![](http://static.cambridge.org/content/id/urn:cambridge.org:id:book:9781781387757/resource/name/9781781387757i.jpg)
-
- This book is no longer available to purchase from Cambridge Core
- Publisher:
- Liverpool University Press
- Online publication date:
- July 2017
- Print publication year:
- 2000
- Online ISBN:
- 9781781387757
- Subjects:
- Ethnomusicology, Music
12th August 2024: digital purchasing is currently unavailable on Cambridge Core. Due to recent technical disruption affecting our publishing operation, we are experiencing some delays to publication. We are working hard to restore services as soon as possible and apologise for the inconvenience. For further updates please visit our website: https://www.cambridge.org/news-and-insights/technical-incident
Like literature and art, music has ‘works’. But not every piece of music is called a work, and not every musical performance is made up of works. The complexities of this situation are explored in these essays, which examine a broad swathe of western music. From plainsong to the symphony, from Duke Ellington to the Beatles, this is at root an investigation into how our minds parcel up the music that we create and hear.
* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.
Usage data cannot currently be displayed.