Skip to main content Accessibility help
×
  • Cited by 5
Publisher:
Cambridge University Press
Online publication date:
November 2012
Print publication year:
2012
Online ISBN:
9781139237178

Book description

Fathers are central to the drama of Shakespeare's time: they are revered, even sacred, yet they are also flawed human beings who feature as obstacles in plays of all genres. In Problem Fathers in Shakespeare and Renaissance Drama, Tom MacFaul examines how fathers are paradoxical and almost anomalous characters on the English Renaissance stage. Starting as figures of confident authority in early Elizabethan drama, their scope for action becomes gradually more restricted, until by late Jacobean drama they have accepted the limitations of their power. MacFaul argues that this process points towards a crisis of patriarchal authority in wider contemporary culture. While Shakespeare's plays provide a key insight into these shifts, this book explores the dramatic culture of the period more widely to present the ways in which Shakespeare's work differed from that of his contemporaries while both sharing and informing their artistic and ideological preoccupations.

Reviews

'This study is compact, yet dense. Problem Fathers in Shakespeare and Renaissance Drama covers a wide swath of issues surrounding representations of father figures in early modern drama - paternal authority, historical contexts, genre development - and does so by surveying a large number of texts. Because of the range and depth of this study, Problem Fathers in Shakespeare and Renaissance Drama is sure to initiate wider critical conversations about the roles of fathers in early modern drama, and it may well prove a seminal text in Renaissance studies.'

Kimberly G. Reigle Source: Journal of British Studies

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×

Contents

Bibliography

Primary Works

Aeschylus, The Oresteia, trans. Robert Fagles (London: Penguin, 1977)
Anon., The Blind Beggar of Bednall Green (London: 1659)
Anon., The Costlie Whore (London: 1613)
Anon., Clyomon and Clamydes, ed. W. W. Greg (Oxford University Press for the Malone Society, 1913)
Anon., Common Conditions, ed. Tucker Brooke (New Haven, CT: Yale University Press, 1895)
Anon., Englishmen for My Money, ed. W. W. Greg (London: Oxford University Press for the Malone Society, 1912)
Anon., The Famous Victories of Henry the Fifth, ed. Chiaki Hanabusa (Manchester University Press for the Malone Society, 2007)
Anon., Guy of Warwick, ed. Helen D. Moore (Manchester University Press for the Malone Society, 2006)
Anon., King Leir, ed. Tiffany Stern (London: Nick Hern Books, 2002)
Anon., A Knack to Know a Knave, ed. G. R. Proudfoot (Oxford University Press for the Malone Society, 1963)
Anon., Look about You, ed. W. W. Greg (London: Oxford University Press for the Malone Society, 1913)
Anon., The Rare Triumphs of Love and Fortune (London: 1589)
Anon., Shakespeare's Edmund Ironside: The Lost Play, ed. Eric Sams (Aldershot: Wildwood House, 1986)
Anon., Swetnam the Woman-Hater (Amersham: Tudor Facsimile Texts, 1914)
Anon., The Tragedy of Locrine (Oxford University Press for the Malone Society, 1908)
Anon., The Trial of Chivalry (London: 1605)
Anon., The Troublesome Raigne of King John (London: C. Praetorius, 1888)
Anon., The Two Noble Ladies, ed. Rebecca G. Rhoads (Oxford University Press for the Malone Society, 1930)
Anon., The Weakest Goeth to the Wall, ed. W. W. Greg (London: Oxford University Press for the Malone Society, 1912)
Anon., Wily Beguiled, ed. W. W. Greg (Oxford University Press for the Malone Society, 1912)
Anon., The Wisdom of Doctor Dodypoll (London: 1600)
Armin, Robert, The Collected Works of Robert Armin (New York: Johnson Reprint Corporation, 1972)
Aubrey, John, Brief Lives, ed. John Buchanan-Brown (London: Penguin, 2000)
Bacon, Francis, The Works of Francis Bacon, ed. J. Spedding, R. L. Ellis, and D. D. Heath, 7 vols. (London: Longman's, 1857–74)
Barnes, Barnabe, The Devil's Charter, ed. Jim C. Pogue (New York: Garland, 1980)
Beaumont, Francis, and Fletcher, John, The Dramatic Works in the Beaumont and Fletcher Canon, ed. Fredson Bowerset al., 10 vols. (Cambridge University Press, 1966–89)
Beza, Theodore, A Tragedie of Abrahams Sacrifice, trans. A. G. (London, 1575)
Chapman, George, The Plays of George Chapman: The Comedies, ed. Allan Holaday assisted by Michael Kiernan (Urbana, IL: University of Illinois Press, 1970)
Chapman, George, Jonson, Ben, and Marston, John, Eastward Ho, ed. R. W. van Fossen (Manchester University Press, 1979)
Chettle, Henry, The Tragedy of Hoffman, ed. Harold Jenkins (London: Oxford University Press for the Malone Society, 1951)
Daborne, Robert, The Poor Man's Comfort, ed. Kenneth Palmer (Oxford University Press for the Malone Society, 1955)
Day, John, Law Tricks, ed. John Crow (London: Oxford University Press for the Malone Society, 1949)
Dekker, Thomas, The Dramatic Works of Thomas Dekker, ed. Fredson Bowers, 4 vols. (Cambridge University Press, 1953–61)
Garter, Thomas, The Most Virtuous and Godly Susanna, ed. B. Ifor Evans (London: Oxford University Press for the Malone Society, 1936)
Gascoigne, George, A Hundreth Sundrie Flowres, ed. G. W. Pigman III (Oxford: Clarendon Press, 2000)
Greene, Robert, Alphonsus King of Aragon, ed. W. W. Greg (London: Oxford University Press for the Malone Society, 1926)
Greene, Robert, Friar Bacon and Friar Bungay, ed. J. A. Lavin (London: Ernest Benn, 1969)
Greene, Robert, The Scottish History of James the Fourth, ed. Norman Sanders (London: Methuen, 1970)
Greene, Robert, [?]The Tragical Reign of Selimus (London: Chiswick Press, 1908; reprinted Oxford University Press, 1964)
Harington, John, Orlando Furioso (London, 1591)
Heywood, Jasper (trans.), Thyestes, ed. Joost Daalder (London: Ernest Benn, 1982)
Heywood, Thomas, The Captives, ed. Arthur Brown (Oxford University Press for the Malone Society, 1953)
Heywood, Thomas, The Dramatic Works of Thomas Heywood, 6 vols. (London: J. Pearson, 1874)
Heywood, Thomas, Three Marriage Plays, ed. Paul Merchant (Manchester University Press, 1996)
King James VI and I, Political Writings, ed. Johann P. Sommerville (Cambridge University Press, 1994)
Jonson, Ben, Works, ed. C. H. Herford, Evelyn Simpson and Percy Simpson, 11 vols. (Oxford: Clarendon Press, 1925–52)
Kyd, Thomas, The Spanish Tragedy, ed. Philip Edwards (London: Methuen, 1959)
Kyd, Thomas, The Spanish Tragedie with The First Part of Jeronimo, ed. Emma Smith (London: Penguin, 1998)
Lodge, Thomas, The Wounds of Civil War, ed. Joseph W. Houppert (London: Edward Arnold, 1970)
Lyly, John, Galathea and Midas, ed. George Hunter and David Bevington (Manchester University Press, 2000)
Lyly, John, Mother Bombie (Oxford University Press, 1948)
Marlowe, Christopher, Edward the Second, ed. Charles R. Forker (Manchester University Press, 1994)
Marlowe, Christopher, The Jew of Malta, ed. N. W. Bawcutt (Manchester University Press, 1978)
Marlowe, Christopher, Tamburlaine, ed. J. S. Cunningham (Manchester University Press, 1981)
Marston, John, The Malcontent and Other Plays, ed. Keith Sturgess (Oxford University Press, 1997)
Marston, John, The Plays of John Marston, ed. H. Harvey Wood, 3 vols. (Edinburgh: Oliver & Boyd, 1934–9)
Massinger, Philip, The Plays and Poems of Philip Massinger, ed. Philip Edwards and Colin Gibson, 5 vols. (Oxford: Clarendon Press, 1976)
Middleton, Thomas, The Collected Works, ed. Gary Taylor and John Lavagnino (Oxford University Press, 2007)
Nashe, Thomas, The Works of Thomas Nashe, ed. Ronald B. McKerrow, corr. F. P. Wilson, 5 vols. (Oxford: Basil Blackwell & Mott, 1957)
Nashe, Thomas, Nero & Other Plays, ed. Herbert P. Horne, H. Ellis, A. Symons, and A. Verity (London: Vizetelly & Co., 1888)
Nevyle, Alexander, The Lamentable Tragedie of Oedipus (London, 1563)
Peacham, Henry, The Compleat Gentleman (London, 1622)
Pikerying, John, The Interlude of Vice (Horestes), ed. Daniel Seltzer (London: Oxford University Press for the Malone Society, 1962)
Porter, Henry, The Two Angrie Women of Abington, ed. W. W. Greg (London: Oxford University Press for the Malone Society, 1912)
R. B., Apius and Virginia, ed. R. B. McKerrow (London: The Malone Society, 1911)
Rowley, Samuel, When You See Me, You Know Me, ed. F. P. Wilson (Oxford University Press for the Malone Society, 1952)
Russell, D. A., and M. Winterbottom, M. (eds.), Classical Literary Criticism, revised edn (Oxford University Press, 1989)
S. S., The Honest Lawyer (Amersham: Tudor Facsimile Editions, 1914)
Sampson, William, The Vow-Breaker: or, the Fair Maid of Clifton (London: 1636)
Shakespeare, William, As You Like It, ed. Juliet Dusinberre (London: Arden Shakespeare, 2006)
Shakespeare, William, The First Quarto of Hamlet, ed. Kathleen O. Irace (Cambridge University Press, 1998)
Shakespeare, William, Pericles, ed. Suzanne Gossett (London: Arden Shakespeare, 2004)
Shakespeare, William, The Sonnets and A Lover's Complaint, ed. John Kerrigan (London: Penguin, 1986)
Shakespeare, William, The Shakespeare Apocrypha, ed. C. F. Tucker Brooke (Oxford: Clarendon Press, 1918)
Sharpham, Edward, Cupid's Whirligig, ed. Allardyce Nicoll (Waltham Saint Lawrence, Berkshire: The Golden Cockerel Press, 1926)
Sidney, Philip, The Countess of Pembroke's Arcadia (The New Arcadia), ed. Victor Skretkowicz (Oxford: Clarendon Press, 1987)
Smith, W., The Hector of Germany, or The Palsgrave, Prime Elector (London: 1615)
Thorndike, Ashley (ed.), The Minor Elizabethan Drama, 2 vols. (London: J. M. Dent, 1910)
Tomkis, Thomas, Albumazar: A Comedy, ed. Hugh G. Dick (Berkeley: University of California Press, 1944)
Tourneur, Cyril, The Atheist's Tragedy, ed. Brian Morris and Roma Gill (London: A&C Black, 1989)
Webster, John, The Complete Works of John Webster, ed. F. L. Lucas, 4 vols. (London: Chatto & Windus, 1927)
Webster, John, The Duchess of Malfi and Other Plays, ed. René Weis (Oxford University Press, 1996)
W[eldon], Sir A[ntony], The Court and Character of King James (London: 1651)
Wilmot, Robert, The Tragedie of Tancred and Gismund (London: 1591)
Woodes, Nathaniel, The Conflict of Conscience, ed. Herbert Davis and F. P. Wilson (Oxford University Press for the Malone Society, 1952)
Yarington, Robert, Two Lamentable Tragedies (Amersham: Tudor Facsimile Texts, 1913)

Secondary Works

Adelman, Janet, Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare's Plays, Hamlet to The Tempest (London: Routledge, 1992)
Alexander, Peter, Hamlet: Father and Son (Oxford: Clarendon Press, 1955)
Bamber, Linda, Comic Women, Tragic Men: A Study of Gender and Genre in Shakespeare (Stanford University Press, 1982)
Bayley, John, Shakespeare and Tragedy (London: Routledge & Kegan Paul, 1981)
Beer, Gillian, The Romance (London: Methuen, 1970)
Belsey, Catherine, ‘Little Princes: Shakespeare's Royal Children’, in Kate Chedgzoy, Susanne Greenhalgh, and Robert Shaughnessy (eds.), Shakespeare and Childhood (Cambridge University Press, 2007)
Belsey, Catherine, Shakespeare and the Loss of Eden: The Construction of Family Values in Early Modern Culture (London: Macmillan, 1999)
Berger, Harry Jr, Making Trifles of Terrors: Redistributing Complicities in Shakespeare (Stanford University Press, 1997)
Berry, Philippa, Shakespeare's Feminine Endings: Disfiguring Death in the Tragedies (London: Routledge, 1999)
Bicks, Caroline, ‘Midwiving Virility in Early Modern England’, in Naomi J. Miller and Naomi Yavneh (eds.), Maternal Measures: Figuring Caregiving in the Early Modern Period (Aldershot: Ashgate, 2000)
Bloom, Harold, Shakespeare: The Invention of the Human (New York: Riverhead Books, 1998)
Boose, Lynda E., ‘The Father and the Bride in Shakespeare’, PMLA 97 (1982): 325–47
Bradbrook, M. C., John Webster: Citizen and Dramatist (London: Weidenfeld and Nicolson, 1980)
Braunmuller, A. R., and Hattaway, Michael, The Cambridge Companion to English Renaissance Drama, 2nd edn (Cambridge University Press, 2003)
Breitenberg, Mark, Anxious Masculinity in Early Modern England (Cambridge University Press, 1996)
Carneiro De Mendonça, BarbaraHeliodora, ‘The Influence of Gorboduc on King Lear, Shakespeare Survey 13 (1966): 41–8
Cave, Terence, Recognitions: A Study in Poetics (Oxford: Clarendon Press, 1988)
Cavell, Stanley, Disowning Knowledge in Seven Plays of Shakespeare, updated edn (Cambridge University Press, 2003)
Clark, Ira, The Moral Art of Philip Massinger (Lewisburg: Bucknell University Press, 1993)
Cooper, Helen, The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to Shakespeare (Oxford University Press, 2004)
Cressy, David, Birth, Marriage and Death: Ritual, Religion and the Life-Cycle in Tudor and Stuart England (Oxford University Press, 1997)
Danson, Lawrence, Shakespeare's Dramatic Genres (Oxford University Press, 2000)
de Grazia, Margreta, ‘The Ideology of Superfluous Things: King Lear as Period Piece’, in Margreta de Grazia, Maureen Quilligan, and Peter Stallybrass (eds.), Subject and Object in Renaissance Culture (Cambridge University Press, 1996), pp. 17–42
Dean, Paul, ‘Shakespeare's Henry VI Trilogy and Elizabethan “Romance” Histories: The Origins of a Genre’, Shakespeare Quarterly 33 (1982): 34–48
Doebler, John, ‘Beaumont's The Knight of the Burning Pestle and the Prodigal Son Plays’, in Studies in English Literature 5 (1965): 333–44
Dolan, Frances E., ‘The Subordinate(s) Plot: Petty Trenson and the Forms of Domestic Rebellion’, Shakespeare Quarterly 43 (1992), 317–40.
Doran, Susan, Monarchy and Matrimony: The Courtships of Elizabeth I (London: Routledge, 1996)
Doran, Susan, ‘Why Did Elizabeth Not Marry?’, in Julia M. Walker (ed.), Dissing Elizabeth: Negative Representations of Gloriana (Durham, NC: Duke University Press, 1998)
Dubrow, Heather, Shakespeare and Domestic Loss: Forms of Deprivation, Mourning and Recuperation (Cambridge University Press, 1999)
Dunn, Kevin, ‘Representing Counsel: Gorboduc and the Elizabethan Privy Council’, English Literary Renaissance 33 (2003): 279–308
Erickson, Peter, Patriarchal Structures in Shakespeare's Drama (Berkeley: University of California Press, 1985)
Erne, Lukas, Beyond The Spanish Tragedy: A Study of the Works of Thomas Kyd (Manchester University Press, 2001)
Erskine-Hill, Howard, Poetry and the Realm of Politics: Spenser to Dryden (Oxford University Press, 1996)
Fernie, Ewan, Shame in Shakespeare (London: Routledge, 2002)
Fischer, Walter, ‘Shakespeares Sturm und The Rare Triumphs of Love and Fortune, in Helmut Viebrock (ed.), Festschrift zum 75. Geburtstag von Theodor Spira (Heidelberg: C. Winter, 1961), pp. 144–51
Fletcher, Anthony, Gender, Sex and Subordination in England 1500–1800 (New Haven, CT: Yale University Press, 1995)
Fletcher, Hattie, and Novy, Marianne, ‘Father–Child Identification, Loss and Gender in Shakespeare's Plays’, in Kate Chedgzoy, Susanne Greenhalgh, and Robert Shaughnessy (eds.), Shakespeare and Childhood (Cambridge University Press, 2007)
Fowler, Alastair, Renaissance Realism: Narrative Images in Literature and Art (Oxford University Press, 2003)
Foyster, Elizabeth, Manhood in Early Modern England: Honour, Sex and Marriage (London: Longman, 1999)
Freud, Sigmund, The Standard Edition of the Complete Psychological Works of Sigmund Freud, 24 vols. (London: Hogarth Press and the Institute of Psycho-Analysis, 1953–74)
Frye, Northrop, Anatomy of Criticism: Four Essays (Princeton University Press, 1957)
Frye, Northrop, Fables of Identity: Studies in Poetic Mythology (New York: Harcourt, Brace, 1963)
Goldhill, Simon, Reading Greek Tragedy (Cambridge University Press, 1986)
Gowing, Laura, Domestic Dangers: Women, Words, and Sex in Early Modern London (Oxford: Clarendon Press, 1996)
Greenblatt, Stephen, Hamlet in Purgatory (Princeton University Press, 2001)
Greenblatt, Stephen, Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (Oxford: Clarendon Press, 1988)
Greenblatt, Stephen, Shakespeare's Freedom (The University of Chicago Press, 2010)
Greenblatt, Stephen, Will in the World: How Shakespeare Became Shakespeare (London: Jonathan Cape, 2004)
Haber, Judith, Desire and Dramatic Form in Early Modern England (Cambridge University Press, 2009)
Hadorn, Peter T., Sir Clyomon and Sir Clamydes: A Revaluation’, Journal of the Rocky Mountain Medieval and Renaissance Society 12 (1991): 85–102
Happé, Peter, ‘Tragic Themes in Three Tudor Moralities’, SEL 5 (1965): 207–27
Helgerson, Richard, The Elizabethan Prodigals (Berkeley: University of California Press, 1976)
Holbrook, Peter, Shakespeare's Individualism (Cambridge University Press, 2010)
Houser, David J., ‘Purging the Commonwealth: Marston's Disguised Dukes and A Knack to Know a Knave, PMLA 89 (1974): 993–1006
Howard, Jean E., and Rackin, Phyllis, Engendering a Nation: A Feminist Account of Shakespeare's English Histories (London: Routledge, 1997)
Hughes, Thomas, and others, The Misfortunes of Arthur (London: Tudor Facsimile Texts, 1911)
Hunter, G. K., Dramatic Identities and Cultural Traditions (Liverpool University Press, 1978)
Hunter, G. K., English Drama 1586–1642: The Age of Shakespeare (Oxford: Clarendon Press, 1997)
Hutchings, Mark, ‘The End of II Tamburlaine and the Beginnings of King Lear’, Notes and Queries 245 (2000)
Hutson, Lorna, The Invention of Suspicion: Law and Mimesis in Shakespeare and Renaissance Drama (Oxford University Press, 2007)
Hutson, Lorna, The Usurer's Daughter: Male Friendship and Fictions of Women in Sixteenth-Century England (London: Routledge, 1994)
James, Mervyn, English Politics and the Concept of Honour 1485–1642 (Oxford: Past and Present Society, 1978)
Jardine, Lisa, Still Harping on Daughters: Women and Drama in the Age of Shakespeare, 2nd edn (London: Harvester Wheatsheaf, 1989)
Jones, Emrys, Scenic Form in Shakespeare (Oxford: Clarendon Press, 1971)
Jones, Ernest, Hamlet and Oedipus (London: Gollancz, 1949)
Jones, John, Shakespeare at Work (Oxford: Clarendon Press, 1995)
Kahn, Coppélia, Man's Estate: Masculine Identity in Shakespeare (Berkeley: University of California Press, 1981)
Kantorowicz, E. H., The King's Two Bodies: A Study in Mediaeval Political Theology (Princeton University Press, 1957)
Keller, Eve, Generating Bodies and Gendered Selves: The Rhetoric of Reproduction in Early Modern England (Seattle: University of Washington Press, 2007)
Kermode, Frank, Shakespeare's Language (London: Allen Lane, 2000)
Kerrigan, John, Revenge Tragedy: Aeschylus to Armaggedon (Oxford: Clarendon Press, 1996)
Kiernan, Pauline, Shakespeare's Theory of Drama (Cambridge University Press, 1996)
King, Andrew, ‘Dead Butchers and Fiend-Like Queens: The Misfortunes of Arthur and Macbeth’, in Rhiannon Purdie and Nicola Royan (eds.), The Scots and Medieval Arthurian Legend (Cambridge: Boydell and Brewer Press, 2005)
Knights, L. C., How Many Children Had Lady Macbeth? An Essay in the Theory and Practice of Shakespeare Criticism (Cambridge: G. Fraser, The Minority Press, 1933)
Lee, H. J., Macbeth, A. H., Pagani, J. H. and Young, W. S.‘Oxytocin: The Great Facilitator of Life’, Progress in Neurobiology 88 (2009): 127–51
Leggatt, Alexander, Shakespeare's Tragedies: Violation and Identity (Cambridge University Press, 2005)
Macfarlane, Alan, Marriage and Love in England 1300–1840 (Oxford: Basil Blackwell, 1986)
Macfarlane, Alan, The Origins of English Individualism: The Family, Property and Social Transition (Oxford: Basil Blackwell, 1978)
MacFaul, Tom, ‘Friendship in Sidney's Arcadias’, Studies in English Literature 49 (2009): 17–33
MacFaul, Tom, Male Friendship in Shakespeare and His Contemporaries (Cambridge University Press, 2007)
MacFaul, Tom, Poetry and Paternity in Renaissance England: Sidney, Spenser, Shakespeare, Donne and Jonson (Cambridge University Press, 2010)
Maguire, Laurie, Shakespeare's Names (Oxford University Press, 2007)
Maguire, Nancy Klein (ed.), Renaissance Tragicomedy (New York: AMS Press, 1987)
Maquerlot, Jean-Pierre, Shakespeare and the Mannerist Tradition: A Reading of Five Problem Plays (Cambridge University Press, 1995)
Martindale, Charles, and Taylor, A. B. (eds.), Shakespeare and the Classics (Cambridge University Press, 2004)
McAdam, Ian, Magic and Masculinity in Early Modern English Drama (Pittsburgh: Duquesne University Press, 2009)
McCabe, Richard A., Incest, Drama and Nature's Law 1550–1700 (Cambridge University Press, 1993)
McKeon, Michael, The Secret History of Domesticity: Public, Private and the Division of Knowledge (Baltimore, MD: Johns Hopkins University Press, 2005)
McMillin, Scott, and MacLean, Sally-Beth, The Queen's Men and Their Plays (Cambridge University Press, 1998)
McMullan, Gordon, The Politics of Unease in the Plays of John Fletcher (Amherst: University of Massachusetts Press, 1994)
Mills, Laurens J., One Soul in Bodies Twain: Friendship in Tudor Literature and Stuart Drama (Bloomington, IN: Principia Press, 1937)
Moretti, Franco, Signs Taken for Wonders: On the Sociology of Literary Forms, trans. DavidMiller (London: Verso, 2005)
Neill, Michael, Issues of Death: Mortality and Identity in English Renaissance Tragedy (Oxford: Clarendon Press, 1997)
Novy, Marianne L., Love's Argument: Gender Relations in Shakespeare (Chapel Hill, NC: The University of North Carolina Press, 1984)
Nuttall, A. D., ‘Action at a Distance: Shakespeare and the Greeks’, in Martindale and Taylor (eds.), Shakespeare and the Classics
Nuttall, A. D., Shakespeare the Thinker (New Haven, CT: Yale University Press, 2007)
Nuttall, A. D., Why Does Tragedy Give Pleasure? (Oxford: Clarendon Press, 1996)
Orwell, George, The Complete Works of George Orwell, 20 vols. (London: Secker & Warburg, 1986–98)
Palfrey, Simon, Doing Shakespeare, 2nd edn (London: Methuen Drama, 2011)
Palfrey, Simon, and Stern, Tiffany, Shakespeare in Parts (Oxford University Press, 2007)
Palliser, D. M., The Age of Elizabeth: England under the Later Tudors 1547–1603, 2nd edn (London: Longman, 1992)
Parker, Patricia, ‘Black Hamlet: Battening on the Moor’, Shakespeare Studies 31 (2003): 127–64
Perry, Curtis, The Making of Jacobean Culture: James I and the Renegotiation of Elizabethan Literary Practice (Cambridge University Press, 1997)
Pesta, Duke, ‘Articulating Skeletons: Hamlet, Hoffman and the Anatomical Graveyard’, Cahiers Elisabéthains 69 (2006): 21–39
Phillips, J. E.‘A Revaluation of Horestes’,Huntington Library Quarterly 18 (1955): 227–44
Poole, Adrian, Tragedy: Shakespeare and the Greek Example (Oxford: Basil Blackwell, 1987)
Rowland, Richard, Thomas Heywood's Theatre 1599–1639: Locations, Translations, and Conflict (Farnham: Ashgate, 2010)
Ryan, Kiernan, Shakespeare's Comedies (Basingstoke: Palgrave Macmillan, 2009)
Salzman, Paul, Literary Culture in Jacobean England: Reading 1621 (London: Palgrave Macmillan, 2002)
Shannon, Laurie, Sovereign Amity: Figures of Friendship in Shakespearean Contexts (University of Chicago Press, 2002)
Sharpe, Kevin, Image Wars: Promoting Kings and Commonwealths in England 1603–1660 (New Haven, CT: Yale University Press, 2010)
Sharpe, Kevin, Selling the Tudor Monarchy: Authority and Image in Sixteenth-Century England (New Haven, CT: Yale University Press, 2009)
Shepard, Alexandra, Meanings of Manhood in Early Modern England (Oxford University Press, 2003)
Silk, Michael, ‘Shakespeare and Greek Tragedy: Strange Relationship’, in Martindale and Taylor (eds.), Shakespeare and the Classics
Small, Helen, The Long Life (Oxford University Press, 2007)
Smith, Bruce R., Shakespeare and Masculinity (Oxford University Press, 2000)
Stone, Lawrence, The Crisis of the Aristocracy 1558–1641 (Oxford: Clarendon Press, 1965)
Stevens, Wallace, Collected Poems (London: Faber and Faber, 1955)
Taylor, Charles, Sources of the Self: The Making of Modern Identity (Cambridge University Press, 1989)
Tennenhouse, Leonard, Power on Display: The Politics of Shakespeare's Genres (London: Methuen, 1986)
Thomas, Keith, The Ends of Life: Roads to Fulfilment in Early Modern England (Oxford University Press, 2009)
Traub, Valerie, Desire and Anxiety: Circulations of Sexuality in Shakespearean Drama (London: Routledge, 1992)
Tromly, Fred B., Fathers and Sons in Shakespeare: The Debt Never Promised (University of Toronto Press, 2010)
Walker, Greg, Writing under Tyranny: English Literature and the Henrician Reformation (Oxford University Press, 2005)
Waith, Eugene M., The Pattern of Tragicomedy in Beaumont and Fletcher (New Haven, CT: Yale University Press, 1952)
Wells, Robin Headlam, Shakespeare on Masculinity (Cambridge University Press, 2000)
Wiggins, Martin, Shakespeare and the Drama of His Time (Oxford University Press, 2000)
Winnicott, D. W., Playing and Reality (Hove: Brunner-Routledge, 1991)
Witmore, Michael, Pretty Creatures: Children and Fiction in the English Renaissance (Ithaca: Cornell University Press, 2007)
Womersley, David, Divinity and State (Oxford University Press, 2010)
Woods, Gillian, ‘The Contexts of The Trial of Chivalry, Notes and Queries 54 (2007): 313–18
Young, Alan R., The English Prodigal Son Plays: A Theatrical Fashion of the Sixteenth and Seventeenth Centuries (Institut. für Anglistik und Amerikanistik, Universität von Salzburg, 1979)

Metrics

Altmetric attention score

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.