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  1. Home
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  3. Musical Creativity in Restoration England
  • Cited by 14
Publisher:
Cambridge University Press
Online publication date:
September 2013
Print publication year:
2013
Online ISBN:
9781139013741
DOI:
https://doi.org/10.1017/CBO9781139013741
Subjects:
Seventeenth-Century Music, Music, Music Performance
Information

Book description

Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts of originality, inspiration and genius - were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation.

Awards

Winner of the 2015 Diana McVeagh Prize, North American British Music Studies Association

Reviews

'… Herissone’s study is a highly significant contribution to a better understanding of compositional processes and musical invention in Restoration England …'

Peter Hauge Source: The Seventeenth Century

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Contents

Contents
References

Bibliography

Primary sources (including facsimiles)

The music manuscripts used in this study are listed in the online catalogue that accompanies this book. Primary sources given in the following bibliography are cited by author where a single author is identified, and, where possible, by stationer/publisher in the case of anthologies.

Music

Blow, John, Amphion Anglicus. A Work of many Compositions, for One, Two, Three and Four Voices (London, 1700).
Blow, John, A Second Musical Entertainment Perform’d on St Cecilia’s Day. November XXII. 1684 (London, 1685).
Boyce, William, Cathedral Music: Being a Collection in Score of the Most Valuable and Useful Compositions for that Service, by the Several English Masters of the Last Two Hundred Years, 3 vols. (London, 1760–73).
Carr, John, Melothesia: or, Certain General Rules for Playing upon a Continued-Bass. With a Choice Collection of Lessons for the Harpsicord and Organ of all Sorts (London, 1673).
Carr, John, Tripla Concordia: or, a Choice Collection of New Airs, in Three Parts (London, 1677).
Dowland, John, The First Booke of Songs or Ayres of Fowre Partes (London, 1597).
English Song 1600–1675: Facsimiles of Twenty-six Manuscripts and an Edition of the Texts, Vol. V: British Library Manuscripts, Part V, Add. Ms. 29396 (Songs in the Hand of Edward Lowe), ed. Elise Bickford Jorgens (New York and London: Garland, 1986).
Grabu, Louis, Albion and Albanius: An Opera. Or, Representation in Musick (London, 1687).
Hudgebutt, John, Thesaurus Musicus: Being a Collection of the Newest Songs Performed at his Majesties Theatres . . . The Fifth Book (London, 1696).
Instrumental Music for London Theatres, 1690–1699: Royal College of Music, London, MS 1172, ed. Curtis Price, Music for London Entertainment, 1600–1800, Series A/3 (Withyam: Richard Macnutt, 1987).
The Island Princess, British Library Add. MS 15318: A Semi-Opera, ed. Curtis A. Price and Robert D. Hume, Music for London Entertainment, 1600–1800, Series C/2 (Tunbridge Wells: Macnutt, 1985).
Lawes, Henry, Ayres and Dialogues, for One, Two, and Three Voyces . . . The First Booke (London 1653).
Locke, Matthew, The English Opera: or, the Vocal Musick in Psyche, with the Instrumental Therein Intermix’d (London, 1675).
Locke, Matthew, The Rare Theatrical: New York Public Library, Drexel MS 3976, ed. Peter Holman, Music for London Entertainment, 1660–1800, Series A/4 (London: Stainer and Bell, 1989).
Matteis, Nicola, The False Consonances of Music. Facsimile Edition from Glasgow Euing Music Collection B.e.20, ed. James Tyler (Monaco: Éditions Chanterelles, 1980).
Parthenia, or the Maydenhead of the First Musicke that ever was Printed for the Virginalls (London, c. 1613).
Playford, Henry, Apollo’s Banquet, Newly Reviv’d: Containing New and Easie Instructions for the Treble-Violin . . . The Eighth Edition (London, 1701).
Playford, Henry, The Banquet of Musick: Or, A Collection of the Newest and Best Songs Sung at Court . . . The Fifth Book (London, 1691).
Playford, Henry, The Dancing Master: Or, Directions for Dancing Country Dances . . . The Tenth Edition (London, 1698).
Playford, Henry, Harmonia Sacra; or, Divine Hymns and Dialogues (London, 1688).
Playford, Henry, The Second Part of Musick’s Hand-maid: Containing the Newest Lessons, Grounds, Sarabands, Minuets, and Jiggs (London, 1689).
Playford, Henry, The Theater of Music: or, a Choice Collection of the Newest and Best Songs Sung at the Court, and Public Theaters . . . The First Book (London, 1685).
Playford, Henry, The Theater of Music: or, a Choice Collection of the Newest and Best Songs Sung at the Court, and Public Theaters . . . The Fourth Book (London, 1687).
Playford, John, Catch that Catch Can: or the Musical Companion. Containing Catches and Rounds for Three and Four Voyces (London 1667).
Playford, John, Choice Ayres and Songs to Sing to the Theorbo-lute, or Bass-Viol . . . The Second Book (London, 1679).
Playford, John, Choice Ayres and Songs to Sing to the Theorbo-lute, or Bass-Viol . . . The Third Book (London, 1681).
Playford, John, Choice Ayres and Songs to Sing to the Theorbo-lute, or Bass-Viol . . . The Fourth Book (London, 1683).
Playford, John, Choice Ayres, Songs and Dialogues to Sing to the Theorbo-lute, or Bass-Viol . . . The Second Edition (London, 1675).
Playford, John, Courtly Masquing Ayres (London, 1662).
Playford, John, The Dancing Master: Or, Plain and Easie Rules for the Dancing of Country-Dances . . . to which is added the Tunes of the most usual French Dances (London, 1657).
Playford, John, The Division Violin: Containing a Choice Collection of Divisions to a Ground for the Treble-Violin (London, 1684).
Playford, John, The English Dancing Master: Or, Plaine and Easie Rules for the Dancing of Country Dances (London, 1651).
Playford, John, The Musical Companion, In Two Books. The First Book containing Catches and Rounds for Three Voyces. The Second Book containing Dialogues, Glees, Ayres and Songs for Two, Three and Four Voyces (London, 1673).
Playford, John, Musicks Hand-maid: New Lessons and Instructions for the Virginals or Harpsychord (London, 1678).
Playford, John, Musicks Hand-maide: Presenting New and Pleasant Lessons for the Virginals or Harpsycon (London, 1663).
Playford, John, Select Ayres and Dialogues To Sing to the Theorbo-Lute or Basse-Viol . . . The Second Book (London, 1669).
Purcell, Henry, A Choice Collection of Lessons for the Harpsichord or Spinnet, Composed by the Late Mr Henry Purcell (London, 1696).
Purcell, Henry, A Collection of Ayres, Compos’d for the Theatre (London, 1697).
Purcell, Henry, The Gresham Autograph, Introduction by Margaret Laurie and Robert Thompson, facsimile edn (London: Novello, 1995).
Purcell, Henry, Orpheus Britannicus: A Collection of all the Choicest Songs for One, Two, and Three Voices . . . The Second Edition (London, 1706).
Purcell, Henry, Some Select Songs as they are Sung in the Fairy Queen (London, 1692).
Purcell, Henry, The Songs in the Indian Queen: As it is now Compos’d into an Opera (London, 1695).
Purcell, Henry, Sonnata’s of III Parts: Two Viollins and Basse: To the Organ or Harpsecord (London, 1683).
Purcell, Henry, The Vocal and Instrumental Music of the Prophetess, or the History of Dioclesian (London, 1691).
Reggio, Pietro, Songs Set by Signior Pietro Reggio (London, 1680).
The Songs to the New Play of Don Quixote, As they are Sung at the Queen’s Theatre in Dorset Garden, Part the First (London, 1694).
Walsh, John, The Second Book of the Harpsicord Master (London, 1700).
Walsh, John, Songs in the Opera Call’d Arsinoe Queen of Cyprus (London, 1705).
Walsh, John, The Third Book of the Harpsicord Master (London, 1702).
Walsh, John and John Hare, Harmonia Anglicana, Or the Musick of the English Stage (London, 1703).

Literary texts, including music theory and discourse

B., J., An English Expositor: or Compleat Dictionary (London, 1695).
Bacon, Francis, Sylva Sylvarum: or A Natural History (London, 1627).
Bathe, William, A Briefe Introduction to the Skill of Song (London, [1596?]).
Bedford, Arthur, ‘Observations concerning Musick made Anno Domini 1705 or –06’ (manuscript in the hand of John Hawkins), Lbl Add. 4917.
Bevin, Elway, A Briefe and Short Instruction in the Arte of Musicke (London, 1631).
B[lount], T[homas], Glossographia: Or, A Dictionary, Interpreting the Hard Words of Whatsoever Language, now used in our refined English Tongue, 4th edn (London, 1674).
Burney, Charles, A General History of Music from the Earliest Ages to the Present Period, 4 vols. (London, 1776–89).
Butler, Charles, The Principles of Musik, in Singing and Setting: With the Two-fold Use therof (London, 1636).
Campion, Thomas, A New Way of Making Fowre Parts in Counterpoint, by Thomas Campion and Rules how to Compose, by Giovanni Coprario, ed. Christopher R. Wilson, Music Theory in Britain, 1500–1700: Critical Editions (Aldershot: Ashgate, 2003).
[Davenant, William], The Siege of Rhodes Made a Representation by the Art of Prospective in Scene, and the Story sung in Recitative Musick (London, 1656).
Dryden, John, Of Dramatick Poesie, an Essay (London, 1668).
The Fairy-Queen: An Opera . . . with Alterations, Additions, and Several New Songs (London, 1693).
Hawkins, John, A General History of the Science and Practice of Music, 5 vols. (London, 1776).
Le Cerf de la Viéville, Jean-Laurent, Comparaison de la musique italienne, et de la musique françoise (Brussels, 1705–6).
Mace, Thomas, Musick’s Monument, or a Remembrancer of the Best Practical Musick (London, 1676).
Maria, Tomás de Sancta, Arte de tañer fantasia (Valladolid, 1565).
Morley, Thomas, A Plaine and Easie Introduction to Practicall Musicke, set downe in forme of a dialogue (London, 1597).
Motteux, Peter, The Island Princess: or the Generous Portuguese. Made into an Opera (London, 1701).
A New and Easie Method to Learn to Sing by Book (London, 1686).
[North, Francis], A Philosophical Essay of Musick Directed to a Friend (London, 1677).
North, Roger, Notes of Me: The Autobiography of Roger North, ed. Peter Millard (University of Toronto Press, 2000).
North, Roger, Roger North on Music: Being a Selection from his Essays Written during the Years c. 1695–1728, ed. John Wilson (London: Novello, 1959).
North, Roger, Roger North’s Cursory Notes of Musicke (c. 1698–c. 1703): A Physical, Psychological and Critical Theory, ed. Mary Chan and Jamie C. Kassler (Kensington, NSW: Unisearch, 1986).
North, Roger, Roger North’s The Musical Grammarian, 1728, ed. Mary Chan and Jamie C. Kassler, Cambridge Studies in Music (Cambridge University Press, 1990).
Peacham, Henry (jr), The Compleat Gentleman (London, 1622).
Peacham, Henry (sr), The Garden of Eloquence (London, 1593).
Pepys, Samuel, The Diary of Samuel Pepys: A New and Complete Transcription, ed. Robert Latham and William Matthews, 11 vols. (London: Bell and Hyman, 1970–83).
Playford, John, An Introduction to the Skill of Musick. In Three Books . . . The Twelfth Edition. Corrected and Amended by Mr. Henry Purcell (London, 1694).
Reggio, Pietro, The Art of Singing, or A Treatise, wherein is shown how to Sing well any Song whatsoever (Oxford, 1677).
Sebastiani, Claudio, Bellum musicale inter plani et mensuralis cantus reges (Strasbourg, 1563).
Settle, Elkanah, Ibrahim the Illustrious Bassa (London, 1677).
Shadwell, Tho[mas], The Libertine: A Tragedy (London, 1676).
Simpson, Christopher, A Compendium of Practical Musick in Five Parts (London, 1667).
Simpson, Christopher, The Division-Viol, or, The Art of Playing Ex Tempore upon a Ground (London, 1665).
[Swift, Jonathan], A Tale of a Tub. Written for the Universal Improvement of Mankind . . . To which is added, An Account of a Battel between the Antient and the Modern Books (London, 1704).
The Tempest or the Enchanted Island. A Comedy. As it is now Acted at His Highness the Duke of York’s Theatre (London, 1674).
Vasari, Giorgio, The Lives of the Artists, trans. Julia Conaway Bondanella and Peter Bondanella, Oxford World’s Classics (New York: Oxford University Press, 1998; first published 1991).
Vasari, Giorgio, Le vite de’ più eccellenti pittori, scultori e architettori, 2nd edn (Florence, 1568).
[Wilkins, John], An Alphabetical Dictionary. Wherein all English Words According to their Various Significations, are either referred to their Places in the Philosophical Tables, or Explained by such Words as are in those Tables (London, 1668).
Wilson, Thomas, The Arte of Rhetorique (London, 1553).
[Young, Edward], Conjectures on Original Composition in a Letter to the Author of Sir Charles Grandison (London, 1759).

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Herissone, Rebecca, ‘Daniel Henstridge and the Transmission of Music in Restoration England’, in Linda Austern, Candace Bailey and Amanda Eubanks Winkler (eds.), Beyond Public and Private: Re-Locating Music in Early Modern England (Bloomington: Indiana University Press, forthcoming).
Herissone, Rebecca, ‘“Fowle Originalls” and “Fayre Writeing”: Reconsidering Purcell’s Compositional Process’, Journal of Musicology, 23 (2006), 569–619.
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Herissone, Rebecca, ‘Performance History and Reception’, in Rebecca Herissone (ed.), The Ashgate Research Companion to Henry Purcell (Farnham and Burlington, VT: Ashgate, 2012), 303–51.
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Modern editions of music

Blow, John, Anthems III: Anthems with Strings, ed. Bruce Wood, Musica Britannica, 65 (London: Stainer and Bell, 1993).
Blow, John, Anthems IV: Anthems with Instruments, ed. Bruce Wood, Musica Britannica, 79 (London: Stainer and Bell, 2002).
Blow, John, Complete Organ Works, ed. Barry Cooper, Musica Britannica, 69 (London: Stainer and Bell, 1996).
Blow, John, Jesus Seeing the Multitudes, ed. Alan Howard, Web Library of Seventeenth-Century Music, 16, www.sscm-wlscm.org.
Blow, John, Venus and Adonis, ed. Bruce Wood, The Purcell Society Companion Series, 2 (London: Stainer and Bell, 2008).
Draghi, Giovanni Battista, Harpsichord Music, ed. Robert Klakowich, Recent Researches in the Music of the Baroque Era, 56 (Madison, WI: A-R Editions, 1986).
Draghi, Giovanni Battista, Ode for St Cecilia’s Day, 1687, ed. Bryan White, The Purcell Society Companion Series, 3 (London: Stainer and Bell, 2011).
Gibbons, Orlando, Keyboard Music, ed. Gerald Hendrie, Musica Britannica, 20 (London: Stainer and Bell, 1962).
Humfrey, Pelham, Complete Church Music: I, ed. Peter Dennison, Musica Britannica, 34 (London: Stainer and Bell, 1972).
Locke, Matthew, Anthems and Motets, ed. Peter le Huray, Musica Britannica, 38 (London: Stainer and Bell, 1976).
Locke, Matthew, Chamber Music: I, ed. Michael Tilmouth, Musica Britannica, 31 (London: Stainer and Bell, 1971).
Locke, Matthew, Chamber Music: II, ed. Michael Tilmouth, Musica Britannica, 32 (London: Stainer and Bell, 1972).
Locke, Matthew, Dramatic Music, ed. Michael Tilmouth, Musica Britannica, 51 (London: Stainer and Bell, 1986).
Locke, Matthew and Christopher Gibbons, Cupid and Death, ed. Edward J. Dent, Musica Britannica, 2 (London: Stainer and Bell, 1951).
Purcell, Henry, Anthems and Miscellaneous Church Music: Part VII, ed. Anthony Lewis and Nigel Fortune, The Works of Henry Purcell, 32 (London: Novello, 1962).
Purcell, Henry, Birthday Odes for Queen Mary, Part II, ed. Bruce Wood, The Works of Henry Purcell, 24, new edn (London: Novello, 1998).
Purcell, Henry, Dramatic Music, Part I, ed. Margaret Laurie, The Works of Henry Purcell, 16, new edn (London: Novello, 2007).
Purcell, Henry, Fantazias and Miscellaneous Instrumental Music, ed. Michael Tilmouth, with additional material prepared by Alan Browning and Peter Holman, The Works of Henry Purcell, 31, rev. edn (London: Novello, 1990).
Purcell, Henry, The Indian Queen, ed. Margaret Laurie and Andrew Pinnock, The Works of Henry Purcell, 19, new edn (London: Novello, 1994).
Purcell, Henry, Royal Welcome Songs, Part II, ed. Bruce Wood, The Works of Henry Purcell, 18, new edn (London: Novello, 2005).
Purcell, Henry, Sacred Music, Part I: Eight Early Anthems, ed. Peter Dennison, The Works of Henry Purcell, 13, new edn (Borough Green: Novello, 1988).
Purcell, Henry, Sacred Music, Part II: Nine Anthems with Strings, ed. Lionel Pike, The Works of Henry Purcell, 14, new edn (London: Novello, 2003).
Purcell, Henry, Sacred Music, Part III: Seven Anthems with Strings, ed. Nigel Fortune, The Works of Henry Purcell, 17, rev. edn (London: Novello, 1964).
Purcell, Henry, Sacred Music, Part VI: Songs and Vocal Ensemble Music, ed. Anthony Lewis and Nigel Fortune, The Works of Henry Purcell, 30 (London: Novello, 1965).
Purcell, Henry, Sonatas of Three Parts for 2 Violins, Basso and Basso Continuo, ed. Roger Fiske (London, Mainz and New York: Eulenburg, [1974]).
Purcell, Henry, Suite from Bonduca (1695): Arrangements for Keyboard by or Attributed to Philip Hart, Giovanni Battista Draghi, Robert King and Anonymous, ed. Andrew Woolley, Thesaurus Musicus, 2 (Edinburgh: Woolley, 2010).
Purcell, Henry, Suites, Lessons and Pieces for the Harpsichord, ed. William Barclay Squire, Chester Series, 36–9, 4 vols. (London: Chester, 1918).
Purcell, Henry, Ten Sonatas in Four Parts, ed. Christopher Hogwood, 2 vols. (London: Eulenburg, 1978).
Purcell, Henry, Ten Sonatas of Four Parts, ed. Michael Tilmouth, The Works of Henry Purcell, 7, rev. edn (Borough Green: Novello, 1981).
Purcell, Henry, Three Occasional Odes, ed. Bruce Wood, The Works of Henry Purcell, 1, new edn (London: Stainer and Bell, 2008).
Purcell, Henry, Twelve Sonatas of Three Parts, ed. Michael Tilmouth, The Works of Henry Purcell, 5, rev. edn (Borough Green: Novello, 1976).

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