Secondary Sources
Alexander, S. (1974). The Nightcleaners’ Campaign. In Conditions of Illusion: Papers from the Women’s Movement. Leeds: Feminist Books, 309–26.
Alexander, S. (1995). Becoming a Woman and Other Essays in 19th and 20th Century Feminist History. New York: New York University Press.
Altick, R. (1957). English Common Reader: A Social History of the Mass Reading Public, 1800–1900. Chicago: Chicago University Press.
Banks-Smith, N. (1979). Testament of Youth. The Guardian, 5 November.
Beer, P. (1980). New Women. London Review of Books, 17 July.
Black, G. (2008). Frank’s Way: Frank Cass and Fifty Years of Publishing. London: Vallentine Mitchell.
Bostridge, M. (2014). Vera Brittain and the First World War. London: Bloomsbury.
Bromage, S. and Williams, H. (2019). Materials, Technologies and the Printing Industry. In Nash, A., Squires, C. and Willison, I.R. eds. The Cambridge History of the Book in Britain: Volume 7, The Twentieth Century and Beyond. Cambridge: Cambridge University Press, 41–60.
Browne, V. (2014). Feminism, Time and Non-Linear History. Basingstoke: Palgrave.
Burford, B. (1988). … And a Star to Steer Her By. In Grewal, S., Kay, J., Landor, L., Lewis, G. and Parmar, P. eds. Charting the Journey: Writings by Black and Third World Women. London: Sheba, 97–9.
Burk, K. (1994). The Americans, the Germans, and the British: The 1976 IMF Crisis. Twentieth Century British History, 5(4), 351–69.
Cadman, E., Chester, G. and Pivot, A. (1981). Rolling Our Own: Women as Printers, Publishers and Distributors. London: Minority Press Group.
Callil, C. (1980). Virago Reprints: Redressing the Balance. Times Literary Supplement, 12 September.
Callil, C. (1986). The Future of Feminist Publishing. The Bookseller, 1 March, 850–1.
Callil, C. (1998). Women, Publishing and Power. In Simons, J. and Fullbrook, K. eds. Writing: A Women’s Business. Manchester: Manchester University Press.
Callil, C. (2008). In Bradley, S. ed. The British Book Trade: An Oral History. London: BL Publishing, 212–13.
Caplan, J. (1977). Life as We Have Known It. Spare Rib, 63, 42.
Chester, G. and Nielsen, S. (1987). Introduction: Writing as a Feminist. In Chester, G. and Nielsen, S. eds. In Other Words: Writing as a Feminist. London: Hutchinson, 9–21.
Collini, S. (2012). ‘The Chatto-List’: Publishing Literary Criticism in Mid-Twentieth Century Britain. The Review of English Studies, 63(261), 634–63.
Collini, S. (2019). The Nostalgic Imagination: History in English Criticism. Oxford: Oxford University Press.
Coote, A. and Campbell, B. (1987). Sweet Freedom. Oxford: Blackwell.
Corder, J. and Harvey, S. eds. (1991). Enterprise and Heritage: Crosscurrents of National Culture. London: Routledge.
Cowman, K. (2010). ‘Carrying on a Long Tradition’: Second-Wave Presentations of First-Wave Feminism in Spare Rib c. 1972–80. European Journal of Women’s Studies, 17(3), 193–210.
Craigie, J. (1982). The Times Profile: Dame Rebecca West, 90 Years Old This Month. The Times, 6 December.
Davies, A. (2017). The City of London and Social Democracy: The Political Economy of Finance in Britain, 1959–1979. Oxford: Oxford University Press.
Davin, A. (1980). The London Feminist History Group. History Workshop Journal, 9(1), 192–4.
Davin, A. (2000). The Only Problem Was Time. History Workshop Journal, 50, 239–45.
Eliot, T. S. (1945). What is a Classic? London: Faber; reprinted in Eliot, T. S. (1957). Of Poetry and Poets. New York: Farrar, Straus and Cudahy, pp. 53–71.
Fentress, J. and Wickham, C. (1992). Social Memory. Oxford: Blackwell.
Firestone, S. (2015). The Dialectic of Sex: The Case for Feminist Revolution. London: Verso.
Foot, P. (1982). New Introduction. In Olive Schreiner, From Man to Man. London: Virago.
Frayn, A. (2018). Social Remembering, Disenchantment and First World War Literature, 1918–30. Journal of War and Cultural Studies, 11(3), 192–208.
Freeman, E. (2010). Time Binds: Queer Temporalities, Queer Histories. Durham: Duke University Press.
Geddes-Brown, L. (1982). The Real-Life Drama Behind the Film. The Sunday Times, 16 May.
Glastonbury, M. (1979). When Adam Delved and Eve Span. Times Education Supplement, 28 December.
Goodings, L. (2020). A Bite of the Apple. Oxford: Oxford University Press.
Gottlieb, J.V. and Campbell, B. (2019). The Iron Ladies Revisited. Women’s History Review, 28(2), 337–49.
Guest, C. (2017). Becoming Feminist: Narratives and Memories. Basingstoke: Palgrave.
Hanna, E. (2014). Contemporary Britain and the Memory of the First World War. Matériaux pour l’histoire de notre temps, 113–114(1), 110–17.
Hartley, L. (1980). Review of Testament of Youth. Spare Rib, 90, 48.
Herbert, H. (1982). A Radical Departure for Virago. The Guardian, 23 February.
Holmes, C. (2009). Obituary: Frank Cass. Immigrants & Minorities, 27(1), 118–22.
Hornsey, R. (2018). ‘The Penguins Are Coming’: Brand Mascots and Utopian Mass Consumption in Interwar Britain. Journal of British Studies, 57(4), 812–39.
Joannou, M. (1993). Vera Brittain’s Testament of Youth revisited. Literature & History, 2(2), 46–72.
Johnson, P. (1980). Review of The Return of the Soldier, The Judge and Harriet Hume. Spare Rib, 101, 42.
Jolly, M. (2019). Sisterhood and After: An Oral History of the Women’s Liberation Movement 1968–Present. Oxford: Oxford University Press.
Kermode, F. (1983). The Classic: Literary Images of Permanence and Change. Cambridge: Harvard University Press.
Khaire, M. (2017). Culture and Commerce: The Value of Entrepreneurship in Creative Industries. Redwood: Stanford University Press.
Kidd, J. and Sayner, J. (2018). Unthinking Remembrance? Blood Swept Lands and Seas of Red and the Significance of Centenaries. Cultural Trends, 27(2), 68–82.
Kovač, M., Phillips, A., van der Weel, A. and Wischenbart, R. (2017). Book Statistics. Logos, 28(4), 7–17.
Marshall, A. (1983). Changing the Word: The Printing Industry in Transition. London: Comedia.
May, W. (2018). The Untimely Stevie Smith. Women: A Cultural Review, 29(3–4), 381–97.
McCleery, A. (2002). The Return of the Publisher to Book History: The Case of Allen Lane. Book History, 5, 161–85.
Mitchell, K. (2010). History and Cultural Memory in Neo-Victorian Fiction. Basingstoke: Palgrave.
Monk, C. (2011). Heritage Film Audiences: Period Films and Contemporary Audiences in the UK. Edinburgh: Edinburgh University Press.
Murray, S. (2004). Mixed Media: Feminist Presses and Publishing Politics. London: Pluto.
No author. (1980). Guardian Diary. The Guardian, 3 October.
No author. (1983). London. The Times, 8 January.
Oakley, A. (2018). Women: Peace and Welfare: A Suppressed History of Social Reform, 1880–1920. Bristol: Policy Press.
Owen, U. (2019). Single Journey Only: A Memoir. Cromer: Salt.
Parker, R. and Sebestyen, A. (1979). A Literature of Our Own. Spare Rib, 78, 27–30.
Pinkerton, S. (2008). Trauma and Cure in Rebecca West’s The Return of the Soldier. Journal of Modern Literature, 32(1), 1–12.
Potter, J. (2008). Boys in Khaki, Girls in Print: Women’s Literary Responses the Great War 1914–18. Oxford: Oxford University Press.
Prestidge, J. (2019). Housewives Having a Go: Margaret Thatcher, Mary Whitehouse and the Appeal of the Right Wing Woman in Late Twentieth-Century Britain. Women’s History Review, 28(2), 277–96.
Purvis, J. (2013). Gendering the Historiography of the Suffragette Movement in Edwardian Britain: Some Reflections. Women’s History Review, 22(4), 576–90.
Radway, R. (1984). Reading the Romance. North Carolina: University of North Carolina Press.
Riley, C. (2018). The Virago Story: Assessing the Impact of a Feminist Publishing Phenomenon. Oxford: Berghahn.
Robinson, D. (1982). Cinema. The Times, 25 May.
Robinson, D. (1983). Passionate Paradoxes. The Times, 7 January.
Rowbotham, S. (1972). Women’s Liberation and the New Politics. In Wandor, M. ed. The Body Politic: Writings from the Women’s Liberation Movement in Britain 1969–1972. London: Stage 1, 3–30.
Rowbotham, S. (1972). Women, Resistance and Revolution: A History of Women and Revolution in the Modern World. Harmondsworth: Penguin.
Rowbotham, S. (1973). Hidden from History: 300 Years of Women’s Oppression and the Fight Against It. London: Pluto Press.
Rowbotham, S. (1990). The Beginnings of the Women’s Liberation Movement in Britain. In Wandor, M. ed. Once a Feminist: Stories of a Generation. London: Virago, 28–43.
Samuel, R. (1992). Return to Victorian Values. Proceedings of the British Academy, 78, 9–29.
Samuel, R. (1994). Theatres of Memory: Past and Present in Contemporary Culture. London: Verso.
Scott-Brown, S. (2016). The Art of the Organiser: Raphael Samuel and the Origins of the History Workshop. History of Education, 45(3), 372–90.
Stevenson, G. (2019). The Women’s Liberation Movement and the Politics of Class in Britain. London: Bloomsbury.
Stevenson, I. (2010). Book Makers: British Publishing in the Twentieth Century. London: British Library.
Sutherland, J.A. (1978). Fiction and the Fiction Industry. London: The Athlone Press.
Taylor, B. (1983). Eve and the New Jerusalem: Socialism and Feminism in the Nineteenth Century. London: Virago.
Thomas-Corr, J. (2020). Fiery Women. The Sunday Times, 23 February.
Todman, D. (2005). The Great War: Myth and Memory. London: Continuum.
Toye, R. (2013). From ‘Consensus’ to ‘Common Ground’: The Rhetoric of the Postwar Settlement and Its Collapse. Journal of Contemporary History, 48(1), 3–23.
Virago. (1993). A Virago Keepsake to Celebrate Twenty Years of Publishing. London: Virago.
Wansell, G. (1982). Chilling View of Catholic Control. The Times, 14 May, 16.
Watson, N.J. ed. (2009). Literary Tourism and Nineteenth Century Culture. Basingstoke: Palgrave.
Weideger, P. (1988). Write On! Ms. July, 46–51.
Weidemann, K. (1969). Book Jackets and Record Sleeves. London: Thames and Hudson.
Williams, R. and Orrom, M. (1954). Preface to Film. London: Film Drama.
Williams, S. (1978). Preface. In Testament of Youth. London: Virago, 9–10.
Winship, J. (1987). Inside Women’s Magazines. London: Pandora.
Winter, J. (2017). Commemorating Catastrophe: 100 Years On. War & Society, 36(4), 239–55.
Withers, D. (2015). Feminism, Digital Culture and the Politics of Transmission: Theory, Practice and Cultural Heritage. London: Rowman Littlefield International.
Withers, D-M. (2019). Enterprising Women: Independence, Finance and Virago Press, c.1976–93. Twentieth Century British History, 31(4), 479–502. https://doi.org/10.1093/tcbh/hwz044. Withers, D-M. (forthcoming). Virago Modern Classics: The Making of a Reprint Series. In Wilson, N., Battershill, C., Heywood, S., la Penna, D., Southworth, H., Staveley, A., Willson, E. eds. The Edinburgh Companion to Women in Publishing, 1900–2000. Edinburgh: Edinburgh University Press.
Wood, A. (2014). Facing Life as We Have Known it: Virginia Woolf and the Women’s Co-operative Guild. Literature & History, 23(2), 18–34.
Woolf, V. (2012). Introductory Letter to Margaret Llewellyn Davies. In Llewellyn Davies, M. ed. Life as We Have Known It. London: Virago, xvi–xvii.