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The Year's Contribution to Shakespeare Studies

Published online by Cambridge University Press:  05 November 2015

Edited by
Peter Holland
Peter Holland
Affiliation:
University of Notre Dame, Indiana
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Type
Chapter
Information
Shakespeare Survey , pp. 422 - 462
Publisher: Cambridge University Press
Print publication year: 2015

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References

Books reviewed

Clare, Janet, Shakespeare's Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre (Cambridge, 2014)Google Scholar
Cummings, Brian, Mortal Thoughts, Religion, Secularity and Identity in Shakespeare and Early Modern Culture (Oxford, 2013)Google Scholar
Goldstein, David, Eating and Ethics in Shakespeare's England (Cambridge, 2013)CrossRefGoogle Scholar
Gray, Patrick and Cox, John D., eds., Shakespeare and Renaissance Ethics (Cambridge, 2014)Google Scholar
Griffith, Eva, A Jacobean Company and its Playhouse: The Queen's Servants and the Red Bull Theatre, 1605–1619 (Cambridge, 2014)Google Scholar
Johnson, Keith, Shakespeare's English: A Practical Linguistic Guide (Harlow, 2013)Google Scholar
Johnson, Laurie, Sutton, John and Tribble, Evelyn, eds., Embodied Cognition and Shakespeare's Theatre (New York and Abingdon, 2014)Google Scholar
Kastan, David Scott, A Will to Believe, Shakespeare and Religion (Oxford, 2013)Google Scholar
Keenan, Siobhan, Acting Companies and their Plays in Shakespeare's London (London, 2014)Google Scholar
Knowles, Katie, Shakespeare's Boys (Basingstoke, 2014)Google Scholar
Lafont, Agnes, ed., Shakespeare's Erotic Mythology and Ovidian Renaissance Culture (Farnham, 2014)Google Scholar
Lees-Jeffries, Hester, Shakespeare and Memory (Oxford, 2013)Google Scholar
Maguire, Laurie, Othello, Language and Writing (London, 2014)Google Scholar
Ortiz, M. Joseph, ed., Shakespeare and the Culture of Romanticism (Farnham, 2013)Google Scholar
Quiring, Björn, Shakespeare's Curse: The Aporias of Ritual Exclusion in Early Modern Royal Drama (Abingdon, 2014)Google Scholar
Raber, Karen, Animal Bodies, Renaissance Culture (Philadelphia, 2013)Google Scholar
Tarlinskaja, Marina, Shakespeare and the Versification of English Drama, 1561–1642 (Farnham, 2014)Google Scholar
Williams, Deanne, Shakespeare and the Performance of Girlhood (Basingstoke, 2014)Google Scholar
Wilson, Richard, Free Will, Art and Power on Shakespeare's Stage (Manchester, 2014)Google Scholar

Works reviewed

Crowl, Samuel, Screen Adaptations: Shakespeare's ‘Hamlet’: The Relationship between Text and Film (London and New York, 2014)Google Scholar
Drouin, Jennifer, Shakespeare in Québec: Nation, Gender, and Adaptation (Toronto, 2014)Google Scholar
Escolme, Bridget, Emotional Excess on the Shakespearean Stage: Passion's Slaves (London and New York, 2014)Google Scholar
Friedman, Michael D. and Dessen, Alan, Shakespeare in Performance: ‘Titus Andronicus’, 2nd edn (Manchester, 2103)Google Scholar
Gaby, Rosemary, Open-air Shakespeare: Under Australian Skies (Basingstoke and New York, 2014)Google Scholar
Hartley, Andrew James, Shakespeare and Political Theatre in Practice (Basingstoke, 2013)CrossRefGoogle Scholar
Hartley, Andrew James Shakespeare in Performance: ‘Julius Caesar’ (Manchester, 2014)Google Scholar
Holland, Peter, ed., Great Shakespeareans Volume xviii: Brook, Hall, Ninagawa, Lepage (London and New York, 2013)Google Scholar
Mancewicz, Aneta, Intermedial Shakespeares on European Stages (Basingstoke and New York, 2014)CrossRefGoogle Scholar
Mazer, Cary M., ed., Great Shakespeareans Volume xv: Poel, Barker, Guthrie, Wanamaker (London and New York, 2013)CrossRefGoogle Scholar
Morse, Ruth, ed., Great Shakespeareans Volume xiv: Hugo, Pasternak, Brecht, Césaire (London and New York, 2013)Google Scholar
O'Neill, Stephen, Shakespeare and YouTube: New Media Forms of the Bard (London and New York, 2014)Google Scholar
Ormsby, Robert, Shakespeare in Performance: ‘Coriolanus’ (Manchester, 2014)Google Scholar
Purcell, Stephen, Shakespeare and Audience in Practice (Basingstoke and New York, 2013)CrossRefGoogle Scholar
Ryle, Simon, Shakespeare, Cinema and Desire: Adaptation and Other Futures of Shakespeare's Language (Basingstoke and New York, 2014)Google Scholar
Worthen, W. B., Shakespeare Performance Studies (Cambridge, 2014)Google Scholar

Works Reviewed

Bliss, Lee, ed., Coriolanus, 2nd edn with updated introduction by Bridget Escolme (Cambridge, 2010)Google Scholar
Hastie, Rob, and Rourke, Josie, eds., Coriolanus (London, 2014)Google Scholar
Jackson, MacDonald P., Determining the Shakespeare Canon: ‘Arden of Faversham’ and ‘A Lover's Complaint’ (Oxford, 2014)Google Scholar
Jenkins, Jacqueline, and Sanders, Julie, eds., Editing, Performance, Texts: New Practices in Medieval and Early Modern English Drama (Basingstoke, 2014)Google Scholar
Lindley, David, ed., The Tempest, 2nd edn (Cambridge, 2013)Google Scholar
Lloyd, Jamie, ed., William Shakespeare's Richard III (London, 2014)Google Scholar
Lopez, Jeremy, Constructing the Canon of Early Modern Drama (Cambridge, 2014)CrossRefGoogle Scholar
Miola, Robert S., ed., Macbeth, Norton Critical Editions (New York, 2014)Google Scholar
Purkis, James, ‘The Revision of Manuscript Drama’, in Jenkins and Sanders (2014), pp. 107–25Google Scholar
Schlueter, Kurt, ed., The Two Gentlemen of Verona, 2nd edn with updated introduction by Munro, Lucy (Cambridge, 2012)Google Scholar
Smith, Emma, ed., Five Revenge Tragedies (London, 2012)Google Scholar
Tarlinskaja, Marina, Shakespeare and the Versification of English Drama, 1561–1642 (Farnham, 2014)Google Scholar
Taylor, Gary, ‘Macbeth and Middleton’, in Miola (2014), pp. 296–305Google Scholar
Walker, Greg, ed., The Oxford Anthology of Tudor Drama (Oxford, 2014)Google Scholar

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