Shakespeare: War Is King.” New York Review of Books 23 May 2016. Web. <www.nybooks.com/daily/2016/05/23/shakespeare-history-plays-chicago-war-is-king/>..>Google Scholar

Save element to Kindle

To save this element to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Haunting History Onstage
  • Regina Buccola, Roosevelt University, Illinois
  • Online ISBN: 9781108771542
Available formats
×

Save element to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Haunting History Onstage
  • Regina Buccola, Roosevelt University, Illinois
  • Online ISBN: 9781108771542
Available formats
×

Save element to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Haunting History Onstage
  • Regina Buccola, Roosevelt University, Illinois
  • Online ISBN: 9781108771542
Available formats
×